12551. |
- Virta, Sari, et al.
(author)
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Ambidextrous Tensions : Dynamics of Creative Work in the Media Innovation Process
- 2017
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In: The Journal of Media Innovations. - : Universitetet i Oslo, Centre for Research on Media Innovations. - 1894-5562. ; 4:1, s. 44-59
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Journal article (peer-reviewed)abstract
- This article analyses creative work in one of Europe’s largest media organizations, in which a newly formed development team was tasked with creating a new multi-platform media product. The objective of this article is to explore the dynamics of team creativity in the process of developing and managing media content innovation. To do this, this study utilizes the concept of ambidexterity for understanding multi-level tensions between the on-going media production work and innovation processes typically co-existing in media operations. The results of the analysis indicate that, due to pressures created by the routine media production, media innovations require specific focus and prioritization to succeed. This requires recognizing, balancing and managing the ambidextrous tensions between exploration and exploitation in creative media work. In addition to practical implications for management of media innovations, this study contributes to research on media innovations, particularly from the perspectives of creative work and organizational creativity.
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12552. |
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12553. |
- Virta, Sari
(author)
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Complexities and tensions of transformative boundary-crossing : Case study on ambidextrous HRM in a creative organization
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Other publication (other academic/artistic)abstract
- This article aims to inform theory and practice on the features of ambidextrous HRM that are required to transform creativity into content innovation within the rapidly changing context of creative media organizations. An empirical, qualitative case study is utilized to examine ambidextrous HRM as a response to dual tensions that are characteristic of media content development work, especially in relation to exploration and exploitation. The analysis focuses on issues that hamper the establishment of an ambidextrous HRM system in a traditional and established media organization, thus shedding light on the development of an ambidextrous HRM system more generally in knowledge-intensive industries facing disruptive change. The findings suggest that creative content development work, which is deeply dependent on individual creative talent, requires an ambidextrous approach to HRM for the successful management of innovation initiatives (i.e. exploration) alongside on-going production processes (i.e. exploitation), including that the lack of ambidextrous HRM may severely harm development initiatives. The results of the analysis indicate that bridging conventional and ambidextrous HRM principles is essential for sustainable co-existence of production and innovation in organizational contexts characterized by tensions. The qualitative case study offers new understanding regarding managing development work and organizational creativity for innovation in a traditional company in turbulent change, and elaborates especially on the constraints, conflicts, tensions and complications of the necessary boundary-crossing for integrating exploration and exploitation.
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12554. |
- Virta, Sari, et al.
(author)
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Creative organisation theory and creative network development : Launching Finland’s Mediapolis cluster
- 2013
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Conference paper (peer-reviewed)abstract
- This paper discusses the first findings of project to create media clusterin Finland, called‘Mediapolis’. Yleisradio [Yle], the Finnish public service broadcasting corporation, hassignificant role and is the focus of our particular interest. Yle’s current corporate strategy emphasises the importance of ‘openness’ with the wider industry, and indeed with Finnish society, and recognises that as an essential aspect in creative organisation development. Here we apply some key lessons from creative organisation theory to networked co-operation with focus on content innovation. The partners involved in the Mediapolis project intend for this to become media cluster and have international ambitions. We investigate the ideas and intensions of the partners (which include especially Technopolis and the Tampere University of Applied Sciences, as well as the municipal and regional authorities). According to our respondents, Mediapolis is understood at least from three different dimensions: vision, co-operative network and an economic stimulus. Significant challenges for Mediapolis development can be summarised as question of attractiveness in varied aspects: of the premises, of the area - and of Mediapolis as cluster.
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12555. |
- Virta, Sari, et al.
(author)
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Crossing boundaries for innovation : Content development for PSM
- 2014
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In: RIPE@2014.
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Conference paper (peer-reviewed)abstract
- In the turbulent environment of media convergence, public service broadcasting [PSB] organisations are expected not only to produce quality content but also to take risks and lead in the pursuit of innovation.This poses a significant challenge in the continuing transition to public service media [PSM]1, which is largely what convergence means in practice for the public sector. Convergence is about cross-boundaries, blurring them and perhaps even erasing. This is about administrative and production practices, but also importantly about learning new ways of thinking.That is not simple or easy for organisations that are typically big, old and traditional. There is a heritage of doing things differently than the commercial sector, but reluctance to do things differently than the internally developed heritage.This creates enormous challenges for bridging the various elements that must be bridged to secure innovation. This paper is about those challenges. The focus is on crossing boundaries to achieve innovation within and for PSM content development.
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12556. |
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12557. |
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12558. |
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12559. |
- Virta, Sari
(author)
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Managing tensions in creative content development work : Cases from the media industry
- 2018
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Doctoral thesis (other academic/artistic)abstract
- This dissertation explores organisational tensions and their management in creative content development work in the context of creative industries, particularly media. The study focuses on the dynamic relationship and complexities between current business (exploitation) and future business (exploration), where tensions become managerial issues. It builds on dualities as the overarching analytical concept. The combination of theorisations on ambidexterity, value networks and hybrid organisations is used to examine organisational tensions as dynamic interrelationships between the elements of dualities.This compilation dissertation builds on three qualitative case studies, which are investigated in six individual, empirical papers. The case organisations include a company from both public and private media, as well as a collaborative arrangement in a creative industry cluster. The longitudinal empirical data comprises diary writings, interviews, documentation and participant observations.The study extends the understanding about how and why organisational tensions pose a demanding managerial challenge to established companies. It suggests that these tensions cannot be solved as such; instead, they need to be managed “with” rather than “against”. The study contributes to previous literature by combining theoretical perspectives to create links between existing approaches on ambidexterity. Regarding clusters, the study offers new knowledge by shifting the focus from mere spatial co-location to shared value creation through collaborative relationships.As implications for practice, the study suggests that managerial effort is required to anticipate, identify, evaluate, and navigate tensions in creative work. The results emphasise the key importance of embracing interrelated, coexisting, enduring, and complex tensions as a multifaceted package.
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12560. |
- Virta, Sari
(author)
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Managing tensions of collaboration in a hybrid organisation : A case study of the Mediapolis cluster in Finland
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Other publication (other academic/artistic)abstract
- Cross-sector collaboration combining public (noncommercial) and private (commercial) organisational orientations is expected to provide support for the flexible and dynamic responses required in the disruptive operational environments, which challenge the performance and survival of creative industry organisations. However, such collaboration features complexity and tensions. This article explores inherent tensions of cross-sector collaboration by utilising theorisations on hybrid organisations. A qualitative case study of a hybrid organisation, which was created to manage a creative industry cluster, is used as means to explore and analyse the tensions. The focus is on tensions because their successful management increases the value-creation potential of cross-sector collaborations. The results contribute to emergent scholarly discussions on hybrid organisations and hybrid organising, focusing on the central role of tensions as a management challenge. In addition to the theoretical contributions, the results have implications for managers aiming to cope with collaborative tensions in practice.
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