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- Dahlberg, Leif, 1962-
(författare)
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Spacing Law and Politics : The Constitution and Representation of the Juridical
- 2016. - 1
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Bok (refereegranskat)abstract
- Examining the inherent spatiality of law, both theoretically and as social practice, this book presents a genealogical account of the emergence and the development of the juridical. In an analysis that stretches from ancient Greece, through late antiquity and early modern and modern Europe, and on to the contemporary courtroom, it considers legal and philosophical texts, artistic and literary works, as well as judicial practices, in order to elicit and document a series of critical moments in the history of juridical space. Offering a more nuanced understanding of law than that found in traditional philosophical, political or social accounts of legal history, Dahlberg forges a critical account of the intimate relations between law and politics that shows how juridical space is determined and conditioned in ways that are integral to the very functioning – and malfunctioning – of law.
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| 2. |
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History of Participatory Media : Politics and Publics, 1750–2000
- 2011
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This book argues for a historical perspective on issues relating to the notion of participatory media. Working from a broad concept of media – including essays on the 19th century press, early sound media, photography, exhibitions, television and the internet – the book offers a broad empirical approach to different modes of audience participation from the mid 19th century to the present. Using the insights from the historical case studies, the book also explores some of the key concepts in discussions on the politics of participation, arguing for a theoretical perspective sensitive to the asymmetries that characterize the distribution of agency in the relationship between media and users.Scholarly discussions on participatory media now occur in several fields. This book argues that all of these discussions are all too often obscured by a rhetoric of newness, assuming that participatory media is something unique in history, radical and revolutionary. By challenging the historiography implicit in this rhetoric, the book also engages in a discussion of issues of more general relevance to the multidisciplinary field of media history.
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| 4. |
- Alsanius, B. W., et al.
(författare)
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Reflection on reflection in action : A case study of growers conception of irrigation strategies in pot plant production
- 2009
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Ingår i: AI & Society. - : Springer Science and Business Media LLC. - 0951-5666 .- 1435-5655. ; 23:4, s. 545-558
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Tidskriftsartikel (refereegranskat)abstract
- A case study of growers conception of irrigation strategies indicates that pot plant growers in Scandinavia base their management approaches on experientially based art. The study also indicates that there is a gap between experientially based art and available greenhouse technology. In order to standardize production and produce quality, both the grower's experience and available technology should be taken into account. In order to achieve this, the present study proposes to arrange reflection on reflection in action with a group of growers by means of the dialogue seminar method. The concept of reflection on reflection in action is novel to horticultural practice. Therefore, we suggest future inter- and multidisciplinary research within this domain.
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| 6. |
- Ratkić, Adrian
(författare)
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Avvikelsens konst : metod och analogiskt tänkande
- 2004
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Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
- I denna avhandling presenteras en fallstudie vars studieobjekt är dialogseminariemetoden tillämpad inom forskarprogrammet KTH Advanced Programmein Reflective Practice. Dialogseminariemetoden kan ses som ett sätt att iscensätta dialog genom en systematiserad och disciplinerad procedur.Metoden utvecklades i Bo Göranzons och Maria Hammaréns samarbete med företaget Combitech Systems, mellan 1996 och 1999, i syfte att underlätta reflektion kring erfarenhetsgrundad kunskap. Sedan dess har metoden tillämpats i en rad andra situationer och i olika syften.Varför är just denna metod värd att studera? Enligt min mening löper många trådar från forskningsområdet yrkeskunnande och teknologis nu tjugoåriga metodutveckling ihop i dialogseminariemetoden. Inte minst uttrycker metoden en genomtänkt hållning i frågan om vad som förbinder litteratur, filosofi, idéhistoria och konst med yrkeskunnande och vetenskap.Denna hållning uttrycks i sättet att föra dialog; olika teman utforskas i samtalet genom associativa förbindelser, utvikningar och avvikelser. Detta kallas för analogiskt tänkande, till skillnad från tänkande som bygger på induktion eller deduktion. Att tänka analogiskt innebär att reflektera kring likheter och skillnader mellan olika företeelser. Analogiskt tänkande dominerar i omdöme och handling och är av stor betydelse i bland annat utvecklingsprojekt,inom konstnärligt arbete, all slags problemlösning, samt de faser i forskningsarbetet som kräver uppfinningsrikedom och fantasi.Dialogseminariemetoden utgör ett exempel på det som filosofen Tore Nordenstam kallar ”tillämpad humaniora”, och min beskrivning av hur metoden använts vid KTH kan ses som ett inlägg i den offentliga diskussionenom humanioras plats inom högre utbildningen.
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| 7. |
- Ratkić, Adrian
(författare)
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Dialogue seminars as a tool in post graduate education
- 2007
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Ingår i: AI & Society. - : Springer. - 0951-5666 .- 1435-5655. ; 23:1, s. 99-109
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Tidskriftsartikel (refereegranskat)abstract
- This paper describes and discusses a new postgraduate course based onthe dialogue-seminar method. The course and the method have been developedwithin the research area of Skill and Technology, based at the Royal Institute ofTechnology in Stockholm. The main features of the course were dialogue andreflection on practice of research inspired by reading of the source texts from thehistory of science and philosophy written by: Descartes, Leibniz, Diderot, D’Alembert,Gadamer, Galileo and Darwin. The concept of liberal education was ofimportance in the design of the course. Doctoral students were all adults interestedin applying of research in order to improve practices at their own work places.
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| 8. |
- Anstey, Tim, 1965-
(författare)
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The ambiguities of disegno
- 2005
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Ingår i: Journal of Architecture. - : Informa UK Limited. - 1360-2365 .- 1466-4410. ; 10:3, s. 295-306
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Tidskriftsartikel (refereegranskat)
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| 9. |
- Hansson, Sven Ove
(författare)
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Experiments : Why and How?
- 2016
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Ingår i: Science and Engineering Ethics. - : Springer. - 1353-3452 .- 1471-5546. ; 22:3, s. 613-632
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Tidskriftsartikel (refereegranskat)abstract
- An experiment, in the standard scientific sense of the term, is a procedure in which some object of study is subjected to interventions (manipulations) that aim at obtaining a predictable outcome or at least predictable aspects of the outcome. The distinction between an experiment and a non-experimental observation is important since they are tailored to different epistemic needs. Experimentation has its origin in pre-scientific technological experiments that were undertaken in order to find the best technological means to achieve chosen ends. Important parts of the methodological arsenal of modern experimental science can be traced back to this pre-scientific, technological tradition. It is claimed that experimentation involves a unique combination of acting and observing, a combination whose unique epistemological properties have not yet been fully clarified.
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| 10. |
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