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- Gradén, Lizette, et al.
(författare)
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När "heritage" blir hippt-kulturarv som mjuk makt i kölvattnet av migration
- 2018
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Ingår i: Sverige-Amerika Stiftelsen 100 år 1919-2019. - 9789188605092 ; , s. 26-40
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Bokkapitel (populärvet., debatt m.m.)abstract
- Essän bygger på flera års forskning om kulturarvsskapande bland nordiska emigranter i USA. Författarens skriver i egenskap av Sverige-Amerikastiftelsens alumna och delger sina erfarenheter av högre studier och forskning inom kulturarvsområdet i USA och Sverige.
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- Gradén, Lizette, 1966-
(författare)
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Dressed in a Present from the Past : The Transfers and Transformations of a Swedish Bridal Crown in the United States
- 2010
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Ingår i: Culture Unbound. - Linköping : Linköping University Electronic Press. - 2000-1525. ; 2, s. 695-717
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Tidskriftsartikel (refereegranskat)abstract
- Ever since the emigration from the Nordic countries the Old world and the New world have maintained an exchange of ideas, customs, and material culture. This cultural heritage consists of more than remnants of the past. Drawing on theories of material culture and performance this article highlights the role of gifts in mate-rializing relationships between individuals, families and organizations in the wake of migration. First, I build on a suggested coinage of the term heritage gifts as a way of materializing relationships. Thereafter, I map out the numerous roles which a Swedish bridal crown play in the United States: as museum object, object of display and loaned to families for wedding ceremonies in America. The trans-fers and transformations of the bridal crown enhances a drama of a migration her-itage. This dynamic drama brings together kin in Sweden and America and maps specific locations into a flexible space via the trajectory of crown-clad female bodies.
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- O'Dell, Thomas, et al.
(författare)
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Heritagelore : Museums and the manner in which Heritage might be understood in a trialectic framework of place, materiality and mobility
- 2017
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Konferensbidrag (refereegranskat)abstract
- Historian David Lowenthal (1985) has pointed out the past is often perceived and represented as “a foreign country” in which cultural heritage is implicitly understood to be bound to geographical territories and associated notions of what it implies to have roots, an identity, and a place in which to belong. This is the paradigmatic background against which so many heritage museums have been founded. As part of the heritage politics debate, folklorist Barbara Kirshenblatt-Gimblett has argued that heritage object are “made, not found, despite claims to the contrary” (Kirshenblatt-Gimblett 1998:3). Her point is that there is no heritage object prior to its identification, evaluation, conservation, and celebration (Kirshenblatt-Gimblett 1998:149). However, we live in a world which is more than ever before entwined with processes of mobility. It is a world in which some people move for the sake of work, love, and the dream of a better life, while too many others feel forced to move due to economic crises, poverty, religious conflicts, war, and political persecution. Heritage, it might be said is being shaken and stirred by processes of globalization that are increasingly difficult to ignore. Faced with the realization of this reality, museums of heritage increasingly find themselves challenged to rethink the work they do, and the way in which they speak about, represent, and exhibit heritage (Levitt 2015).This paper focuses on the manner in which two heritage sites (The Hallwyl Museum, Stockholm and American Swedish Institute, Minneapolis) in Sweden and Swedish America are working with and speaking about heritage - at times creating new forms of heritagelore, at other times building upon rather traditional notions of what “the heritage” under their auspices is and can be. Both sites were built as private homes at the turn of 20th century by people who were themselves migrants - as such their histories entwine processes of globalization, mobility and heritage. The paper analyzes the manner in which these two institutions are moving and mobilizing the concept of heritage. In so doing, it strives to illuminate the manner in which heritage might be understood in a trialectic framework of place, materiality and mobility. It closes by discussion how insights gained from the study of these two museums might be useful in facilitating the ability for ethnologists and folklorists to reposition contemporary heritagelore in a context of migration and mobility.Kirshenblatt-Gimblett 1998. Destination Culture: Museums, Tourism and Heritage. Berkeley: California University Press. Levitt, Peggy (2015) Artifacts and Allegiances. How museums put the nation and the world on display, Oakland: University of California Press.Lowenthal, David (2015 (1985). The past is a foreign country: revisited. Revised and updated edition. Cambridge: Cambridge University PressLowenthal, David (1996). Possessed by the Past. New York: Free Press
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| 9. |
- Gradén, Lizette, et al.
(författare)
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Inledning
- 2019
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Ingår i: Gränsløs. Tidskrift för studier av Öresundsregionens historia, kultur och samhällsliv.. - 2001-4961. ; :10, s. 5-10
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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