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Träfflista för sökning "AMNE:(HUMANIORA Konst Bildkonst) ;lar1:(uu)"

Sökning: AMNE:(HUMANIORA Konst Bildkonst) > Uppsala universitet

  • Resultat 1-10 av 66
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1.
  • Foka, Anna, 1981- (författare)
  • The digital aesthetic in 'Atlantis: the evidence' (2010)
  • 2018
  • Ingår i: Ancient Greece on British television. - Edinburgh, Scotland : Edinburgh University Press. - 9781474412599 - 9781474412612 - 9781474412605 ; , s. 187-202
  • Bokkapitel (refereegranskat)
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2.
  • Mäntymäki, Tiina, et al. (författare)
  • Introduction
  • 2015
  • Ingår i: Deviant Women. - Oxford : Peter Lang Publishing Group. - 9783653995923 ; , s. 9-25
  • Bokkapitel (refereegranskat)abstract
    • The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.
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3.
  • Slaney, Helen, et al. (författare)
  • Ghosts in the Machine : a motion-capture experiment in distributed reception
  • 2018
  • Ingår i: Digital Humanities Quarterly. - Boston : Alliance of digital humanities organisations. - 1938-4122. ; 12:3
  • Tidskriftsartikel (refereegranskat)abstract
    • Digital reconstructions of classical antiquity are generally ocularcentric, appealing only to the sense of vision. We propose that new technologies may be used to engage the other senses in the act of reception, and specifically here we focus on kinaesthesia, or the sense of self-movement. This paper analyses a phase of the project Ancient Dance in Modern Dancers in which participants created performance pieces in a genre of Graeco-Roman dance for use in a motion-capture system. It was necessary for the performers to develop a range of translational strategies in order to communicate their movement to the system, entailing what we term “distributed reception”, in which the ultimate recipient of ancient source-material is not a human actor but rather the machine with which s/he is in collaboration.
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4.
  • Rodéhn, Cecilia, 1977- (författare)
  • Att undersöka en museiutställning
  • 2024
  • Ingår i: Att analysera genus och kultur. - Halmstad : Makadam. - 9789170614606 ; , s. 89-112
  • Bokkapitel (refereegranskat)abstract
    • Artikeln erbjuder en metod för att analysera ras, med fokus på vithet, i museiutställningar. 
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5.
  • Olsson, Jesper, 1966- (författare)
  • Mass Media Avant-Garde. Dislocating the Hi/Lo in the Swedish 1960s
  • 2012
  • Ingår i: Regarding the Popular. - Berlin : Walter de Gruyter. - 9783110274561 - 3110274566 ; , s. 445-457
  • Bokkapitel (refereegranskat)abstract
    • Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called low culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly high modernists and avant-gardists looked at and represented the low. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
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8.
  • Dunn, Stuart, et al. (författare)
  • Spatial Narratives in Museums and Online : The Birth of the Digital Object Itinerary
  • 2019. - 1
  • Ingår i: Museums and Digital Culture. - London and New York : Springer. - 9783319974576 ; , s. 253-271
  • Bokkapitel (refereegranskat)abstract
    • Museums represent complex layers of place. From carefully managed curatorial spaces, to exhibition environments, to the layout of display cases, to the representation of distant parts embodied in the collections of the great encyclopedic collections, the negotiation, representation and presentation of place has always been central to the mission of any museum. This chapter will examine the history of how museums (especially museum catalogues) present place, from early origins to the Internet. A set of case studies will be examined as a means of exploring how, where and in what form art objects and artefacts first began to be transported from non-Western to Western nations for display in the museums of Western capitals, thus representing the origins of what Cuno has called our “basic and inevitable cultural interrelatedness”; and what others have called “object itineraries” or “object biographies”. A comparison will be made of the same museums’ online representation of the same places today. It will thus be possible to present a framework for considering object itineraries – historic and modern - as a subject of both history and historiography.
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