| 1. |
- Hedling, Olof, et al.
(författare)
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Mapping the Region : An Introductory Note
- 2010
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Ingår i: Regional Aesthetics : Locating Swedish Media. - Stockholm : Royal Library of Sweden (Kungliga biblioteket). - 9789188468147 ; , s. 9-9
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Introductory chapter to the collection Regional Aesthetics: Locating Swedish Media
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| 2. |
- Hedling, Olof
(författare)
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Robin Wood - brittisk filmkritiker
- 2001
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- British film critic Robin Wood began to publish on film in 1960. Since then, he has written or co-written 13 books, and also published hundreds of essays and articles in books, in journals, and in different encyclopedias. At the same time, Wood has been a key figure in the development of what has become academic film studies. Wood was educated at Cambridge University, where he studied English literature in the early 1950s. Ever since, he has remained deeply influenced by a set of ideas concerning art, literature, and culture, ideas which have been typical for what has been known as the Cambridge English School. Wood’s admiration for the work and example of literary critic F. R. Leavis has been particularly profound, and has continued to this day. The present thesis attempts to recapitulate Wood’s critical agenda in terms of a struggle. In a sense, his work can be regarded as a critical endeavour aimed at creating for film and film studies a cultural role similar to the one traditionally held by literary studies and English literature. In this endeavour, film studies is seen as the natural successor to Cambridge English. Another area which is under scrutiny is the development of film studies within a cultural and historical context where modernism, in a general sense, has been firmly entrenched as the dominant current within the arts. With this context in mind, the aesthetic position developed by Wood and in Movie, the seminal journal to which Wood contributed most frequently during the 1960s, is used as a means of challenging the established view that the European art cinema - the modernist film movement emanating in Europe after the Second World War – was the key to film being accepted as an art form, and, thus, enter academia. Ultimately, Wood is seen as having withdrawn from his main project. The reason for this being that he came to view contemporary Anglo-Saxon university culture as unfit for establiblishing a position with any resemblance to the one he had in mind for film and film studies.
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| 3. |
- Hedling, Olof, et al.
(författare)
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Film Studies anno 2013 : A Bird’s Eye View
- 2014
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Ingår i: Journal of Scandinavian Cinema. - : Intellect. - 2042-7891 .- 2042-7905. ; 4:1, s. 35-41
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Tidskriftsartikel (refereegranskat)abstract
- This short subject assessing the current state of the academic field of film studies as practiced at sites of higher learning in Sweden is based on experiences and knowledge the co-authors gained as members of a national committee to evaluate the ‘academic quality’ of programmes from a comparative point of view.
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| 4. |
- Hedling, Olof, et al.
(författare)
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Train Kept a Rollin' : Antonioni, Blow Up och den brittiska bluesvågen
- 2008
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Ingår i: Theorier om verklig diktning. - : Absalon förlag, Lund. ; 25, s. 349-358
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Discussion and presentation of the extraordinary outpour of blues music and blues musicians out of Britain in the 1960s and how this is briefly portrayed in Michelangelo Antonioni's film Blow Up (1966).
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| 5. |
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| 6. |
- Hedling, Olof, et al.
(författare)
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”Detta dåliga samvete” : om kortfilmen, regionerna och filmfestivalerna
- 2008
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Ingår i: Välfärdsbilder. - : Statens ljud- och bildarkiv, Stockholm. - 9789188468093 ; , s. 261-281
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- On the production of short films within the contemporary Swedish film production setup. Moreover, the reliance on film festivals for screenings and that shorts are part of a particularly "European art cinema institution" is discussed.
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| 7. |
- Hedling, Olof, et al.
(författare)
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Editorial : Issue 36
- 2008
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Ingår i: Film International. - : Intellect, Bristol. - 1651-6826. ; 6:6, s. 4-6
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Introduction and presentation to the six essays that encompasses the issue at hand.
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| 8. |
- Hedling, Olof, et al.
(författare)
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Historien om ett brott : Kriminalfilmsserier som regionalt och panskandinaviskt mediekoncept
- 2010. - 1
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Ingår i: Den skandinaviske krimi. - Göteborg, Ålborg, Århus : Nordicom. - 9789189471924 ; , s. 129-144
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Bokkapitel (refereegranskat)abstract
- Svenska Den här artikeln studerar hur serier av filmer, baserade på samtida kriminallitteratur, finansieras, hur de görs som samlade storproduktioner och hur de sedan gemensamt marknadsförs för visning på biograf, via dvd och i TV. Efter att konceptet etablerats med sex filmer – baserade på det svenska författarparet Sjöwall-Wahlöös romaner om polisen Martin Beck – under rubriken Historien om ett brott i början av 1990-talet, iakttas den följande utvecklingen. Tonvikten ligger på hur konceptet utvecklats i nära samklang med deckarlitteraturens framgångar men också hur det blivit en viktig del i inte minst det nya svenska regionaliserade filmproduktionslandskapet. Som regionalt mediekoncept har det också fått efterföljare i grannländerna. Serierna har följaktligen blivit centrala verktyg för de regionala produktionsorternas ekonomiska strukturomvandling och anpassning till en ’upplevelseekonomi’ där tilltagande synlighet, turism, inflyttning och att rent allmänt framstå i attraktiv dager är betydelsefulla målsättningar.
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