| 61. |
- Rosenberg, Tiina
(author)
-
Förord
- 2008
-
In: Familjens, privategendomens och statens ursprung. - 9789197636049 ; , s. 9-12
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Book chapter (other academic/artistic)abstract
- Preface to the new Swedish translation of Friedrich Engel's The Origin of the Family, Private Property, and the State.
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| 62. |
- Rosenberg, Tiina, et al.
(author)
-
Förord
- 2007
-
In: Kvinnornas svarta bok: en antologi om kvinnors villkor i världen. ; , s. 5-7
-
Book chapter (pop. science, debate, etc.)abstract
- A preface to the Swedish translation of Le livre noir de la condition des femmes.
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| 63. |
- Rosenberg, Tiina
(author)
-
Förord
- 2007
-
In: Kvinnornas svarta bok. - Malmö : Damm. - 9789171307620 ; , s. 5-7
-
Book chapter (other academic/artistic)
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| 64. |
- Rosenberg, Tiina
(author)
-
Gender and Sexuality in Meret Oppenheim's Performance Art
- 2010
-
Conference paper (peer-reviewed)abstract
- What is woman’s role in the modernist avant-garde? Feminist art historians have long criticised the dominant masculinity of modernism. The problem, as I see it, is the unreflecting way in which history is written, and the way in which women are squeezed into theoretic models that really only affirm, and cater primarily for, men. The German-Swiss artist Meret Oppenheim (1913-1985) has been described, ad nauseam, as the muse of the surrealists. This paper discusses Oppenheim’s work as an early form of feminist performance art. The sexuality and corporeality of Oppenheim’s oeuvre emerged from modernist happenings and other boundary-crossing art genres that were characterised by a close relationship to both gender and sexuality. Throughout the happenings of modernism up to the present day, women artists, regardless of whether they declared themselves feminists or not, have presented their view of how culture exposes and perceives women’s bodies with the aid of a explicit, clearly stated and exhibit body. This paper argues that Oppenheim’s oeuvre represents a proto-feminist guerrilla performance that has become influential in the feminist enactment of gender and sexuality. With her objects and happenings she manages to draw the viewer’s attention to various dissonances that are frequently gender-specific and often relate to women. History can be conquered from many different perspectives. One is to focus on Oppenheim’s work in a feminist context. That would help to disperse the myth of Oppenheim as the muse of the male surrealists.
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| 65. |
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| 66. |
- Rosenberg, Tiina
(author)
-
Go'morgen Danmark!
- 2002
-
In: Arena. - Stockholm : Arena. - 0332-6446. ; :5
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Review (other academic/artistic)
|
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| 67. |
- Rosenberg, Tiina
(author)
-
Greta Garbo
- 2001
-
In: Who's Is Who in Gay and Lesbian History. - London & New York : Routledge. ; , s. 175-176
-
Book chapter (other academic/artistic)abstract
- A contribution to lesbian and gay history.
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| 68. |
- Rosenberg, Tiina
(author)
-
Göteborgsscenen
- 2009
-
In: Arbetaren. - Stockholm : SAC-syndikalisterna. - 0345-0961. ; :49, s. 13-13
-
Journal article (pop. science, debate, etc.)abstract
- Regular column on performing arts in the weekly newspaper Arbetaren (The Worker).
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| 69. |
- Rosenberg, Tiina
(author)
-
Happy, Happy? Reflections on Sexuality Discourses in Contemporary Stage Productions of Strindberg’s Drama
- 2012
-
Conference paper (other academic/artistic)abstract
- In his most utopian book, Eros and Civilization, Herbert Marcuse envisaged a society where labor would be transformed into playful gratification and accompanied by generalized sexual pleasure. Herbert Marcuse, Erich Fromm and Wilhelm Reich along with the Freudian Left were all coming to agree that sexual pleasure was a progressive force capable of transforming human relations, however divergently they saw such progress. The 1960s was a time, according to Angela Carter, when sexual pleasure was suddenly divorced from not only reproduction but also status, security, and all the foul traps men lay for women in order to trap them into permanent relationships.Following on the legacy of sexual liberation and the lively contemporary feminist debates in Sweden on marriage and the liberating effects of divorce this paper wants to analyze the status of (hetero) sexual marriage and divorce discourses in contemporary stage productions of the Strindbergian drama. This approach is connected with the contemporary interest in happiness studies, a trend that seems to be all everywhere by asking if it is- as Immanuel Kant once wrote - reasonable to pursue happiness, but rather to try to earn it? Or is that - as Freud argued in Das Unbehagen in der Kultur (1930) - once and for all impossible to be happy no matter how your life choices might look like? By examining how marriage, divorce, and sexuality are portrayed in contemporary productions of Strindberg's works, this paper tries to find answers to the question whether Strindberg plays any role in our own time, or if he is an obsolete chapter in history.
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| 70. |
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