| 21. |
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| 22. |
- Geib, Jonathan, 1979
(författare)
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Ett skepp kommer lastat...
- 2015
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Ett skepp kommer lastat...: a Swedish children's game in which players recount, in accumulated succession, the imagined contents of an incoming ship. The metaphorical abundance and unknowability of the latter drove this cross-institutional, multi-disciplinary collaboration and PhD research case study which engaged with the Frölunda Kulturhus's theme of 'neighbors'. A constellation of twelve participatory workshops with children explored indirect dialogues between neighbors via architectural interfaces and perspectival reversals of researcher and subject. The project led to a three-week exhibition in the Frölunda Kulturhus's main exhibition hall and involved over 165 children and youth from three different schools.
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| 23. |
- Gheorghe, Cătălin, et al.
(författare)
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Exhibitionary Acts of Political Imagination. Introduction
- 2021
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Ingår i: Exhibitionary Acts of Political Imagination. - Isi, Romania; Gothenburg, Sweden : Artes Publishing House (UNAGE Iasi) and ArtMonitor (University of Gothenburg), and it is co-financed by the Administration of National Cultural Fund in Romania and PARSE (University of Gothenburg).. - 9789198517200
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Bokkapitel (refereegranskat)abstract
- Introduction to an edited volume seeks to add to the current wide range of scholarship, critique and curatorial experimentation that considers the affordances of exhibition with particular reference to the theme of the political imaginary. The text provides an expansion of the terms of the invitation to contributors and the framing of the book project.
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| 24. |
- Wilson, Mick, 1964
(författare)
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Introduction: The Social as Always Already the Political
- 2018
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Ingår i: Public Enquiries : PARK LEK and the Social Turn in Scandinavian Contexts, Mick Wilson et al. (eds). - London : Black Dog Press. - 9781911164302
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- This essay maps the faultlines in recent debates on the social turn in contemporary art practice and provides an account of how the changing and divergent terms of social practices (collaborative arts, participatory arts, socially engaged art etc.) may be conceptualised within a broad framework. It also provides an account of PARK LEK, Kerstin Bergendal's major art project within the terms of this conceptualisation, and makes a claim for the way practice leads - and is in advance of - the theoretical and critical frameworks proposed for this domain of practice.
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| 25. |
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The Right to design
- 2024
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Ingår i: Urgent Pedagogies Issue #9.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- In this issue of Urgent Pedagogies, The Right to design, a practice-based research platform run by Onkar Kular and Henric Benesch, is presented. The platform has the dual aim of understanding the entangled historic and present relationship between design and rights and to claim ‘design’ itself as a special kind of right that is accessible beyond class background, gender, ethnicity, age, and disability. The platform currently serves as the base for activities such as assemblies, (mis)readings, broadcasting and educational initiatives with partners inside and outside academia. Contributors include Onkar Kular, Henric Benesch, Arjun Appadurai, Arturo Escobar and Caleb Femi.
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| 26. |
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Heritage as Common(s) - Common(s) as Heritage
- 2015
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The book consitutes the printed outcome of a seminar series run by the Critical Heritage Initiative (University of Gothenburg) and the Urban Heritage Cluster (Curating the City).
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| 27. |
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Heritage as Common(s) - Common(s) as Heritage
- 2015
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The book consitutes the printed outcome of a seminar series run by the Critical Heritage Initiative (University of Gothenburg) and the Urban Heritage Cluster (Curating the City).
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| 28. |
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Seeing Like a Smuggler: Borders from Below
- 2022
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The word smuggler often unleashes a simplified, negative image painted by the media and the authorities. Such state-centric perspectives hide many social, political and economic relations generated by smuggling. This book looks at the practice through the eyes of the smugglers, revealing how their work can be productive, subversive and deeply sociopolitical. By tracing the illegalised movement of people and goods across borders, Seeing Like a Smuggler shows smuggling as a contradiction within the nation-state system, and in a dialectical relation with the national order of things. It raises questions on how smuggling engages and unsettles the ethics, materialities, visualities, histories and the colonial power relations that form borders and bordering. Covering a wide spectrum of approaches from personal reflections and ethnographies to historical accounts, cultural analysis and visual essays, the book spans the globe from Colombia to Ethiopia, Singapore to Guatemala, Afghanistan to Zimbabwe, and from Kurdistan to Bangladesh, to show how people deal with global inequalities and the restrictions of poverty and immobility.
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| 29. |
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| 30. |
- Orrù, Anna Maria, 1976
(författare)
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Wild Poethics - Exploring relational and embodied practices in urban-making
- 2017
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Nature is not something separated from the city. With this in mind, this research emerges from the act of urban gardening, staging space for naturecultures that reinforce a direct relation to an urban nature. Alternate agencies can motivate ecological mindsets in urban approaches, bypass the hegemonic and paralysing attitude of the Anthropocene and render a more profound relation with the spatial environment. This catalyses a potential in embodied methodologies to generate vibrant materialist relations in urban-making. The research is positioned with a two-fold challenge; urban-making and naturecultures. The aim is to reorientate methodologies in urban-making to approach relational space matters, and promote ecological poethics relevant for practice, research and education. Three thresholds of engagement structure the exploration: the embodied, the relational and the situated. Alongside explorative practices are built up cartographies of theoretical neighbourhoods that provide alternate knowledge generation on individual, shared and collective levels. Experimental embodied interventions are grounded in artistic research through choreographical approaches using Butoh, Body Weather and swarm-behaviour practices. These approaches are set in a voyage-metaphor to a fictional Island of Encounters reaching four destinations. Each encounter unravels a particular perspective into relational and embodied practice: Alba (body/curiosity), Agora (fiction/performance), Clinamen (atmosphere/imagination), and Plūris (metaphor/swarming). A methodological choreography which corresponds with the theoretical cartographies, reveals and opens up for an urban-making founded in situated knowledges to generate a corporeal poethics – poetic, politic, and ethical. As the activated practice unfolds, interventions are supported by their theoretical neighbourhoods nested in feminist spatial practice, vibrant relationscapes, worlding, affective atmospheres, imagination, spatial-temporal in-betweeness and assemblage-thinking. Accompanying each destination are five film essay(s), each pertaining to the particular artistic interventions in the research.Using corporeal imagination and re-enactment modes of enquiry such as thinking with paper modelled texts, creating fictocriticisms with clouds, using dynamic biomimesis, and mimicking swarms, generates an enlivened relation with naturecultures that gestures the body into becoming a reflective and profound membrane with space. By encountering and immersing the body in a space/time construct, a critical materiality practice emerges that can infuse urban-making, render the body a more refined medium and reactivate architectural thinking and making.
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