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31.
  • Edfeldt, Chatarina, 1963-, et al. (författare)
  • Northern Crossings : Translation, Circulation and the Literary Semi-periphery
  • 2022
  • Bok (refereegranskat)abstract
    • This open access book uses Swedish literature and the Swedish publishing field as recurring examples to describe and analyse the role of the literary semi-peripheral position in world literature from various perspectives and on meso, micro and macro levels, using both quantitative and qualitative methods. This includes the role of translation in the semi-periphery and the conditions under which literature travels to and from that position. The focus is not on Sweden, as such, but rather on the semi-peripheral transitional space as exemplified by the Swedish case.Consisting of three co-written chapters, this study sheds light on what might be called the semi-peripheral condition or the semi-periphery as an area of transition. As part of the Cosmopolitan and Vernacular Dynamics in World Literatures series, it makes continuous use of the concepts of 'cosmopolitan' and 'vernacular' – or rather, the processual terms, cosmopolitanization and vernacularization – which provide an overall structure to the analysis of literature and literary phenomena. In this way, the authors show that the semi-periphery is an ideal point of departure to further the understanding of world literature, because it is a place where the cosmopolitan (the literary universal) and the vernacular (the rootedness in a particular culture or place) interact in ways that have not yet been thoroughly explored.
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32.
  • Ekholm, Christer, 1966 (författare)
  • Erik Beckman och sakernas egentligen värmländska tillstånd
  • 2021
  • Ingår i: En värmländsk litteraturhistoria. Del 2, red. Helene Blomqvist och Dag Nordmark. - Karlstad : Värmlands museum. - 9185224944
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
    • Kapitlet ger en inblick i Värmlands roll i Erik Beckmans författarskap.
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33.
  • Ekman, Stefan, 1972 (författare)
  • Writing Worlds, Reading Landscapes: An Exploration of Settings in Fantasy
  • 2010
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • In fantasy literature, the setting is as important to the story as are characters and plot; but although many fantasy scholars have pointed this out, there is very little criticism that explores the role of the setting in fantasy. The aim of this study is to use a topofocal (place-focused) perspective to examine four aspects of the fantasy setting, including the way in which settings function in terms of their respective worlds and stories. Chapter 2 considers the division of a setting into text and image by investigating the fantasy map through a survey of a random sample of fantasy novels, as well as through a close reading of two maps from The Lord of the Rings. Fantasy maps, while generally adhering to a pseudomedieval aesthetics, may reveal much about the world of their respective works. Chapter 3 explores geographical divisions which also divide different realities. Borders between, for instance, mundanity and Faerie, and between the realms of life and death, may appear to be sharp demarcations but are often gradual transitions from one reality to another. Other areas – polders – are particular realities protected from the outside world by a boundary. These polders are bubbles of the past which extend the world’s topology as well as its history. The chapter demonstrates how a fundamental function for such boundaries and borders is to join opposing realities rather than keep them apart. Chapter 4 examines the relation between nature and culture in four fantasy cities. Each city portrays a highly dissimilar relation compared to the others: where nature is a symbol of just governance in one place, the element of opposition is used as part of a social critique in another; the two domains dissolve into each other in the third, and in the fourth city, nature is a liminal phenomenon between various cultural zones. In each story, however, the nature/culture relation displays a connection to a key theme or concern. Finally, chapter 5 shows how the fantasy genre allows the division between ruler and realm to be bridged, discussing the direct link between them. After an overview of such links, some specific tropes are considered, including the Fisher-King figure and the Dark Lord, and the importance of a non-metaphorical reading of the ruler/realm connection is demonstrated. The topofocal approaches in the four chapters reveal much about the works under consideration, such as their underlying attitudes and central concerns, and prove to be valuable critical strategies in demonstrating how plot, character, and setting are interwoven.
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34.
  • Forné, Anna, 1971 (författare)
  • “Una crónica distinta de todas”: Las malas de Camila Sosa Villada
  • 2022
  • Ingår i: RevIISE - Revista De Ciencias Sociales Y Humanas. - 2250-5555. ; 20:20, s. 205-213
  • Tidskriftsartikel (refereegranskat)abstract
    • La trayectoria artística de Camila Sosa Villada comprende géneros y registros variopintos, desde el teatro, la poesía, el ensayo, la novela hasta, más recientemente, el cuento. En el acervo de su obra es posible dibujar cruces, torciones, repeticiones y reivindicaciones, y la elección y cruces de repertorios incide sobre la historia narrada, que incansablemente se transviste. En este artículo se aborda Las malas con el objetivo de ver cuáles son las aproximaciones a lo real que se despliegan en esta novela, leyendola a la luz del género testimonial, el nuevo realismo así como la autoficcón. Las malas resulta inclasificable justamente porque es posible asociar y desasociar la escritura de Camila Sosa Villada con múltiples y diversos repertorios literarios, presentes y pasados, nacionales y transnacionales. Al mismo tiempo que recurre a la imaginación fantástica para pensar lo real, descubre el acceso por medio de la escritura a la realidad vivida.
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37.
  • Han, Gül Bilge, 1984- (författare)
  • “Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy
  • 2015
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. Written over a period when the political efficacy of literature became a staple of discussion among a myriad of writers and critics, Stevens’s poetry offers an understanding of autonomy not as an escape from, but as a productive condition for imagining alternative forms of engagement with the historical crisis with which it has to reckon. In taking into account the cultural context from which Stevens’s poetics of autonomy emerged, my study aims to highlight the significance of the concept to the poet’s exploration of the tension between aesthetic and social domains, to his imaginative formations of collective agency, and to the vexed relationship between poetic and philosophical modes of thinking. By transposing the theoretical discussion of autonomy into the register of historical scrutiny, I hope to pave the way for a rethinking of autonomy and its relevance to the period’s radical and modernist writing, literary debates, and cultural politics. For this purpose, I draw on recent theories, such as those offered by Jacques Rancière and Alain Badiou, on poetry, politics, and (in)aesthetics, which serve to complicate the working definitions of modernist autonomy as literature’s immunity from the world, and to indicate an alternative path for analyzing its critical and contextual implications.
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38.
  • Harris, Ashleigh, 1976-, et al. (författare)
  • African Street Literature : A Method for an Emergent Form Beyond World Literature
  • 2020
  • Ingår i: Research in African Literatures. - : Indiana University Press. - 0034-5210 .- 1527-2044. ; 51:2, s. 1-26
  • Tidskriftsartikel (refereegranskat)abstract
    • This paper begins with the assertion that world literature is in danger of becoming a closed system, whereby literature anticipates its critical reception in both its form and content. Emergent African literary forms are often excluded from the field of world literature precisely because they demand methods of reading that challenge this anticipatory logic. We refer to this emergent literature circulating in African urban spaces as "African street literature." This paper focuses on three such street forms: ephemeral print literature, flash fiction, and spoken word poetry. In all three cases, the literary form registers its situated-ness, and as such its location is co-constructive of the field of the literary text. The methodological intervention that the paper makes explores ways of reading context, material, form, and content as combined and codetermining without losing attention to the literariness of the text under examination.
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39.
  • Hove Ullestad, Iril, 1984 (författare)
  • Russian Cosmism in Eugene Vodolazkin’s novel The Aviator
  • 2021
  • Ingår i: Slovo : Journal of Slavic Languages and Literatures. - Uppsala : Uppsala universitet. - 0348-744X. ; 62, s. 25-38
  • Tidskriftsartikel (refereegranskat)abstract
    • In this article, I discuss the influence of Russian Cosmism on Eugene Vodolazkin’s 2016 novel The Aviator. The central philosophical issues associated with Russian Cosmism are immortality and resurrection of the human body, space exploration, the conservation of time and memory in the museum and the idea of universal kinship. All of these motifs are present, to some extent, in The Aviator. In the following analysis I focus on space travel. In The Aviator, space travel is deeply intertwined with the motifs of memory and resurrection, a combination which points backwards in the direction of Nikolai Fedorov, Pavel Florensky and Konstantin Tsiolkovsky, but also forward to contemporary visual artists, philosophers, writers and scientists. A cosmist reading of The Aviator makes comparisons relevant to several contemporary novels. This discussion uses Anna Starobinets’ The Living (2011) and Dmitry Glukhovsky’s Futu.re (2013) as material for comparison with The Aviator. A common thread for these three novels is the pessimism they reveal while developing the cosmist ideas.
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40.
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