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- Goldhahn, Joakim, 1966-
(författare)
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«Så godt det lar sig gjøre» –kommenterade krigstidsbrev adresserade till Arthur Nordénfrån norska kollegor 1940–1945
- 2019
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Ingår i: Viking. - : University of Oslo Library. - 0332-608X .- 2535-2660. ; 82, s. 153-172
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Tidskriftsartikel (refereegranskat)abstract
- This article is based on letters addressed to Arthur Nordén (1891–1965), from his Norwegian colleaguesAnton Willhelm Brøgger (1884–1951) and Sverre Marstrander (1910–1986) during the Nazi occupation ofNorway, which lasted from 9 April 1940 to 8 May 1945. The letters provide unique historical insights intoBrøgger’s and Marstrander’s activities during the war and reveal how they were engaging with Swedisharchaeological colleagues during the Nazi occupation of Norway. While there is no doubt the relationshipbetween archaeology and Nazism during the Second World War is a complex issue, and one that has beenaddressed by a number of researchers (e.g. Nordenborg Myhre 1984, 2002; Hagen 2002), these lettersreflect particular solidarity between Swedish and Norwegian colleagues. They act as aging photographscapturing unique insight into personal experience and agencies. The expressed solidarity in words andactions strengthened existing collegiality and friendships. The letters add to a more nuanced understandingof the history of our discipline.
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- Goldhahn, Joakim, 1966-
(författare)
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Bredarör på Kivik – en arkeologisk odyssé
- 2013. - 1
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Bredarör på Kivik är känd som ett av norra Europas mest märkliga och omdebatterade fornminnen från bronsåldern. Det enorma röset med sina åtta hällar med inknackade bilder har varit en rik källa till debatter och dispyter sedan den 14 juni 1748 då två husmän bröt sig in i det slumrande röret. I bokens 24 kapitel tecknas monumentets antikvariska och arkeologiska biografi. Här presenteras såväl äldre som nya tolkningar om monumentet och det presenteras en rad nya analyser. För att förstå betydelsen av ett monument som Bredarör på Kivik bör vi närma oss det från skilda analytiska nivåer och perspektiv. Gåtans lösning får sökas inom dig själv.
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- Goldhahn, Joakim, 1966-
(författare)
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Emplacement and the hau of rock art
- 2010
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Ingår i: Changing pictures – rock art Traditions and Visions in Northern Europe. - Oxford : Oxbow Books. - 9781842174050 ; , s. 106-126
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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- Goldhahn, Joakim, 1966-
(författare)
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Handlare Holm på Kivik och Riksantikvarie Curman i Stockholm: : Några tankar om institutionaliseringen av kulturminnesvården under första delen av 1900-talet
- 2012
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Ingår i: <em>Att återupptäcka det glömda :</em>. - Lund : Lunds universitet. Institutionen för arkeologi och antikens historia. - 9789189578470 ; , s. 257-277
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Merchant Holm in Kivik and State Antiquarian Curman in Stockholm – On the institutionalization of the cultural heritage sector during the first half of the twentieth century. In recent years, several thought-provoking studies have been published on the history of archaeology and the coming of a cultural heritage sector. A central figure in these studies is Sigurd Curman, who also was the State Antiquarian in Sweden between 1923 and 1946. Common to these studies is a fairly normative historiography celebrating Curman’s life achievement. In my ongoing research about Bredarör in Kivik, I have also encountered Curman and his life project, not least since this monument was one of the first that he restored and made accessible to the knowledge-hungry public in the early 1930s. The inauguration of the restored monument in 1933, with Crown Prince Gustav Adolf as the most distinguished guest, is without doubt one of Curman’s most important milestones. Some 3,000–4,000 people witnessed the event. Curman was celebrated for his great success. The picture that emerges in archives and collections of letters, however, tells a partly different story about the beginnings of the cultural heritage sector in Sweden, where hitherto anonymous actors on the periphery, such as the local merchant Anders N. Holm of Kivik, played important roles. Holm’s commitment to this particular monument exhibits both similarities and dissimilarities to Curman’s vision of a modern culture heritage sector, as highlighted in this article.
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