| 1. |
- Orru, Anna Maria, 1976, et al.
(författare)
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AHA! festival 2016
- 2016
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- For the third year, the AHA festival investigates the meeting between art and science in a three-day event at the Chalmers University of Technology hosted by the Department of Architecture and the Department of Physics. An international festival intended to provide enlightening experiences, staging surprises, new thoughts and displaced perspectives that lead to alternative modes of thinking about exploring the world through art and science. We invite scientists (physicists, historians, astronomers, engineers), artists (dancers, musicians, painters, poets, acrobats) who reside in these borderlands and wish to share their vision and work. The key intention is to celebrate both art and science as key knowledge building devices.The first year’s theme ’Embodiment’ (2014) explored the body as our anchor in the world, followed by the 2015 theme on ’Numbers’, a delightful net we cast over the world. This year's theme is ’Uni-verse,’ again a natural consequence of our interest in the relation between art and science. The elemental force that drives science as well as art is curiosity. Come be curious with us! During the festival we have chosen to divide the word universe into three: uni and "-" and verse. Uni means that something is combined into a whole. Verse means that we are turned in a direction, the origin of the word tells us that it is the plow that turns at the end of the field. And the dash "-" is all the spaces and cracks where new discoveries can grow. Art and science unfolds in the gap between what we know and what we want to know.
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| 2. |
- Jensen, Stefan, 1986, et al.
(författare)
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Radioaktivitet och fotografi
- 2023
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Ingår i: Vetenskapsfestivalen.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Fotografen och konstnären Sara Linderoth fotograferar platser som har höga halter av radioaktiva ämnen och gör autoradiografier med växter, svampar och jordprov. Här berättar hon och visar exempel på sitt arbete. Stefan Jensen, fotograf och curator på Hasselbladstiftelsen ger en introduktion till kopplingen mellan radioaktivitet, fotografi och konst. Finns tillgängligt på URPlay. Inspelat den 20 april 2023 på Stadsbiblioteket i Göteborg. Arrangör: Vetenskapsfestivalen.
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| 3. |
- Orru, Anna Maria, 1976, et al.
(författare)
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AHA! festival 2015
- 2015
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The AHA festival investigates the borders between art and science in a three-day event at the Chalmers University of Technology hosted by the Department of Architecture. An international festival intended to provide enlightening experiences, staging surprises, new thoughts and displaced perspectives that lead to alternative modes of thinking about the space between art and science. We invite scientists (physicists, historians, mathematicians, medical students), artists (dancers, musicians, painters, poets, chefs) and not least architects, who reside in these borderlands and wish to share their vision and work. The key intention is to celebrate both art and science as key knowledge building devices.
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| 4. |
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The Face of God - Making Narratives #2
- 2017
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The Face of God, an antology of essays about the fictive Czech entomologist and artist Milka Havel's life and works. A partially lost text about the search for order in chaos, forms the basis for a book and an exhibition at the art museum Vandalorum. The artist is made alive by texts, images and artifacts.
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| 5. |
- Tatar, Kivanc, 1988, et al.
(författare)
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A Shift in Artistic Practices through Artificial Intelligence
- 2024
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Ingår i: Leonardo. - : MIT Press. - 0024-094X .- 1530-9282. ; 57:3, s. 293-297
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Tidskriftsartikel (refereegranskat)abstract
- The explosion of content generated by artificial intelligence (AI) models has initiated a cultural shift in arts, music, and media, whereby roles are changing, values are shifting, and conventions are challenged. The vast, readily available dataset of the Internet has created an environment for AI models to be trained on any content on the Web. With AI models shared openly and used by many globally, how does this new paradigm shift challenge the status quo in artistic practices? What kind of changes will AI technology bring to music, arts, and new media?.
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| 6. |
- Munthe, Christian, 1962
(författare)
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Låt skiten löpa
- 2023
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Ingår i: Tidskriften Alba. - 1403-5448.
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 7. |
- Thompson, Linda Maria, Lecturer, 1978-
(författare)
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(In)visible powers : witnessing the ‘tourist-waters’ of Nämforsen
- 2023
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Ingår i: Cultural Geographies. - : SAGE Publications. - 1474-4740 .- 1477-0881. ; 30:2, s. 325-332
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Tidskriftsartikel (refereegranskat)abstract
- This artistic research reflection explores Sweden’s legally-mandated ‘tourist-release’ at the Ångermanälven River’s storied site of Nämforsen. Against World Wars and calls for energy independence of the mid 1940s, the iconic Ångermanälven River was industrialised from a free-flowing salmon river to eventually a series of 44 dams and hydropower plants. Later, a unique environmental court legal judgement resulted in ‘tourist-water’ at Nämforsen that gives the illusion of a free-flowing river during summer months. Existing for solely aesthetic purposes, tourist-water is an unexplored example of the (in)visible powers perpetuating myths associated with hydropower and place in Sweden. Through text and images, this piece reflects on witnessing this tourist-water phenomena through place-based documentary arts practice. The fieldwork is part of a doctoral project in artistic practice focusing on how photography can mediate complex issues in places of environmental change through the case of Nämforsen. Strategies such as framing, time-scaling and montage have emerged from this practice at the same time as ethical concerns related to representation are raised. This case is especially pertinent as hydropower in Sweden comes under increased scrutiny, simultaneously as it is marketed as a sustainable energy solution. The piece furthermore highlights the lasting implications of conservation efforts centred historically on aesthetic rather than ecologic values.
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| 8. |
- Hermerén, Karin, 1963
(författare)
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Den utsatta konsten. Att förvalta konst i offentlig miljö – etik, lagstiftning och värdeförändring
- 2014
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Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Syftet med denna licentiatuppsats är att öka kunskapen om förutsättningarna för förvaltning, tillsyn och konservering avseende lös och byggnadsanknuten konst beställd av stat, landsting och kommuner i Sverige under 1900-talet. Många byggnadsanknutna konstverk har gradvis blivit en del av kulturarvet på samma sätt som äldre historiska byggnadsverk. Uppsatsen visar dock att det finns brister avseende kunskaper kring förvaltning och tillsyn av denna konst, både hos fastighetsägare och ur kulturmiljövårdens perspektiv. Dessa brister kan leda till att konstverken helt eller delvis (ibland omärkligt) förstörs alldeles oavsett om de beställts för privata eller offentliga medel eller i vilken miljö de är placerade. Hur ett konstverk betraktas och värderas, och vem som är betraktaren, bestämmer i hög grad hur konstverket bevaras och också vilka skyddsmöjligheter som kan användas. I uppsatsen diskuteras därför skillnader som rör etiska ställningstaganden under konserveringsprocessen, ändrade ägarstrukturer respektive resursbehov samt lagstiftningens tillämpning.
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| 9. |
- Jensen, Stefan, 1986, et al.
(författare)
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Fotografiska möten med naturen
- 2023
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Ingår i: Göteborgs naturhistoriska museum : 100 år i Slottsskogen : Jubileumsskrift 2023. - Göteborg. - 9789189347038
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Sedan mitten på 1800-talet har kameran varit ett viktigt redskap i mötet med naturen – både för den naturvetenskapliga forskningen och för amatörens passionerade undersökningar av växter och djur.
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| 10. |
- Driesse, Moniek, 1983
(författare)
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Leaving dry land: Water, heritage and imaginary agency
- 2023
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This doctoral dissertation explores the interplay between water, heritage and the agency of the imagination. Instead of seeking how to map subjects or heritage, the research focuses on the ways in which mapping and the cartographic gaze have produced subjects in specific categories. It seeks to create moments of orientation and reorientation to experience the effects, affects and possibilities to imagine ways beyond these fixed geocodes and the taken for granted. As such, this dissertation contributes to broader discussions regarding critical design practices alongside critical heritage studies, while channelling design’s ability to shape the world and to explore potential approaches that foster collective imagination and planetary care. Two iterations of a fluid methodology were conducted in Mexico City and Gothenburg, foregrounding precarious issues in heritagisation processes and exploring aquatic agency. The methodology provides a tool for bridging different epistemologies, disciplines and perspectives, fostering transdisciplinary collaboration and knowledge permeation. By engaging with water as a subject and employing imaginative techniques, the research aims to actively (re)imagine the past, present and future of urban environments, enabling diverse infrastructures, ecologies and cosmologies to emerge. Heritage is reconceptualised as a navigational system that traces diverse relations in the world. In this sense, the research challenges modern heritage paradigms by acknowledging the ephemerality of water.
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