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Challenge the past / diversify the future - proceedings
- 2015
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Challenge the Past / Diversify the Future is a multidisciplinary conference for scholars and practitioners who study the implementation and potential of visual and multi-sensory representations to challenge and diversify our understanding of history and culture. This volume contains an overview of all the presentations.
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| 2. |
- Orru, Anna Maria, 1976, et al.
(författare)
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AHA! festival 2015
- 2015
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The AHA festival investigates the borders between art and science in a three-day event at the Chalmers University of Technology hosted by the Department of Architecture. An international festival intended to provide enlightening experiences, staging surprises, new thoughts and displaced perspectives that lead to alternative modes of thinking about the space between art and science. We invite scientists (physicists, historians, mathematicians, medical students), artists (dancers, musicians, painters, poets, chefs) and not least architects, who reside in these borderlands and wish to share their vision and work. The key intention is to celebrate both art and science as key knowledge building devices.
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| 3. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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Sound and other spaces
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The book, edited by Catharina Dyrssen, draws on coclusions from two larger artistic research project on urban sound environments, sound art, acoustic space, and spatial aspects of sound. The chapters comprise reflections on sound quality ans sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural and urban design. In text and images the four authors discuss a number of investigative projects performed within the artistic and interdisciplinary research group Urban Sound Institute.
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| 4. |
- Fried, Alexandra, 1976, et al.
(författare)
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Konsthistoriepodden, avsnitt 15: Andy Warhol, Marilyn Monroe
- 2021
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Ingår i: Konsthistoriepodden. - : Acast. ; :15
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- I detta poddavsnitt talar vi om Andy Warhols fyra serigrafier ”Marilyn Monroe” från 1967, som finns på Göteborgs konstmuseum. Vi berättar mer om varför popkonsten skiljer sig så mycket från annan konst i sitt uttryck och formspråk, och hur det massmediala konsumtionssamhället som växte fram efter andra världskriget inspirerade popkonstnärer som Andy Warhol. Det är en tid då det enorma bildflödet i det offentliga rummet, som vi är så vana vid nuförtiden, precis tar fart och då konstnärer använder sig av de återkommande bilderna från underhållningsindustrin och reklamer för att kommentera på samhället och för att utplåna skillnaderna medan populärkultur och finkultur. Medan Andy Warhol hade full fokus att visa Monroe som en säljbar produkt från underhållningsindustrin, ser vi i detta poddavsnitt människan bakom motivet och berättar mer om den oerhörda personliga tragedin som Warhol, nästan omgående efter hennes självmord 1962, exploaterade ytterligare.
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| 5. |
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Crafting Cultural Heritage
- 2016
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The making of artefacts is a core activity in society, the result of which contributes to the building up of our physical surroundings and material culture. Throughout history, craft skills have been highly appreciated and have often been seen as crucial component of a capable human. Despite this, the knowledge base that constitutes the actual making is often overlooked in research. What can we learn about things by learning about their making? How do different craft skills offer an understanding of its historical use? How can theoretical and methodological approaches be developed concerning the actual making? How can we study and understand craft as cultural heritage? This book contains a selecion of papers from the session Crafting Cultural Heritage at the Assosiation of Critical Heritage studies inaugural conference Re/theorising Heritage 2012 in Gothenburg. The contributors are Anneli Palmsköld; Thomas Laurien; Eleonora Lupo and Elena Giunta; Gunnar Almevik and Nicola Donovan. Their common interest are theories and methods of crafting that could benefit heritage studies approach to making.
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| 7. |
- Gromark, Sten, 1951
(författare)
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Tre dagar som inte skakade Göteborg
- 2009
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Ingår i: ARVIDSSON, K. and J. WERNER. Skiascope 2 Upp med rullgardinerna! Konsten i Göteborg under 1960- och 70-talet. Göteborg, Göteborgs Konstmuseums Skriftserie.. ; , s. 133-162
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 8. |
- Leach, Maddie, 1970, et al.
(författare)
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Fountains Failures Futures: The afterlives of public art
- 2023
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Ingår i: Fountains Failures Futures: The afterlives of public art. - Lund : Skissernas Museum - Museum of Artistic Process and Public Art.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Research and discussion about public art frequently focuses on conditions of emergence and production for public works. Fountains Failures Futures starts at the other end – thinking about the afterlives of public art in relation to processes of decline, decay, acts of reparation and re-imagination, transformation, and change. We are interested in questions of sustainability,custodianship, and whether “failed” public artworks can be revitalised and thought anew. What are the implications for their authorship and ownership, and what challenges does this present for commissioners, artists, architects, and urban planners?How can producers, owners and custodians of public artworks, and the communities living with these works, anticipate and accommodate complex afterlives of public art?
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| 9. |
- Bache, Anja
(författare)
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Ny Beton - Ny Form
- 2004
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Präsentation af en ny betonteknologi, CRC, og visioner for dens formverden for kämpe store konstruktioner. Med afsät i et PhD projekt ved Arkitektskolen Århus og med fondsmidler fra Knud Höjgårds Fond og Fonden Realdania, gennemförte jeg et Postdoc på Arkitektskolen Århus med afsögning af CRC´s formpotentialer for byggerier med spändvidder helt op til 500 m. Det blev der denne bog ud af samt en udstilling på Charlottenborgs Forårsudstilling. Tak til Knud Höjgårds Fond, Fonden Realdania og Arkitektskolen Århus også for stötte til at skabe denne bog.
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| 10. |
- Westin, Jonathan, 1980, et al.
(författare)
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Conjuring up the Artist from the Archives: Ivar Arosenius
- 2016
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Ingår i: Digital Humanities 2016, Kraków 11–16 July 2016.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- What processes are involved in translating a physical archive into a digital? Can we give body, context, and affect back to a digitized material? These are questions we investigate through a three-year project about Ivar Arosenius, a Swedish artist and writer who met an untimely death in early 1909, only 30 years of age and within months of his big breakthrough. During the subsequent years and decades, his substantial production earned him recognition posthumously both nationally and internationally, and today he is one of the most renowned Swedish artists. The project has instigated a number of studies of what knowledge and aspects can be added through different technological developments, as well as what knowledge and values are lost or threatened in a digitization process. In parallel to our work with staging the artist from the archives, we study how previous stagings – exhibitions, books, studies – have mediated and affected the image of Ivar Arosenius. In building a digital archive of Arosnius, we follow the material as it travels from the manuscript vault into the digitization studio, mapping all the actants involved in shedding it of its physicality. This is a translation process that functions to rephrase the archival material with the purpose of making it mobile and conform to those protocols that define something as being digital. This rephrasing does not only remove physicality, but does also introduce a whole new vocabulary, words describing the digital format, that in many ways replaces the one that art historians, archivists and conservators use to describe the manuscripts. Much of the material pertains to Arosenius’ home in Älvängen, torn down in the early seventies after decades of neglect. Using the archive as a source, we have assembled a virtual model in Unity where the connection between artist, art and place is investigated to catch the way Arosenius has translated his surroundings and to contextualize the documents of the archive. With this interactive reconstruction we aim to construct a synthesis of a heterogeneous and sometimes conflicting material that can be used both as an access-point to the life of Ivar Arosenius and his art, and as a repository: built on a source material consisting of archival photos, local stories and historic maps, paintings, 3d-scanned artefacts, sound recordings, and inventories of both the belongings of the artist and his family, and of the vegetation on his lands, the digital construction is a knowledge-model containing all the material pertaining to this part of the artist’s life. As such, of central interest for the study is how to communicate interpretative practices to the user, balancing an incomplete source material with the need to create a space that can inspire affect. Just as the archive contains a translation of Arosenius’ home, first into documents and files, and later, when digitized, into bits, the reconstruction of Arosenius’ home is a translation of bits into context. It is an investigation into both the limits of the archive view, that which the archive lets us perceive, and the process of activating and giving depth to the archive by bringing it together with the site of its origin. In the study, we frame the act of digitally reconstructing a site as an iterative research method of investigation and translation between different media, that allows a disparate material to be collected, studied, and processed simultaneously. Arosenius’ Älvängen is at the centre of this study as it is the locus of the art, and also the place of the life that the archive tries to represent. As such, it is the archaeo-archival embodiment of the artist’s archive.
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