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23201.
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23202.
  • Kobiałka, Dawid, 1985- (författare)
  • Popping tags : thrift shopping with Macklemore
  • 2013
  • Annan publikation (populärvet., debatt m.m.)abstract
    • We live in a world–or so we’re told–in which we’re obsessed with the new. Shopping malls, glossy magazines, and catwalk parades encourage us to buy more new, shiny stuff. But the famous song line, “Hey, Macklemore! Can we go thrift shopping?” by American rapper Ben Haggerty (a.k.a. Macklemore) suggests that fashion on a different trajectory. To put it simply, Macklemore’s song suggest that what’s old is new again. It is only by wearing kitschy material culture from the ’80s and ’90s found in a thrift shop that one can be considered fashionable and–as it is often said–cool. What ten years ago would have been discernible as a sign of a lack of good taste is today an ultimate example of being fashionable. In short, non-fashion is its own fashion today. The only new things are from the past.
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23203.
  • Kobiałka, Dawid, 1985- (författare)
  • Rethinking face-urns through Heidegger, Lévy-Bruhl and… Jim Carrey
  • 2011
  • Ingår i: Analecta Archaeologica Ressoviensia. - Rzeszów : Institute of Archaeology Rzeszów University. - 2084-4409. ; 4, s. 303-337
  • Tidskriftsartikel (refereegranskat)abstract
    • Hitherto archaeologists interpreting face-urns have focused ontheir symbolic aspects. However, the aim of this paper is to examinePomeranian face-urns from a perspective emphasizing artefacts assuch, not what artefacts symbolise but rather what artefacts were forthe prehistoric societies. However, my research does not stand in oppositionto the existing approaches. They should rather be complementary.Only by taking into account both a symbolic perspective andthe approach offered in this paper – what I shall call a thingness perspective– can archaeology take a step closer to grasping the complexityof the face-urns phenomenon. The paper begins with a discussionof Martin Heidegger’s thinking about the differences between thingand object. Then I will try to correlate Heidegger’s reasoning withthe Lévy-Bruhlian concept of dualité et bi-présense, using a film, TheMask (1994) directed by Chuck Russell, to illustrate Heidegger’s andLévy-Bruhl’s thinking about things. Then using some thoughts fromarchaeology of the body I will investigate similarities between the humanbody and face-urns. The paper will conclude with an attempt todraw some aspects of the cultural biography of face-urns.
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23204.
  • Kobiałka, Dawid, 1985- (författare)
  • Skarby wielkopolskiej wsi
  • 2012
  • Ingår i: Przegląd Wielkopolski. ; 96:2, s. 46-50
  • Tidskriftsartikel (refereegranskat)abstract
    • Wielkopolska wieś od dawna jest przedmiotem studiów etnologów. Złożoności i wieloaspektowości życia chłopa wielkopolskiego dają wyraz chociażby dwa tomy studiów pod redakcją Józefa Burszty.Jednak wielkopolska wieś nie musi być jedynie przedmiotem namysłu etnologa. Również interesującym polem badawczym jest dla archeologa. Jest tak bowiem częstokroć na współczesnej wsi dochodzi do zderzenia pradawnej przeszłości z teraźniejszością. Jako przykład tego, chciałbym omówić pokrótce losy kilku archeologicznych artefaktów pochodzących z okolic Przemęta w powiecie wolsztyńskim i Lginia w powiecie wschowskim.
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23205.
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23206.
  • Kobiałka, Dawid, 1985- (författare)
  • Star Trek into Archaeology : Captain James T. Kirk and Heritage from the Future
  • 2014
  • Annan publikation (populärvet., debatt m.m.)abstract
    • Definitely, it was not a good day for Theodor Adorno (2005: 25), otherwise great German philosopher, when he honestly admitted in Minima Moralia: ‘Every visit to the cinema leaves me, against all my vigilance, stupider and worse’. What Adorno despised was not only Hollywood movies, but generally, popular culture per se that was part of culture industry. However, it can be said that today there are many interesting things taking place in cinema that can inspire archaeologists. One of them concerns heritage; the subject that is very close to our hearts.
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23207.
  • Kobiałka, Dawid, 1985- (författare)
  • The mask(s) and transformers of historical re-enactment : material culture and contemporary Vikings
  • 2013
  • Ingår i: Current Swedish Archaeology. - 1102-7355. ; 21, s. 141-161
  • Tidskriftsartikel (refereegranskat)abstract
    • The paper discusses the role of material culture for historical re-enactors of the Viking Age. Three issues are analysed: (a) the clothing and accessories worn by a typical contemporary warrior, craftsman and woman of the Viking times and the range of goods available for purchase at historical re-enactment markets, (b) the active and transformative aspect of material culture for present-day Vikings, (c) the paradox of how mirroring the material past by historical re-enactors is actually a deeply ahistorical category. The main conclusion of this study is that historical re-enactment of the Viking Age is essentially about material culture. The paper is based on observations made during the Viking Week that took place at the Museum of Foteviken (Sweden) on 24–30 June 2013.
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23208.
  • Kobiałka, Dawid, 1985- (författare)
  • Time travels in archaeology : between Hollywood films and historical re-enactment?
  • 2013
  • Ingår i: AP: Online Journal in Public Archaeology. - 2171-6315. ; 3, s. 110-130
  • Tidskriftsartikel (refereegranskat)abstract
    • One of the recently most popular ways of experiencing the past is time travelling. It is an experience and social practice in the present that evokes a past (or future) reality’ (Holtorf 2009: 33). In this article, I mainly discuss the political aspect of time travelling. I focus on cinema as a medium which closely links archaeology with the time travel phenomenon. Two Oscars galas, of 2010 and 2012, are scrutinised as case studies. The text is a political intervention to start dreaming dangerously, to contribute as an archaeologist to the critique of the utopia of capitalism (see also Hernando 2005: 75).
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23209.
  • Kobiałka, Dawid, 1985- (författare)
  • Vikings in cinema : a case study of How to Train Your Dragon
  • 2013
  • Ingår i: International Journal of Žižek Studies. - : University of Leeds, Institute of Communications Studies. - 1751-8229. ; 7:4
  • Tidskriftsartikel (refereegranskat)abstract
    • Archaeologists have been interested in Hollywood films for a number of decades. Initially, their attention was focused on cinema’s misperception of the practice of archaeology and the subject under study (the past). Every film is, to use a Hegelian distinction, a story in itself, presenting a  more or less coherent story. At the same time, each film is for itself: a meta-film (meta-story) which reflects on and encapsulates the context within which it was made. In this paper these two levels of cinema are scrutinised in relation to How to Train Your Dragon (2010), an animation about Vikings and dragons. The paper aims to show how the (imaginable) past is used to both mask and stage tensions of contemporary politics. 
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23210.
  • Kobiałka, Dawid, 1985- (författare)
  • We are all zombies : an archaeology of The Walking Dead
  • 2013
  • Annan publikation (populärvet., debatt m.m.)abstract
    • I was sitting with a group of historical re-enactors in front of a fire and listening to them attentively. It was during the thirteenth Meeting of the Slavic Warriors in Grzybowo (Poland) in 2012. One of the re-enactors commented that, during his day-to-day life and work, he feels like the living dead. It is only during summer weekends, when historical re-enactment events take place, that he casts off this zombie-like persona and truly feels alive. Other re-enactors present agreed with him. Historical re-enactment is not, for them, a hobby. It is their way of life.
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