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Träfflista för sökning "AMNE:(HUMANITIES Arts) ;hsvcat:4"

Sökning: AMNE:(HUMANITIES Arts) > Lantbruksvetenskap

  • Resultat 1-10 av 194
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1.
  • Heritage as Common(s) - Common(s) as Heritage
  • 2015
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • The book consitutes the printed outcome of a seminar series run by the Critical Heritage Initiative (University of Gothenburg) and the Urban Heritage Cluster (Curating the City).
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2.
  • Heritage as Common(s) - Common(s) as Heritage
  • 2015
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • The book consitutes the printed outcome of a seminar series run by the Critical Heritage Initiative (University of Gothenburg) and the Urban Heritage Cluster (Curating the City).
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3.
  • Tunon, Håkan, et al. (författare)
  • Kulturarv och hållbar utveckling
  • 2010
  • Ingår i: Bebyggelsehistorisk tidskrift. - : Föreningen Bebyggelsehistorisk tidskrift. - 0349-2834 .- 2002-3812. ; , s. 99–106-
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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4.
  • Orru, Anna Maria, 1976 (författare)
  • Extracting Urban Food Potential: design-based methods for digital and bodily cartography
  • 2015
  • Ingår i: Future of Food: Journal on Food, Agriculture and Society. - 2197-411X. ; 3:1, s. 48-62
  • Tidskriftsartikel (refereegranskat)abstract
    • Sweden’s recent report on Urban Sustainable Development calls out a missing link between the urban design process and citizens. This paper investigates if engaging citizens as design agents by providing a platform for alternate participation can bridge this gap, through the transfer of spatial agency and new modes of critical cartography. To assess whether this is the case, the approaches are applied to Stockholm’s urban agriculture movement in a staged intervention. The aim of the intervention was to engage citizens in locating existing and potential places for growing food and in gathering information from these sites to inform design in urban agriculture. The design-based methodologies incorporated digital and bodily interfaces for this cartography to take place. The Urban CoMapper, a smartphone digital app, captured real-time perspectives through crowd-sourced mapping. In the bodily cartography, participant’s used their bodies to trace the site and reveal their sensorial perceptions. The data gathered from these approaches gave way to a mode of artistic research for exploring urban agriculture, along with inviting artists to be engaged in the dialogues. In sum, results showed that a combination of digital and bodily approaches was necessary for a critical cartography if we want to engage citizens holistically into the urban design process as spatial agents informing urban policy. Such methodologies formed a reflective interrogation and encouraged a new intimacy with nature, in this instance, one that can transform our urban conduct by questioning our eating habits: where we get our food from and how we eat it seasonally.
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5.
  • Unraveling the logics of landscape
  • 2014
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • Despite conceptual oscillations through times, the concept of landscape remains highly subjective, whereupon unraveling its 'logics' opens up to a plurality of interpretations. Accordingly, by focusing on the interconnections present in the non-haphazard production of landscape, this publication elaborates on how the rural landscape is valued, monitored, changed, harbored, used and misused, be it through actions, representations or metaphors. This book covers a broad range of topics, with contributions from scholars from more than 30 countries.
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6.
  • Thompson, Linda Maria, Lecturer, 1978- (författare)
  • Repeat Photography, Rephotography and the Redesign of the Riverscape
  • 2023
  • Ingår i: Membrana – Journal of Photography, Theory and Visual Culture. - Ljubljana, Slovenia : Membrana Institute. - 2463-8501 .- 2712-4894. ; 7:1-2
  • Tidskriftsartikel (refereegranskat)abstract
    • This article focuses on the ways in which the environment is pictured in an industrial archive in Sweden, and how the use of photography is implicated in the industrialization of rivers. The fluid nature of landscapes, the role of landscape and colonialism connected to photography in Sweden is considered through a selection of archival photographs from log driving industry. The article centers around the case example of photographs from the Ljusnan log-driving archive. Rephotographic tendencies surface, and this article argues that repeat photography is used in the documentation of and redesign of the landscape. The terms repeat photography and rephotography are discussed and clarified. This research acknowledges rephotography for industrial purposes in contrast to environmental goals, suggesting that industrial photographic archives can provide a starting point for new narratives of places of environmental change and extractive industry.
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7.
  • Almered Olsson, Gunilla, 1951, et al. (författare)
  • Food systems sustainability - For whom and by whom? : An examination of different 'food system change' viewpoints
  • 2018
  • Ingår i: Development Research Conference 2018: “Rethinking development”, 22–23 August 2018, Gothenburg, Sweden.
  • Konferensbidrag (refereegranskat)abstract
    • The United Nations identifies the food crisis as one of the primary overarching challenges facing the international community. Different stakeholders in the food system have widely different perspectives and interests, and challenging structural issues, such as the power differentials among them, remain largely unexamined. These challenges make rational discourse among food system actors from different disciplines, sectors and levels difficult. These challenges can often prevent them from working together effectively to find innovative ways to respond to food security challenges. This means that finding solutions to intractable and stuck issues, such as the food crisis often stall, not at implementation, but at the point of problem identification. Food system sustainability means very different things to different food system actors. These differences in no way undermine or discount the work carried out by these players. However, making these differences explicit is an essential activity that would serve to deepen theoretical and normative project outcomes. Would the impact and reach of different food projects differ if these differences were made explicit? The purpose of this initial part of a wider food system research project is not to search for difference or divergence, with the aim of critique, but rather to argue that by making these differences explicit, the overall food system project engagement will be made more robust, more inclusive and more encompassing. This paper starts with some discussion on the different food system perspectives, across scales, regions and sectors but focuses primarily on the design of processes used to understand these divergent and at times contradictory views of what a sustainable food system may be. This paper draws on ongoing work within the Mistra Urban Futures project, using the food system projects in cities as diverse as Cape Town, Manchester, Gothenburg and Kisumu as sites for this enquiry.
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8.
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9.
  • Smolicki, Jacek, 1982- (författare)
  • Arboreal Sonorities : Based on soundwalks and field notes taken in and around Vancouver in summer 2020
  • 2022
  • Ingår i: Row of Trees. - Oxford. ; 1:1
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
    • I propose this essay as conceptual hearing aids for a better attunement with arboreal sonorities. This term should not be read literally as pointing towards acoustic qualities that trees and forests generate throughout their lifespan. At least, it is not to be reduced to that aspect only. The acoustic life of trees is not limited to producing sounds. It also includes their ability to communicate and listen. To vibrate and respond to vibrations. Consider recent studies on roots of trees and other plants proving their capacity to locate water sources by sensing vibrations generated by water currents in underground infrastructures, such as pipes, even in the absence of moisture (Gagliano et.al). This intricate technique of listening to the surrounding world and responding accordingly radically expands not only our understanding of the trees’ agency as living and acoustic entities but also the very notion of listening. But the term arboreal sonorities is not put forth here as to help us discover anything ground-breaking about trees. Instead, it gestures towards re-gathering and reconnecting with already existing knowledges about trees and the trees’ very own knowledges. It prompt to realize our sustained reduction of aural capacities to the domain of an ear. Or differently put , it is to make us aware of boundaries we set around the ear, preventing it from cross-fertilization with other senses; an impedence of possibilites for engaging in more syncretic ways of sensing the world, but also acknowledging such among other species. 
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10.
  • Farsö, Mads, et al. (författare)
  • Defined by deviations : the Traveling Transect as a bodily research approach to appropriate and disseminate places
  • 2016
  • Ingår i: SPOOL. - 2215-0897 .- 2215-0900. ; 3, s. 5-22
  • Tidskriftsartikel (refereegranskat)abstract
    • Based on a Travelling Transect approach, this paper explores how ample interpretations and opportunities for new thoughts about sites are developed, especially when these sites are explored along a combined material and immaterial predefined linear path that is distorted, challenged and redefined by bodily encounters and sensations on site. By using the Travelling Transect as an approach to do research and develop new understandings of sites, possible overlooked qualities manifest themselves in a series of registrations collected or inspired by encounters on site. Illustrated through a design research study around the Öresund strait, researchers exemplify how data becomes unlocked and re-interpreted through the approach. In short, the aesthetic values identified in a map, in a geometry or a static composition are displaced by the approach to values connected to an experience of site's audio or material surroundings, time-space relations and on-site reflections and sensations connected to movement.
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