| 101. |
|
|
| 102. |
- Nalin, Kajsa, et al.
(författare)
-
Automatic computer-based diagnosis in acute abdominal pain : Automatisk datorstödd diagnos av akut buksmärta
- 2008
-
Ingår i: Biomedical Engineering Day (Medicinteknikdagarna), Gothenburg, Sweden, October 14th, 2008..
-
Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- In a project initiated in Mora in 1997 [3], 3 337 patients were examined using a standardised form consisting of some 55 different parameters, ranging from current pain localization to various blood measurements, describing the patient’s history and status. The same patients were later followed up to determine the final diagnosis. Here, we report on our first findings using this material for studies on computer-based diagnosis of acute abdominal pain.
|
|
| 103. |
|
|
| 104. |
|
|
| 105. |
-
Philosophy and botany : essays on Ivar Segelberg
- 2014
-
Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- A collection of essays about the life and work of Ivar Segelberg (1914-87), professor of philosophy in Gothenburg 1951-1979. Segelberg was also an internationally renowned amateur botanist who contributed substantially to the Italian national flora. Among other things, the book contains a newly written biography and a hitherto unpublished paper by Segelberg on the biological species concept and its history.
|
|
| 106. |
- Radovic, Susanna, 1969, et al.
(författare)
-
Conceptual Analysis in Psychiatry
- 2007
-
Ingår i: 30th International Congress on Law and Mental Health, Padua, juni 2007.
-
Konferensbidrag (övrigt vetenskapligt/konstnärligt)
|
|
| 107. |
- Radovic, Susanna, 1969, et al.
(författare)
-
Fatigue and fatigability - semantic and etiologic perspectives
- 1998
-
Ingår i: Neural Correlates of Consciousness: Empirical and conceptual issues. Bremen, Germany.
-
Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Fatigue and increased fatigability occur as symptoms in almost every medical and psychiatric condition, as well as being common reactions to non-pathological physical and psychological strain and stress. We will attempt to clarify the semantics of the terms "fatigue" and "fatigability", and we will put forward the hypothesis that the special kind of mental fatigability which characterises many cases of mild to moderate dysfunction of the brain is functional in a sense that it represents an overload of pathological information (from the injured area) to higher cognitive mechanisms which may themselves be anatomically and physiologically intact.
|
|
| 108. |
|
|
| 109. |
- Svennerlind, Christer, 1963, et al.
(författare)
-
Accountability and Social Responsibility
- 2014
-
Ingår i: XVI World Congress of the World Psychiatry Association, Madrid 14–18 sept 2014.
-
Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Certain natural-scientifically oriented ideas played an important part when the present Swedish doctrine about mentally disturbed criminal offenders was formed. These ideas were put forward from the 1910’s to the 50’s by a trendsetting forensic psychiatrist, Olof Kinberg (1873–1960). Among the concepts that Kinberg wanted to do away with were free will and imputability: “[I]mputability is synonymous with indeterministic freedom of will, i.e. a fictitious philosophical concept lacking empirical basis” (Kinberg 1935). Kinberg’s ideas, including his somewhat unclear concept social responsibility, should be seen in the light of the moral philosophy and psychology of Axel Hägerström (1868–1939) that had a great influence on the Swedish intellectual climate at the time. Another but not so well known Swedish philosopher, Åke Petzäll (1901– 57), helped promulgate Kinberg’s ideas. In this poster we discuss some problems associated with them.
|
|
| 110. |
- Vickhoff, Björn, 1946, et al.
(författare)
-
Why does music move us?
- 2005
-
Ingår i: Philosophical communications, Web series. - 1652-0459. ; :34
-
Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Research on the communication of emotion in music has with few exceptions, as L. B. Meyer's Emotion and Meaning in Music (1956) and the contour theory (Kivy 1989, 2002), focused on music structure as representations of emotions. This implies a semiotic approach - the assumption that music is a kind of language that could be read and decoded. Such an approach is largely restricted to the conscious level of knowing, understanding and communication. We suggest an understanding of music and emotion based on action-perception theory - present moment perception, implicit knowledge and imitation. This theory does not demand consciousness or the use of signs. Neuroscientific findings (adaptive oscillators, mirror neurons) are in concordance with our suggestion. Recently these findings have generated articles on empathy – relevant to the understanding of music and emotion.
|
|
