| 31. |
- Skågeby, Jörgen, 1972-, et al.
(författare)
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What is Feminist Media Archaeology?
- 2018
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Ingår i: Communication +1. - Amherst, MA, United States : University of Massachusetts Amherst. - 2380-6109. ; 7:1
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Tidskriftsartikel (refereegranskat)abstract
- In a fairly recent blog post, Jussi Parikka discusses how media archaeology can be criticized for being a “boy’s club”. In the introduction of this text, he writes: One of the set critiques of media archaeology is that it is a boys' club. That is a correct evaluation in so many ways when one has a look at the topics as well as authors of the circle of writers broadly understood part of 'media archaeology'. I make the same argument for instance in What is Media Archaeology?, but there is also something else that we need to attend to.
There is however a danger that the critique also neglects the multiplicity inherent in the approach. For sure, there are critical points to be made in so many aspects of Kittler's and others' theoretical work, but at the same time it feels unfair to neglect the various female authors and artists at the core of the field. In other words, the critique often turns a blind eye to the women who are actively involved in media archaeology. Let's not write them out too easily. Parikka then goes on to briefly introduce several female researchers and artists who are active in the media archaeological field. These are women who are, in different ways, doing media archaeology. This is of course an important issue – skewed representations or lopsided citation practices are never good – and the contributions of these researchers are significant and important. However, we could also argue that there is an important difference between the body of work being done by women and, what we may call, feminist media archaeology. There can, of course, be overlaps between these two ways of representing feminist interests in media archaeology, but for feminist theorizing and practising to truly have an impact, we have to ask ourselves what is feminist media archaeology? By looking for empirical gaps and putting questions of, for example, design, power, infrastructure and benefit, to the fore we can shine a different light on the material-discursive genealogy of digital culture, still very much in the vein of media archaeological endeavors. What we suggest is quite simple – a transdisciplinary approach which emphasizes “the unity of intellectual frameworks beyond the disciplinary perspectives [which] points toward our potential to think in terms of frameworks, concepts, techniques, and vocabulary that we have not yet imagined”. As such, we want to take an exploratory tactic to the question posed in the title of this paper. We do not intend to provide a single nor definite answer – rather we want to think with media archaeology and feminism together, seeking to raise other questions in order to find dynamic parallels and crosscurrents.
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| 32. |
- Sveningsson, Malin, 1968
(författare)
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Ungas självporträtt på nätet
- 2015
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Ingår i: Ungdomskulturer, 2 uppl.. - Malmö : Gleerups. - 9789140688187
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 33. |
- Svensson, Jakob, 1976-
(författare)
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Deliberation or Updating? : The Case of Southern Stockholm Activists Online
- 2012
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Ingår i: Proceedings of the 12<sup>th</sup> European Conference on eGovernment. - Reading : ACI Academic Conferences International. - 9781908272416 - 9781908272423 ; , s. 691-697
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Konferensbidrag (refereegranskat)abstract
- Based on a (n)ethnographic inspired study of middle class activists in southern Stockholm, the aim is to understand contemporary political action and to discuss changing practices of participation in digital and late modernity. More specifically this paper addresses the Internet and its promise of deliberation. However instead of echoing techno-deterministic and optimist accounts of the Internet and online social networking affording a digital public sphere where deliberation can flourish, this paper argues that it is more accurate to understand the practices among the activists in southern Stockholm as updating. Updating is described here as a two-way practice,to be updated what is happening in your social networks as well as updating your social networks what is happening.These practices of updating are understood in light of late modern theories of reflexivity, identity negotiation and maintenance, practices that arguably are heightened in digital and networked societies. Hence to avoid determinism without resorting to the idea of technology as neutral, the paper is based in atechno-social dialectical understanding of our time as digital late modernity.The paper will end with a brief discussion of the implications of updating on political participation in digital late modernity. Even though not deliberation, practices of updating has consequences for participation and political action that perhaps could be considered positive and encouraging for democratic tradition in general.
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| 34. |
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| 35. |
- von Feilitzen, Cecilia, 1945-, et al.
(författare)
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Hur farligt är internet? Resultat från den svenska delen av den europeiska undersökningen EU Kids Online
- 2011
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Sverige hör till de länder i Europa där flest barn använder internet. Det ökande antalet barn på nätet innebär ökade möjligheter – och också risker. Men majoriteten av 9-16-åringarna säger sig inte ha stött på något som besvärat eller upprört dem under sin internetanvändning det senaste året. Det visar resultaten från den nya undersökningen EU Kids Online. De flesta känner sig trygga med att göra sådant som vuxna ofta anser vara riskfyllt. Rapporten omfattar den svenska delen av projektet EU Kids Online som intervjuat 9-16-åringar som använder internet och deras föräldrar i 25 europeiska länder. Cirka 1000 barn har intervjuats i hemmen i varje land. Projektet leds från London School of Economics and Political Science av Sonia Livingstone och Leslie Haddon och finansieras av EC Safer Internet plus Programme.
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| 36. |
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| 37. |
- Bossetta, Michael, et al.
(författare)
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Gamification in Politics
- 2022
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Ingår i: Elgar Encyclopedia of Technology and Politics. - 9781800374256 - 9781800374263 ; , s. 304-308
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Although gamification is a popular term, the concept has rarely been applied to political studies. Therefore, this chapter provides an overview of the key features of gamification and offers an adapted definition of gamification suited to the study of electoral politics. To help illustrate this definition, two examples of gamification from recent campaigns are discussed: the uCampaign mobile application and contests promoted on social media. In concluding, I suggest theoretical and methodological approaches to study gamification in politics moving forward.
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| 38. |
- Bossetta, Michael, et al.
(författare)
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Reconceptualizing Cross-Cutting Political Expression on Social Media : A Case Study of Facebook Comments During the 2016 Brexit Referendum
- 2023
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Ingår i: Political Communication. - 1091-7675. ; 40:6, s. 719-741
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Tidskriftsartikel (refereegranskat)abstract
- Political communication research has long sought to understand the effects of cross-cutting exposure on political participation. Here, we argue for a paradigm shift that acknowledges the agency of citizens as producers of cross-cutting expression on social media. We define cross-cutting expression as political communication through speech or behavior within a counter-attitudinal space. After explicating our conceptualization of cross-cutting expression, we empirically explore: its extent, its relationship to political arguments, and its implications for digital campaigning during the 2016 Brexit Referendum. Our dataset, comprising 2,198,741 comments from 344,884 users, is built from Facebook comments to three public campaign pages active during the Brexit referendum: StrongerIn, VoteLeave, and LeaveEU. We utilize reactions data to sort partisans into “Remain” and “Brexit” camps and, thereafter, chart users’ commenting flows across the three pages. We estimate 29% of comments to be cross-cutting, and we find strong correlations between cross-cutting expression and reasoned political arguments. Then, to better understand how cross-cutting expression may influence political participation on social media, we topic model the dataset to identify the political themes discussed during the Brexit debate on Facebook. Our findings suggest that political Facebook pages are not echo chambers, that cross-cutting expression correlates with reasoned political arguments, and that cross-cutting expression may influence the online voter mobilization potential of political Facebook pages.
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| 39. |
- Conti, Eugenio, 1987-
(författare)
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Nature-based tourism and experience value co-creation on Instagram
- 2018
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Ingår i: ISCONTOUR 2018 Tourism Research Perspectives. - 9783746091679 ; , s. 373-378
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Konferensbidrag (refereegranskat)abstract
- Social media and mobile-based applications act as an increasingly critical source of experience value creation in tourism and nature-based tourism, as confirmed by the most recent trends in the industry. Although being one of the most popular mobile-based social media, Instagram is still underrepresented in value creation research, and no study has been conducted specifically in nature-based tourism. Moreover, current research on value lack of interpretive methodologies able to grasp the complexity of experience value creation from a phenomenological point of view. This research aims at tackling these gaps by conducting an in-depth investigation on experience value creation on Instagram in nature-based tourism. A combination of different types of qualitative data, obtained through a participatory netnography, will be collected on Instagram, and consequently triangulated and analyzed by means of grounded theory. While assessing the depth of value creation emerging from personal, elicited tourist narratives, in a way not seen yet in similar studies, the results are argued to expand the theoretical understanding of experience value creation in nature-based tourism and service research.
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| 40. |
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