| 1. |
- Arentzen, Thomas, docent, 1976-, et al.
(författare)
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Wisdom on the Move : An Introduction
- 2020
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Ingår i: Wisdom on the Move: Late Antique Traditions in Multicultural Conversation. - Leiden : Brill Nijhoff. - 0920-623X. - 9789004430693 - 9789004430747 ; , s. 1-10
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Bokkapitel (refereegranskat)
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| 2. |
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| 3. |
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| 4. |
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| 5. |
- Wigorts Yngvesson, Susanne, Professor, 1967-
(författare)
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Mänskligheten görs odödlig hos Knausgård
- 2023
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Ingår i: Kyrkans tidning. - Stockholm : Verbum. - 1651-405X.
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Recension (populärvet., debatt m.m.)
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| 6. |
- Lindgren Hjälm, Miriam, Högskolelektor, 1982-
(författare)
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Qur’ānic Intertextuality in Early Christian Arabic Bible Translations
- 2023
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Ingår i: The Bible Translator. - : Sage Publications. - 2051-6770 .- 2051-6789. ; 74:3, s. 313-330
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Tidskriftsartikel (refereegranskat)abstract
- This paper provides a number of cases where early Christian Arabic Bible translators resorted to qur’ānic-sounding language and (later) also a qur’ānic aesthetic in their production of biblical codices. The main purpose of the paper is to discuss various reasons as to why they went so far into the “realm of the other” when producing these translations. The answer to that question is most likely connected to the little-known function of these Bible translations, a topic also addressed in the paper. The adoption of qur’ānic language results in a comparatively high level of intertextuality and the use of codicological features associated with Mamluk Qur’āns also tend to blur religious borders. Thus, the paper also explores the possibility to view a portion of the Christian Arabic Bible endeavour as part of the broader process of “religious co-production.”
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| 7. |
- Arentzen, Thomas, docent, 1976-
(författare)
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Landscape Theology : Exploring the Outfields of the Telemarkian Dream Song
- 2020
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Ingår i: Landscapes: The Journal of the International Centre for Landscape and Language. - 1448-0778. ; 10:1
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Tidskriftsartikel (refereegranskat)abstract
- The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the article argues, to decentre the canonized Christian text and the cultivated Christian building. Speaking an oral outdoor theology, she destabilized the heaven–hell dualism and envisioned a mythological landscape where nature turns dangerously and painfully on those who do not abide by its unwritten norms, but where all are eventually saved by a final judgement in a place called Broksvalin.
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