| 1. |
- Johansson Wilén, Evelina, 1985-, et al.
(författare)
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Ideologikritikens återkomst
- 2021
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Ingår i: Evelina Johansson Wilén, Tomas Wedin och Carl Wilén (red.), Ideologikritik. - Lund : Studentlitteratur. - 9789144139883 ; , s. 17-44
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Parsa, Amin, 1985-, et al.
(författare)
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Legislative arts : interplays of art and law
- 2022
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Ingår i: Journal of Aesthetics & Culture. - Abingdon : Taylor & Francis. - 2000-4214. ; 14:1
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Tidskriftsartikel (refereegranskat)abstract
- The relation of law and art is conventionally understood through a disciplinary divide that presents art as an instrument of legal practice and scholarship or, alternatively, presents law as potential context for artistic engagement. Moving beyond disciplinary definitions, in this article we explore how art and law, as modes of ordering and action in the world, often overlap in their respective desires to engage existing material orders. Whereas law's claim of producing order appears self-evident, we try to highlight, through a concept of legislative arts, the often-overlooked similar function of artistic practices. At the heart of what we refer to as legislative arts are practices that aim to challenge law's claim of authority in ordering social life through tactical combinations of elements of art and law. In examining a set of examples that include the Tamms Year Ten campaign to close a super-max prison in the United States, the work of Forensic Architecture and practices of passport forgery, we aim to highlight the possibility of manifesting social orders beyond an exclusive reliance upon state laws. Pointing to the potentials of such legislative arts practices, this article suggests that the material ordering quality of artistic and legal practices can, and perhaps should, be weaponized for challenging and remaking the world of unjust state laws.
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| 3. |
- Jonasson, Kalle, 1976-
(författare)
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‘What [I] talk about when [I] am running’ : Revetment Running, Ethnography and Econarratological Poetry
- 2018
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Ingår i: The Ethnographic Edge - Contemporary Ethnography Across the Disciplines. - Hamilton : University of Waikato. - 2537-7426. ; 2:1, s. 9-20
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Tidskriftsartikel (refereegranskat)abstract
- In this article, nonhuman poetry is explored. Departing from an autoethnographic project based on audio recordings made while running on revetments, and which discussed how to give voice to nonhuman actors the possibilities of nonhuman poetry, this text aims at taking it one step further by extracting poetry from the material. Ethnographically, this is discussed in terms of affect, and an 'ethnography to be'. Theoretically, the study has a posthumanist approach, with a specific focus on the econarratology of philosopher Michel Serres. The method and theory are are discussed in tandem in relation to what philospher Peter Sloterdijk has coined 'amphibian anthropology'. By stacking the bracketed words in my transcriptions, four poems emerge in which background sounds, contextual descriptions, corrections and bodily sounds form the content. Each poem is accompanied by a map made from smartphone screenshots. The prose is found to be evocative of the surroundings of the recording, and also resonating with the ideas of human language as derivative of what Serres calls the Great narrative, the story of universe and nature themselves. The proximity to water and rocks discernible in the experiment is seen as a result stemming from practicing the hope-oriented 'ethnography to be'.
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| 4. |
- Holmberg, Kristina
(författare)
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Musik- och kulturskolan i senmoderniteten : reservat eller marknad?
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis focuses on the education at Swedish community school of music and art. The aim of the study is to investigate how teachers at those schools talk about their own activities, and thereby also to explore, describe and analyse how the teaching is manifested. In the study 27 teachers from six different community schools of music and art participated. All together about 10 hours of group conversation were recorded and subsequently transcribed in to text for further analysis. In line with the theoretical approach of the thesis naturally occurring talk was strived for. The study uses two discourse analytical perspectives, both founded in social construction- ism and post-structuralistic theory. Discursive psychology, influenced by ethnomethodology and conversation analysis in the field of social psychology, and discourse theory, inspired by the work of Foucault. The combination of the approaches is considered as more productive than a one-sided use of one or the other. In order to create options for discussing the conditions society offers on the basis of the macro-discourses generated by the data, theories of modernity has been chosen as a relevant approach. The results are divided into four areas; Change (Förändringen), Future (Framtiden), Frustration (Frustrationen) and Freedom (Friheten), all describing distinctions between systems of difference. Each area is extensively analysed. In the discussion the changed conditions in the teachers work at the schools of music and art are discussed in relation to the tendencies of late modernity. The teachers in the present study are experiencing a loss of influence concerning teaching and are explaining this in terms of an in- creasing demand for participation from the students. At the same time, the changed students are seen as responsible for the changes in the lesson contents. The changed condition in society consequently illuminates what has happened at the schools of music and art. Both teachers and students are by cause of the cultural liberation more free as the norms of the traditional have lost most of its power. This gives consequences for the students, who more actively seek influence according to the music of the lessons. On behalf of the teachers one consequence can be seen in their increasing openness to new ideas and in a higher wish to manage a pleasant teaching for their students. In conclusion, as long as traditions were able to guide the contents of the activities and the students adjusted to it, there was no need for greater clarity. However, in late modernity, when ideas that were once obvious are getting questioned, things come to another situation. A scenario for the future without control documents, would, according to this study, lead to an abandoning of the ambition, and the schools of music and art would transfer into an amusement park for the ”ego children”. But with an increasing distinctness on the mission, it is my conviction that the cultural heritage will also be better able to survive in late modernity. There is no doubt that community schools of music and art have capacity to carry on a market adapted activity and at the same time to mediate a tradition.
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| 5. |
- Johansson Wilén, Evelina, 1985-, et al.
(författare)
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Till ideologikritikens försvar
- 2021
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Ingår i: Evelina Johansson Wilén, Tomas Wedin och Carl Wilén (red.), Ideologikritik. - Lund : Studentlitteratur. - 9789144139883 ; , s. 277-308
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 6. |
- Lindgren, Monica, 1958, et al.
(författare)
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Ränderna går aldrig ur
- 2011
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Ingår i: Perspektiv på populärmusik och skola. - Lund : Studentlitteratur. - 9789144068770 ; , s. 23-39
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Bokkapitel (refereegranskat)
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| 7. |
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| 8. |
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| 9. |
- Palmsköld, Anneli, 1962
(författare)
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En historia om stickning
- 2009
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Ingår i: Stickning. Ett hantverk att utveckla. - Stockholm : Hemslöjdens förlag. - 9789197753913 ; , s. 212-223
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Brunow, Dagmar
(författare)
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[ Review of ] Borderline : Ein Film von Kenneth Macpherson
- 2009
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Ingår i: testcard #18. - Mainz : Ventil Verlag. - 9783931555177 ; , s. 294-295
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Bokkapitel (populärvet., debatt m.m.)abstract
- Review of the DVD edition of Macpherson's experimental film "Borderline", a British avant-garde classic negotiating issues of race and sexuality.
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