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- Bergström, Anders, 1965-
(författare)
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Einem christlichen und aufgeklärteren Volk angemessen
- 1992
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Ingår i: Grabgebäude der Deutschen St. Gertruds Gemeinde in Stockholm 1716–1992. - Stockholm : Deutsche St. Gertruds Gemeinde. ; , s. 5-7
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Bokkapitel (populärvet., debatt m.m.)abstract
- In the Old Town of Stockholm, the main part of a burial complex for the German congregation still exists, constructed at the beginning of the 18th century. Construction work started already in 1716, but work was delayed until mid 1720s, and the building was first completed in 1735, to the design of sculptor Burchardt Precht. The original building complex had the character of a closed courtyard. In the great fire of 1878, however, adjacent parts were destroyed, and the current building represents only one part of the original burial complex.
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| 4. |
- Seelow, Atli Magnus, 1975
(författare)
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»Celebration habits« (›Festvanor‹) and »Everyday Beauty« (›Vardagsskönhet«). Program and Self-expression of the Nordic Life Reform Movement
- 2016
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Ingår i: Medien im Fest — Fest im Medium. Edited by Sandra Rühr and Eva Wattolik. - 9783869622156 ; , s. 195-221
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In the nordic countries a wave of modernization, industrialization and urbanization comes up in the second half of the 19th century which catapults the hitherto backwards and rural countries on Europe’s periphery into the modern age. However, these great upheavals also plunge the countries in a deep social and cultural crisis resulting from an awareness of backwardness compared to the countries on the european continent as well as from the insight that a nostalgic nationalism that appeals back to a mythical past has become obsolete in the industrial age and is no longer sufficient as foundation for a cultural identity. In response to this crisis, a life reform movement emerges that is based on the arts & crafts movement as well as various artistic and literary reform movements and – equally absorbing rural traditions and progressive social ideas – tries to establish a new national everyday culture.In this essay, the two key terms coined by Ellen Key, »celebration habits« (›festvanor‹) and »everyday beauty« (›vardagsskönhet«) – the programmatic core of the nordic life reform movement – are analysed and illustrated in various typical manifestations, such as the artists’ banquet or the celebration ritual. It also examines to what extent the nordic life reform movement with these two core terms finds an expression in painting, arts & crafts and architecture in the late 19th and early 20th century and fulfills its promise of social and cultural renewal.
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| 5. |
- Sjöholm, Jennie, 1974-
(författare)
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Norrbottens technologisches Megasystem
- 2019
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Ingår i: Industriekultur. - Essen : Klartext Verlag. - 0949-3751. ; 86:1, s. 27-29
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 6. |
- Seelow, Atli Magnus, 1975
(författare)
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Akzeptiere. Das Buch und seine Geschichte. Deutsche Übersetzung mit Einleitung und Kommentar
- 2018
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The »Stockholm Exhibition 1930 of Arts and Crafts and Home Industries« (›Stockholmsutställningen 1930 av konstindustri, konsthantverk och hemslöjd‹) and the Acceptera-manifesto, published the following year by the exhibition organizers – Gunnar Asplund, Wolter Gahn, Sven Markelius, Gregor Paulsson, Eskil Sundahl und Uno Åhrén – mark the breakthrough of Modern Architecture in Sweden as well as in the other Nordic countries. In Acceptera(›Accept‹) the authors promote, under the term »Functionalism«, or »Funkis«, a modernisation of architecture, urban planning and the arts and crafts, which is the product of inevitable progress and which has to be »accepted« — thus the title of the book. In subsequent years this functionalism develops into an equally aesthetic and political programme for the restructuring of Sweden to a »folkhem« (literally ›a people’s home‹), the term symbolising Sweden’s welfare state. This book makes the text of the Acceptera-Manifesto accessible to the interested reader in German for the first time. In addition, the history of the book is investigated: the various movements and developments that contribute to the Stockholm exhibition and the publication of Accepteraare examined; the reception and impact of the book are also taken into account. Finally, this edition is extensively annotated and its design follows the Swedish original from 1931 as it constitutes an integral part of the book.
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| 7. |
- Seelow, Atli Magnus, 1975
(författare)
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Das Ende einer Wahlverwandtschaft. Der Erste Weltkrieg als Zäsur in den Beziehungen zwischen Deutschland und den Nordischen Ländern.
- 2014
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Ingår i: Der Erste Weltkrieg als Zäsur? Kontinuitäten und Brüche in der Architektur, Stadt- und Freiraumplanung..
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Konferensbidrag (refereegranskat)abstract
- From the mid-19th century on mutually close cultural relations, also described as "elective affinity", grow between Germany and the Nordic countries; they are severely disrupted by World War One.In this article the continuities and discontinuities in these cultural relations are traced – on the basis of the historical turning point of World War I –, in order to understand the different developments in the fields of architecture, urban planning as well as arts and crafts.
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| 8. |
- Seelow, Atli Magnus, 1975
(författare)
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Die moderne Architektur in Island in der ersten Hälfte des 20. Jahrhunderts — Transferprozesse zwischen Adaption und Eigenständigkeit
- 2009
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- »Modern architecture in Iceland in the first half of the 20th century« explores how modern architecture ends up in a peripheral country and is transformed through its adaptation to the local context — what currents and ideas are absorbed by the first generation of Icelandic architects abroad and adjusted to the native environment, taking Iceland as an example. This transfer offers a unique possibility of observing the spread of modern architecture ›en miniature‹. Because of the comparatively small numbers of architects, the processes of transfer and adaptation can be seen as a whole. In addition, in no other country in europe is the modernisation of architecture so directly influenced by the rapid social changes and technical innovations that have catapulted the country from the middle ages to modern times within a few decades. The book provides a comprehensive overview of Icelandic architecture in the first half of the 20th century and is based on the evaluation of untapped source material.
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| 9. |
- Seelow, Atli Magnus, 1975
(författare)
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Die moderne Architektur in Island in der ersten Hälfte des 20. Jahrhunderts. Transferprozesse zwischen Adaption und Eigenständigkeit
- 2011
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- »Modern architecture in Iceland in the first half of the 20th century« explores how modern architecture ends up in a peripheral country and is transformed through its adaptation to the local context — what currents and ideas are absorbed by the first generation of Icelandic architects abroad and adjusted to the native environment, taking Iceland as an example. This transfer offers a unique possibility of observing the spread of modern architecture ›en miniature‹. Because of the comparatively small numbers of architects, the processes of transfer and adaptation can be seen as a whole. In addition, in no other country in europe is the modernisation of architecture so directly influenced by the rapid social changes and technical innovations that have catapulted the country from the middle ages to modern times within a few decades. The book provides a comprehensive overview of Icelandic architecture in the first half of the 20th century and is based on the evaluation of untapped source material.
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| 10. |
- Seelow, Atli Magnus, 1975
(författare)
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Die Rekonstruktion der Stockholmer Ausstellung 1930
- 2014
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Ingår i: Detail. Zeitschrift für Architektur. Review of Architecture. - 0011-9571. ; 54:11, s. 1166-
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Wieder erlebbar gemacht werden sollte eine Architektur, die die Moderne in den Nordischen Ländern einläutete und die seit über 80 Jahren niemand mehr gesehen hat. Masterstudenten der Technischen Universität Chalmers in Göteborg rekonstruierten im Frühjahrssemster 2014 im Rahmen des Kurses »Nordic Architecture« die Pavillons der Stockholmer Ausstellung von 1930 in Form von eindrucksvollen Modellen.
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