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Sökning: AMNE:(HUMANIORA) > Gymnastik- och idrottshögskolan

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1.
  • Kilger, Magnus, 1974-, et al. (författare)
  • “- How does it feel right now?” : A narrative analysis of sports-interviews after performance
  • 2019
  • Ingår i: The Society of the Study of Narrative Annual Conference, ISSN. - Georgetown : Ohio State University Press.
  • Konferensbidrag (refereegranskat)abstract
    • Success stories and heroic tales are recurrently investigated narrative genres in literature (Propp, 1998), journalism (Lule, 2001) and, not the least, in sports (Hellström, 2014). In sports, we repeatedly hear athletes explain their performance at half-time or give us reflections on a recently completed competition. However, these stories are not produced in a social vacuum; they are part of a discursive framework and a product of time and place. The trajectories for a legitimate success story is limited and specific storylines are repeated and holds a specific dramaturgical structure. The heroic story typically follows a temporal structure, from a beginning to an end, where events and performances function as phases of a narrative journey towards a defining triumph (Hoebeke et al. 2011). Which performances that constitutes the highlight of an athlete’s career will always be culturally determined, since cultures produces heroes according to their own specific values and traditions (Whannel, 2002). Thereby, the “personal” story is both a contextually specific narrative and a culturally shared narrative. Aims and empirical materialIn this paper, we are seeking to investigate how success stories in sports as a central part of the athletes identity work, and how these stories also serve as symbols for values and morals of a wider sporting society (Kilger, 2017). Many narrative scholars within the area of sports have been interested in retrospective studies of sports heroes or historical media studies of successful athletes (Hargreaves, 2000; Hellström, 2014; Whannel, 2002). In this study, we would like to pay particular attention to how personal narratives are built ´in-action´ and study which narrative elements are recurrent in the interviews and how is the own performance explained. Accordingly, we are interested in how such narratives of success and failure are co-constructed in the interview interaction and how they are structured. By investigating which master narratives that the participants recruit in their personal stories, this can help us to uncover shared normative storylines in elite sports. Moreover, we would like to illuminate how the athletes are using ´temporal-identity´ in the interviews as a way to construct a legitimate story of performance. The data set will include after-performance media interviews from Swedish television (SVT) during the FIS Cross Country World Championships. More specifically, we are seeking to analyze between 15-20 after-race television interviews with Swedish athletes during the FIS Cross Country World Championships 2019 in Falun, Sweden.
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  • Bergström, Ylva, et al. (författare)
  • Brunnsvikenguiden
  • 1992
  • Ingår i: Hagabladet - en tidning för natur och kultur vid Haga-Brunnsviken. - Stockholm. ; :4-5, s. 3-8
  • Tidskriftsartikel (populärvet., debatt m.m.)
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  • Lidström, Isak, et al. (författare)
  • Traditional sports and games among the Sami people in Northern Fennoscandia (Sapmi) : an ethnobiological perspective
  • 2022
  • Ingår i: Journal of Ethnobiology and Ethnomedicine. - : Springer Nature. - 1746-4269. ; 18:1
  • Tidskriftsartikel (refereegranskat)abstract
    • IntroductionModern sports equipment is nowadays manufactured industrially according to globally accepted and standardized models, but traditionally tools for play and games were prepared from materials found in the local environment. The objective of this article is to investigate various aspects of Sami local knowledge about organisms used for their material culture of traditional sports and games in northern Fennoscandia (Sapmi). What functions did the surrounding biota have in the production of equipment used in sports and games?MethodsA qualitative method was used; the ethnographic literature and travel narratives have been analyzed particularly for descriptions and notes on traditional games, toys, and sports.ResultsBefore the turn of the twentieth century, bats, balls, and skis were seldom produced in factories, but by children and adults who utilized available materials from the surrounding environment. The manufacture of tools for play and games was characterized by a rich creativity in the use of various biological and natural resources. A wide range of such resources is presented in this article, among them the bracket fungus Fomitopsis betulina, used for making balls, reindeer antlers utilized for lassoing contests, and pine bark painted with reindeer blood, prepared for playing cards. We also highlight how tools usually associated with means of transport could switch functions and serve playful and competitive purposes, such as skis made of compression pine or walking sticks of birch: The former were used in skiing races, and the latter appeared in fencing competitions.ConclusionThe industrialization of the material culture of sports has been contributed to a loss of local knowledge and familiarity with locally available organic stuffs for producing equipment for play and games. By reconnecting with previous knowledge of traditional games, we discover a potentially new direction for modern sports and games, shifting from globalization to environmentalization. Such an environmentalization could permit the local environmental context define the content, meaning and structure of sports, and simultaneously enrich both sports and outdoor life.
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  • Sylvester, Kate (författare)
  • Between the sport club and the workplace : The non-transferability of women student-athletes’ leadership attributes
  • 2023
  • Ingår i: NAJS (Nordic Association for the Study of Contemporary Japanese Society) Conference.
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • This paper examines how women’s status and leadership capabilities developed through club sport seldom manifest in sport-related employment in Japan. Female student-athletes have long invested in the school club sport system in Japan to augment personal growth, social status, and educative or career opportunities. The cultivation of life skills and leadership attributes are important aspects of sport club pedagogy for females. However, the status and skills women foster through club sport less often materialise in sport-related workplaces due to the centralisation of male-male hierarchies and conservative gender ideologies. The qualitative data utilised in this paper was collected through field work and a questionnaire survey (n=240) at a sport university in Japan in 2022. The data provides a sample of female student-athletes’ views on post-university life options that are shaped by gender norms and their perceived leadership attributes. Literature and statistics on women’s employment in Japan are drawn upon to examine how gender inequity continues to play out in sport-related workplaces despite shifts in women’s consciousness and the capabilities developed through university club sport. Women’s leadership capabilities are underutilised and Japan could make better use of human capital like other countries that are better at harnessing the capabilities of women.  
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  • Bäckström, Åsa, 1966- (författare)
  • Aesthetic learning processes – feelings and sensations of skate- and snowboarding
  • 2008
  • Ingår i: Designs for learning. ; , s. 1-
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • Skateboarding and snowboarding are practices loaded with symbolic expressions. They are also activities profoundly understood as physical. This paper will investigate the narrated impressions of these activities – in other words the expressions of impressions. Skateboarding and snowboarding are discussed as aesthetic learning processes, which to a large extent are both bodily and informal. The paper builds on ethnographic fieldwork and cultural analysis. Kirsten Drotner’s theory of aesthetic practices is used as a starting point. Aesthetic practices/production works on three levels: the individual, the social and the cultural. The individual level is characterised in terms of emotional intensity and corporality. The sensation is described as so encompassing that it becomes ones life, ones identity. The body is acutely present in these descriptions. It is the body that experiences, and it is there that the sensation of riding comes alive.
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