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- Pasquini, Mirko, 1991
(författare)
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The Negotiation of Urgency: Economies of Attention in an Italian Emergency Room
- 2021
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Urgency in a hospital Emergency Room (ER) is not a self-evident state. Urgency is made, by establishing priorities, distributing attention and material resources, and deciding who and what needs to be attended to first – and, simultaneously, who and what has to wait. The process of determining urgency is known as “triage” (from the French verb, trier, “to choose”). This thesis is about the vicissitudes of triage in an Italian ER. Based on one year of ethnographic fieldwork, the thesis explores what happens when urgency is at stake; when it is contested and caught up between different, and frequently conflicting, perspectives. It explores how urgency is determined in practice, and shows how triage always is a vulnerable process of negotiation guided by economies of attention. How is urgency actually shaped in interactions between patients, their families and friends, and the ER staff? The different chapters explore how time in the ER is created through shifting registers of attention, and how attention in the ER is affected by widespread economic and social precarity, and neoliberal national policies of governance. It discusses how triage increasingly is structured by attitudes of mistrust; and also by potential or real outbreaks of violence. Addressing the particular positioning of the ER as a thick space of conjunction between neoliberal state politics and people's increasing need for care and recognition, the thesis aims to contribute to medical anthropology literature by analyzing triage not as a neutral medical way of sorting, but as a practice that actively creates difference. It explores both the limits of triage, and how those limits can spark improvisation and creative reinvention.
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| 2. |
- Owman, Caroline, 1966-
(författare)
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det meränmänskliga museet : Konservatorns bevarandepraktik som flyktlinje i modernitetens museum
- 2021
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis takes the conservator as a starting point to explore more-than-human aspects of the museum of modernity. Assuming that built-in obstacles impinge when museums today deal with environmental issues‚ it investigates new and alternative perspectives on the engagement with our immediate surroundings, in this case the museum objects. The objective of this study is to map museum processes hidden in the anthropocentric museum of modernity. The aim is to broaden the perspective on the museum to include what the museum structures of modernity have pushed aside: ongoing processes and becomings, and the myriad of energetic more-than-human agencies and temporalities constantly at work in a museum.The main empirical material consists of interviewes with conservators working in different departements and museums in Sweden. This material also includes my own experiences of working as a conservator and as an exhibition producer in various museums. There is a particular focus on the care of objects performed by conservators. The material also includes Swedish Government Official Reports (SOU) and one central text from the Ministry Publications Series (Ds). Furthermore, more-than-human agencies play an important role: enacted through the museum apparatus in shape of humidity and silverfish.Posthuman theory, environmental humanities and material feminism form the overarching theoretical framework as well as provide the analytical tools. Three main themes from these theoretical areas run throughout the entire thesis: anthropocentrism, more-than-human agency, dualistic thinking and dichotomies. All of which are applied to the empirical material. To conclude, museums have been part of modernity’s ambitions and ideals since they were established just over 100 years ago. This thesis shows how, in the structures of the museum, modernity’s ideas have persisted. Furthermore, these structures of thought appear and interfere, inter alia, in the conservator’s experiences of and thoughts about their work and professional identity. However, when working intimately with the museum objects more-than-human relational processes and other productive connections emerge, whereby the structures, derived from moderity’s thinking, are challenged in productive ways. This forms the line of flight that the title refers to; here perceived as a possibility for change, in a direction that could promote new ways for museums to tackle complex more-than-human issues, such as climate change and environmental matters.
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| 4. |
- Persson, Beatrice, 1963
(författare)
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In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization
- 2011
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study emerges from the question: what is contemporary art, and mainly what criteria constitute contemporary art in a globalized art world in general? Thus, the focus of this dissertation is on the postcolonial context of Australia and the fact that the contemporary art scene in Australia is divided into Australian and Aboriginal art respectively. This is a division originating from the colonization of Australia that began in the 1770’s, resulting in an Australian art descending from a Western art practice, where there is further focus on two categories within this art. The first category is a so-called “young” Australian art created by young artists who are returning to skills of, for instance, woodcarving and bronze casting, emphasizing the techniques of creation, and the finish of the surfaces in a do-it-yourself-aesthetic. The second category is called Asian-Australian art, featuring diaspora artists, a category pointing to the fact that Australia is situated in the Asia-Pacific region and has a large Asian population. Aboriginal art, on the other hand, is regarded to be an unbroken tradition dating back some 40,000 years, featuring art created by indigenous artists living on ancestral land in remote communities, often being called traditional Aboriginal art, and city-based Aboriginal art produced by indigenous artists who have grown up and are living in Australian cities and have been educated in Western art schools. These four categories are represented by four artists whose artworks are analysed and interpreted from a cultural semiotic point of view in order to be used in practical examinations of the viability of the two theoretical concepts cross-culture and contemporaneity, as well as an investigation of whether the contemporary global art scene is truly global or still tends to emanate from a Western perspective. In this context the concept of cross-culture is examined through the history of how primitive art and primitive artists, and non-Western art and artists in general, have been apprehended, indicating that the crossing of cultures, making transformations and influences possible in the arts, have taken place from a Western perspective, thus demonstrating power relations deriving from colonization. Contemporaneity should be understood as an inquiry into how various artistic expressions with different time conceptions appear when produced simultaneously in different, closely connected, yet mutually incomparable cultures. This is art that communicates across the divide between cultures and as such grasps the driving spirit of the contemporary.
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| 5. |
- Göransson, Michelle, 1976-
(författare)
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Materlialiserade sexualiteter : om hur normer framträder, förhandlas och ges hållbarhet
- 2012
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The aim of this dissertation is to analyse how conceptions of sexuality are interlinked with and formed through connections with different types of matter, and also to study what significance matter (that is, bodies, space and things) has in shaping and actuating norms, particularly heteronorms.The study is based on transcribed semi-structured interviews and go-along interviews with persons who deviate from the societal norm of man and the societal norm heterosexual. In addition, the material consists of signposts, spaces, architecture, legal documents and texts found on websites.The dissertation is mainly dedicated to the study of processes wherein bodies, things and space are linked together or separated. Bodies materialise as non-heterosexual (or heterosexual) in processes that entangle movements, spaces, things and language. Apart from analysing bodies as morphous, I also emphasise that the boundaries between bodies and things must be understood as transient. Things can integrate into bodies and limbs can turn into things. I also cast light on the fact that heteronorms are imprinted into matter such as the built environment. Boundaries are materialised, but LGBTQ- defined safe spaces are concurrently being formed. Such spaces tend to be transient in character. This stands in contrast to such things that tie into societal norms, which tend to survive the passing of time whether they be buildings, monuments or urban planning. Thus, norms are both created by and imprinted into matter. The memories, experiences and assumed needs of certain bodies and their ways of living together are given solidity. Spatially organised differences are, on the other hand, primarily accepted when packaged into events, temporary and clearly marked, which inadvertently highlight Sweden’s (imaginary) openness and diversity.
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| 6. |
- Worbin, Linda
(författare)
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Designing dynamic textile patterns
- 2010
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Designing Dynamic Textile Patterns Progress in chemistry, fibres and polymers technology provides textile designers with new expressive materials, making it possible to design dynamic textile patterns, where several different expressions are inherent in the same textile, textiles that, for example, could alternate between a striped and checkered pattern. Textiles are traditionally designed and produced to keep a given, static expression during their life cycle; a striped pattern is supposed to keep its stripes. In the same way textile designers are trained to design for static expressions, where patterns and decorations are meant to last in a specific manner. However, things are changing. The textile designer now deals also with a new raw material, a dynamic textile, ready to be further designed, developed and/or programmed, depending on functional context. This transformation in practice is not an easy one for the designers. Designers need to learn how to design with these new materials and their specific qualities, to be able to develop the full expressional potential inherent in “smart textiles design”. The aim of this thesis is to display, and discuss, a methodology for designing dynamic textile patterns. So far, something that mainly has been seen in different experimental and conceptual prototypes, in artistic expressions and for commercial efforts etc. In terms of basic experimental research this thesis explores the turn in textile design practice through a series of design experiments with focus on contributing to identifying and characterizing new design variables, new design methods and new design techniques as a foundation for dynamic textile patterns.
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| 7. |
- Lutz, Peter A.
(författare)
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Tinkering Care Moves : Senior Home Care in Practice
- 2016
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation builds on the current anthropological studies of care relations in practice. It draws inspiration from science and technology studies (STS) and postfeminist technoscience. A qualitative ethnographic approach grounds the empirical data collection and analysis. This entails ethnographic fieldwork with senior home care in the United States and Sweden during 2007–2008 and 2011–2012. Analytical attention centers on how movements situate various tensions of senior home care in practice. Four interrelated published works comprise the main thematic chapters. Each article exemplifies how human and nonhuman relations move and mediate care. They develop several heuristic terms that advance ideas about how older people, aging bodies, technologies, spaces, and times that tinker each other through movements of care in practice. The comprehensive summary frames these articles with an overview of the primary thematic orientations and methodological concerns. A discussion of the main contributions and implications of the dissertation concludes the work.
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| 8. |
- Lundahl, Mikela, 1965
(författare)
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Vad är en neger? Negritude, essentialism, strategi : What is a Negro? Negritude, essentialism, strategy
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The purpose of this study is to analyse the concept of negritude in texts written by Léopold Sédar Senghor and Aimé Césaire and how they used the word nègre in their anti-colonial struggle. Usually the negritude movement is seen as racial essentialistic and particularistic. These descriptions are often referring to Jean-Paul Sartres well known essay »Orphée noir« from 1948. In his essay he labels the negritude movement (which until then did not exist as such) as »antiracist racism«. This enquiry questions the conclusion that negritude is essentialistic and analyses Césaires and Senghors texts focusing the on issue whether they actually express essentialistic conceptions of race, africanness and negroness or not. One of the arguments in the study is that rather than being essentialists, they were engaged in achieving political change through the accentuation of race. That does not necessarily imply a biological understanding of race. At the actual time of birth of the negritude concept, the idea of race is rarely a strictly biological concept; rather it refers to a mixture of biological, cultural and historical elements. Here Gayatri Spivaks concepts strategy and essence have been useful to understand that the accentuation of a common feature (even when it is known not to be stable and eternal) in specific historical situations, actually can be used as a strategy. She has also observed how disturbing all signs of essential thinking seem to be among contemporary scholars. The study discusses the criticism of negritude, and the picture of it as essentialistic. The questioning of identitarianism during the last decades paired with the fear of essentialism, tend to overlook other aspects of a specific political struggle. Many modern critics of negritude have been too focused on the hazards of essentialism and unable to see the possibilities of negritude as a strategy. Often this inability can be explained by a lack of historical perspective, which makes it difficult to make adequate judgements of the negritude project. Rather than evaluating negritude from a contemporary perspective, it is the political reality of their time that is the main frame of this dissertation.
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| 9. |
- Nowell, Pamela, 1982
(författare)
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Up close and personal: How relational dynamics in founding teams are shaped by the context of entrepreneurship
- 2021
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Despite increased interest in the phenomena of team-based entrepreneurship, we still don’t know why some teams are more effective than others in their entrepreneurial pursuits. In fact, scholars acknowledge that we have yet to get a firm grasp on what teams ‘are’ in this unique work context, not least because their emotional and relational dynamics remain understudied. This thesis argues that in order to open this black box of interpersonal processes, we need to acknowledge that these are not your typical ‘work-team’ relationships. Rather, the extreme experience of entrepreneurship extends to extreme relational experience of team members. Just as entrepreneurs shake up the status quo with their fresh perspectives and new ideas, the uncertain, unstructured, emotional context of entrepreneurship shakes up the status quo of what we expect of team member relationships at work. Thus, if we hope to understand these teams and how they work together, we need new thinking and new theories that get at the heart of these extreme work relationships. This thesis consists of five papers and uses a mixed methods approach to examine how relational dynamics in founding teams are shaped by the context of entrepreneurship. The setting for the research is a university incubator in northern Europe where founding teams are accessed prior to incorporation, and often prior to team formation. The thesis puts forth a theoretical model that posits four main interconnected findings: (1) team member relationships act as a stand-in for organizational structures, (2) the context demands close relationships, (3) close relationship models such as the family fit to study and understand relational dynamics, and (4) the interaction context calls for interpersonal courage, intimacy, and a willingness to be vulnerable. Together the papers show that the emotionality of entrepreneurship stems not only from the characteristics of the context, but from the relationality of this unique kind of teamwork. The thesis contributes to the entrepreneurship literature by challenging and shifting the way we see and study teams in this context, suggesting fresh perspectives and possible ways forward. In doing so, the thesis adds richness and depth to our understanding of this emotional and inherently social phenomenon, while shedding light on why some teams may fail while others stay the course.
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| 10. |
- Lögdberg, Ulrika, 1983-
(författare)
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Understanding young people’s well-being within a translocal everyday life : How health and well-being are experienced and conditioned in the daily school life of young people recently migrated to Sweden
- 2022
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation deals with the relationship between young people’s health, everyday life, school, and migration. It is a compilation dissertation based on a comprehensive summary (kappa) and four empirical articles. With the school as a point of departure, the dissertation’s overarching aim is to explore everyday experiences of and conditions for health and well-being among young people who recently migrated to Sweden. Further, the aim is to illuminate and problematize the conditions and circumstances within which health is created and negotiated for this group of youths. The newly arrived youths’ experiences and conditions for health and well-being are analyzed through an overall social and cultural framework that emphasizes everyday life and micro-processes. At the same time, everyday experiences, social positionings, and material conditions, explored in the various studies, are linked to power processes. The individual’s room for agency in daily life depends on historical, structural, and relational conditions. In other words, health is related to power in various ways, which forms an extensive part of the dissertation’s analytical focus. The findings are based on three independent data collections, all with a qualitative, exploratory, and health-promoting approach. The study participants are males and females (16–20 years old) from Afghanistan, Syria, Somalia, Ethiopia, Burundi, Thailand, Turkmenistan, Palestine, Kosovo, and Greece. The overall findings show how the young people’s health and well-being are created and conditioned in relation to their relationally, spatially, and temporally situated life experiences, concerning their negotiations of migrant positions, and through their possibilities to matter in regard to the material conditions of the everyday life. By an overall social and cultural approach, emphasizing a translocal everyday life when exploring the conditions of health and well-being for young people recently arrived in Sweden, this dissertation contributes to an under-researched field at the intersection of young people’s everyday life, school, migration, and health.
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