| 1. |
- Bengtsen, Peter, et al.
(författare)
-
Street art and the nature of the city
- 2018
-
Ingår i: Bild och natur. Tio konstvetenskapliga betraktelser. - 2001-7510 .- 2001-7529. - 9789198369045 ; 16, s. 125-138
-
Bokkapitel (refereegranskat)
|
|
| 2. |
- Bengtsen, Peter
(författare)
-
The Street Art World
- 2014
-
Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In recent years, street art has become embedded in popular culture and received growing attention from the art market and art institutions. Work by street artists has entered galleries, auction houses and museums, and some artists have been given the opportunity to create large-scale sanctioned public art projects. Simultaneously, widespread photographic documentation of street artworks and the circulation of images online have provided artists with a potentially global audience. The Street Art World investigates street art as a relatively newly established field within contemporary art. With the American sociologist Howard S. Becker’s notion of “art worlds” as a central point of departure, the book seeks to characterise street art by studying and participating in the everyday interaction among the artists, gallerists, collectors, critics, curators, bloggers and street art enthusiasts that make up the social environment (the street art world) in which the term street art is continuously given its meaning. Major themes addressed in the book include: (1) The social construction of the meaning of the term street art and the resulting difficulties in formally defining what street art is. (2) The often contradictory attitudes within the street art world towards art history and the institutions of art. (3) The relationship between street art, the art market and the institutional art world. (4) The relationship between street art and public art. (5) Street art’s potential to affect the viewer’s perception of public space, and the possible challenges the increasing digital mediation of street art may pose to bringing this potential to fruition. While the book presents central characteristics of the street art movement, it also acknowledges that it is not feasible to pin down the nature of street art once and for all, since street art is a product of complex social processes.
|
|
| 3. |
- Bengtsen, Peter, et al.
(författare)
-
Spatial justice and street art
- 2014
-
Ingår i: NAVEIÑ REET: Nordic Journal of Law and Social Research. - 2246-7807. ; 1:5, s. 117-130
-
Tidskriftsartikel (refereegranskat)abstract
- This article presents the notion of spatial justice as a way of considering the relationship between law and street art in a manner beyond the legal/illegal dichotomy. Through a series of empirical examples, it is demonstrated how street art literally takes a place already taken and imposes itself in an already appropriated urban public space. Street art thus ´redefines the space in contestation to law. However, street art is ephemeral and its taking of space is not permanent. Street art points to an alternative spatial definition, one of spatial justice, before – and, indeed, while – withdrawing from the space it occupies. Street art creates a rupture in the lawscape which makes explicit the presence and claims of law, thereby also making the need for law’s other – justice – pronounced. The question of relationality between law and street art which we bring forth in the present article plays itself out as a production of space and spatial justice in an exchange of place-taking, withdrawal and pronunciation, law and street art. Spatial justice, as we perceive it here, is thus a way of thinking about law and street art not simply as polar opposites, but rather as co-dependent and bound together in an ongoing process of oscillation, mutual reinforcement and creativity.
|
|
| 4. |
-
Bild och natur : Tio konstvetenskapliga betraktelser
- 2018
-
Samlingsverk (redaktörskap) (refereegranskat)abstract
- Anthology that investigates the complex relationship between nature and images. The book encompasses 10 chapters focusing on a wide range of empirical material, including photographic works, scientific images, news images, street art, public art, computer games, installation art, religious spaces and architecture.
|
|
| 5. |
- Bengtsen, Peter
(författare)
-
Street art and museums
- 2015
-
Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Presentation about the difficulties involved when attempting to represent graffiti and street art in an institutional context.
|
|
| 6. |
- Bengtsen, Peter
(författare)
-
Carelessness or Curatorial Chutzpah? Controversies Surrounding Street Art in the Museum
- 2015
-
Ingår i: Konsthistorisk Tidskrift. - : Informa UK Limited. - 0023-3609. ; 84:4, s. 220-233
-
Tidskriftsartikel (refereegranskat)abstract
- Taking the exhibition "Art in the Streets", which was shown at The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles from 17 April to 8 August, 2011, as its main point of departure, the present article discusses street art's association with the institutions of the art world. "Art in the Streets" sparked a lot of debate before, while and after it took place. The article primarily focuses on two aspects of the controversies connected with the exhibition. First, it looks at the reaction of conservative American commentators, who saw "Art in the Streets" as problematic because of its apparent validation of vandalism as art. The article argues that this critical response should be understood not just as the result of pre-existing animosity towards graffiti and street art, but also as an expression of a particular idea about the role museums play in society. Second, the article considers the reaction to "Art in the Streets" of street art aficionados, who saw the museum's representation of street based artistic expressions as problematic. The criticism from within the street art world was fuelled by the removal of a commissioned artwork by the Italian artist BLU from the façade of the museum building prior to the opening of the exhibition. On the one hand, it is argued that this curatorial decision can be seen as symptomatic of the show's failure to integrate a non-institutional form of expression in an institutional context. On the other hand, it is argued that the removal can be related to the whitewashing process which takes place in the street every day, thus effectively reproducing in the institutional environment the conditions under which street art is produced. With an outset in a number of artistic responses to Art in the Streets, the article is concluded by a more overarching discussion about street art's relationship with the institutional art world. Here it is argued that the relevance and perceived authenticity of street art is challenged by the interest from excluding and conservational art institutions, which street art to some extent exists in opposition to. Given the unsanctioned nature of street art, as well as street art's connection to the street, it is further argued that while institutions can create shows that document and discuss the history of art in the street, and can show artworks derived from this context, street art proper cannot exist in an institutional context.
|
|
| 7. |
- Bengtsen, Peter, et al.
(författare)
-
Fashion Curates Art : Takashi Murakami for Louis Vuitton
- 2017
-
Ingår i: Fashion Curating. Critical Practice in the Museum and Beyond. - 9781474287104 - 9781474287098 - 9781474287111 - 9781474287128 ; , s. 199-212
-
Bokkapitel (refereegranskat)abstract
- The chapter investigates how one specific collaboration between a fashion conglomerate (Louis Vuitton) and a contemporary artist (Takashi Murakami) exemplifies a wider phenomenon of the ways in which brands curate artists to fit their own needs. Central to the chapter is the discussion about why and to what ends curation of art has become important for fashion brands in their branding efforts.
|
|
| 8. |
|
|
| 9. |
- Bengtsen, Peter, et al.
(författare)
-
Peter Bengtsen : Researching Street Art
- 2023
-
Ingår i: w/k - Between Science and Art. - 2628-1465.
-
Tidskriftsartikel (refereegranskat)abstract
- In this article, Peter Bengtsen, who has written several books on street art, approaches the topic of Street Art, Science and Engagement as an academic. He discusses how he became interested in environmental street art, how his research developed and how and to what extent environmental street art can influence the viewer and bring about positive behavioural change. Unpacking selected international examples of public art, the article critically reflects on the power of street art to communicate environmental messages and raise public awareness of environmental issues.
|
|
| 10. |
|
|
