| 1. |
- Granmo, Tobias, 1972, et al.
(författare)
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Seminarieserien "Sinnenas musik"- Det sjätte sinnet!
- 2018
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Ingår i: Jonsereds Herrgård 16 maj 2018.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Seminarieserien "Sinnenas musik" har final. Ett sjätte sinne, säger många av oss. Extrasensorisk perception, rättar oss i så fall forskarna – med en beteckning som på 1930-talet myntades av den ameri- kanske botanikern Joseph Banks Rhine. Men vad är det egentligen för något? Det som man ibland kallar magkänsla? Eller intuition? Hur påverkas vi av den? Och hur använder vi allt vi inte kan organisera, intellektualisera och kvantifiera? Som till exempel en del av de upplevelser musiken skänker oss? Duo Granmo/Berg utforskar begreppet "Det sjätte sinnet" ur ett musikaliskt perspektiv tillsammans med Maria Küchen är poet och författare, Fredrik Höök professor i biologisk fysik vid Chalmers, Michael Eriksson och Peter Christensson, projektledare för AHA-festivalen vid Chalmers samt diskuterar och samtalar med en inbjuden skara specialister från olika områden.
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| 2. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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Sound and other spaces
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The book, edited by Catharina Dyrssen, draws on coclusions from two larger artistic research project on urban sound environments, sound art, acoustic space, and spatial aspects of sound. The chapters comprise reflections on sound quality ans sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural and urban design. In text and images the four authors discuss a number of investigative projects performed within the artistic and interdisciplinary research group Urban Sound Institute.
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| 3. |
- Orru, Anna Maria, 1976, et al.
(författare)
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AHA! festival 2015
- 2015
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The AHA festival investigates the borders between art and science in a three-day event at the Chalmers University of Technology hosted by the Department of Architecture. An international festival intended to provide enlightening experiences, staging surprises, new thoughts and displaced perspectives that lead to alternative modes of thinking about the space between art and science. We invite scientists (physicists, historians, mathematicians, medical students), artists (dancers, musicians, painters, poets, chefs) and not least architects, who reside in these borderlands and wish to share their vision and work. The key intention is to celebrate both art and science as key knowledge building devices.
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| 4. |
- Dervishaj, Arlind
(författare)
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From Sustainability to Regeneration : a digital framework with BIM and computational design methods
- 2023
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Ingår i: Architecture, Structures and Construction. - : Springer Nature. - 2730-9886 .- 2730-9894. ; 3:3, s. 315-336
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Tidskriftsartikel (refereegranskat)abstract
- Design methods, frameworks, and green building certifications have been developed to create a sustainable built environment. Despite sustainability advancements, urgent action remains necessary due to climate change and the high impact of the built environment. Regenerative Design represents a shift from current practices focused on reducing environmental impacts, as it aims to generate positive effects on both human and natural systems. Although digital design methods are commonly employed in sustainable design practice and research, there is presently no established framework to guide a digital regenerative design process. This study provides an analysis of existing literature on regenerative design and digital design methods and presents a framework based on building information modelling (BIM) methodology and computational design methods, that can be applied to both urban and building design. This framework identifies digital tools and organizes indicators based on the pillars of climate, people, and nature for regenerative design, drawing upon a comprehensive analysis of literature, including standards, sustainability frameworks and research studies. The framework is illustrated through a case study evaluation. The paper also highlights the potential and limitations of digital methods concerning regenerative design and suggests possibilities for future expansion by incorporating additional quantifiable indicators that reflect research developments, to achieve positive outcomes.
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| 5. |
- Dyrssen, Catharina, 1949
(författare)
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Rum och rytm i arkitektur
- 2016
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Ingår i: Skönhetens dimensioner. Ordning och oordning i vetenskapens värld. - 9789198042061 ; , s. 29-43
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Framställningen koncentreras på relationen mellan mönster och rytm i arkitekturen. Analogier med musik utnyttjar begrepp som balans, rörelse, rytm och upprepning. I arkitekturen kan rytmen ses som växlingar mellan kontraster: Rum och rytm beskrivs som samspelet mellan proportioner och rörelse - proportionsrytm och sekvensrytm. Proportionsrytmen beskrivs med exempel från antiken fram till våra dagar. Sekvensrytmen illustreras med hjälp av exempel som Göteborgs konserthus och Göteborgs rådhus, båda från 1900-talets första hälft. Hantering av arkitektonisk rytm exemplifieras även av japansk arkitektur som relateras rörelse i rummet. Slutligen visas exempel på komplicerad polyrytmik i flera dimensioner tillämpad i avancerad byggnadskonst från vår egen tid.
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| 6. |
- Holmqvist Sten, Katrin, 1971-
(författare)
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Arkitekturen och universitetet
- 2014
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Ingår i: Konstvandring på Umeå universitet. - Umeå : Umeå universitet; Akademiska hus; Statens konstråd. - 9789176010358 ; , s. 108-119
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Bokkapitel (populärvet., debatt m.m.)
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| 7. |
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Swedish Modernism : Architecture, Consumption, and the Welfare State
- 2010
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Swedish Modernism provides an in-depth, multilayered account of the process, and difficulties found, in the process of modernization. The debate is enriched from a diverse range of contributors including architects, researchers and leading academics from across the globe. Following an introduction from Helena Mattsson and Sven-Olov Wallenstein, the book is divided thematically into three sections. The first section of the book explores the construction of the welfare state. The contributions in this section analyze the peculiar modalities of this development from the point of view of sociology and political science, providing a more nuanced view of ‘Modernism’ that shows to what extent it must always be understood on the basis of local context. Here, Henrik Berggren argues that the social contract has deep roots in Swedish political culture and social philosophy as it evolved during the nineteenth century whilst text from Yvonne Hirman deals with the formation of Swedish politics in the 1930s. This section also includes an essay from Jens Bartelson, Professor of International Relations at the Department of Political Science, University of Copenhagen.The second section of Swedish Modernism delves into the importance of consumers and spectacles analyzed in relation to the wide range of ‘state programs’ from housing to national marketing programs. This section includes case studies highlighting the importance of consumption for the formation of subjectivity, both in the pre- and post-war period, and range from analyses of exhibition architectures and debates on standardization to the Co-Op movement and the gendering of taste. Contributions to the second section of the book include an essay from Ylva Habel looking at the exhibition Modern Leisure, 1936, and exploring how exhibitions were highly instrumental during the formation of the Swedish welfare state. Helena Mattsson looks at how strategies of consumption are formulated in the political and architectural debates of the 1930s, tracing how the emergence of ideas of standardization and personality worked as a mediator between individual and society in the process of constructing the new subject of the welfare state. Reinhold Martin’s essay “Mass Customization: Consumers and Other Subjects” outlines, in historical perspective, developments in post-war corporate architecture related to emergent “technologies of the self” that have become known as “mass customization”. Further essays from Lisa Brunnstrom, Thordis Arrhenus and Penny Sparke also provide valuable insights into the role of architecture in the Swedish Co-operative movement, the role of architectural exhibitions in the promotion of societal models and the modulation of cultural identity and the subject of production and consumption of the domestic interior, respectfully. The third and final section of the book deals with the problem of historiography on a broad level. Eva Rudberg asks “What is the Question to which Functionalism is the Answer?” whilst Joan Ockman explores the paradigm shift that occurred following the Second World War and in the context of the Cold War. The section also includes contributions from Roger Jonsson and Sven-Olov Wallenstein, who draw on the work of Michel Foucault and delineate a genealogical model of analysis that focuses on how architecture can take part in the production of subjectivity.
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| 8. |
- Sällström, Pehr-Mikael, 1966-
(författare)
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The architect's need for spatial acoustic tools
- 2005
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Ingår i: Proceedings from the 12th International Congress on Sound and Vibration 2005. - 9781627481496 ; , s. 4387-4394
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Konferensbidrag (refereegranskat)abstract
- In this paper a model of acoustic analysis of built environments that also includes socio-cultural acoustic theory and a spatial perspective is discussed. The normal technical acoustic analysis is based on a combination of physical and the psycho-acoustic analysis and give little attention to the spatial consequences of acoustics. Architectural analysis is also based on a combination of physical and psychological analysis, but equal importance is given to the socio-cultural analysis and the spatial context. In this paper both the psycho-acoustic model for analysis as well as some complementary aspects of acoustic analysis related to a socio-cultural and spatial analysis of architecture, are discussed. A conceptual model for analysis based on the central position of space in architecture and the concepts of aesthetics, function and technique is presented.
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| 9. |
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| 10. |
- Bache, Anja
(författare)
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Ny Beton - Ny Form
- 2004
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Präsentation af en ny betonteknologi, CRC, og visioner for dens formverden for kämpe store konstruktioner. Med afsät i et PhD projekt ved Arkitektskolen Århus og med fondsmidler fra Knud Höjgårds Fond og Fonden Realdania, gennemförte jeg et Postdoc på Arkitektskolen Århus med afsögning af CRC´s formpotentialer for byggerier med spändvidder helt op til 500 m. Det blev der denne bog ud af samt en udstilling på Charlottenborgs Forårsudstilling. Tak til Knud Höjgårds Fond, Fonden Realdania og Arkitektskolen Århus også for stötte til at skabe denne bog.
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