| 1. |
- Fridh, Kristina, 1961-, et al.
(författare)
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Sound absorbing textile surfaces in the urban landscape - collaborative research in textile and architectural design
- 2019
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Ingår i: Futurescan 4: Valuing Practice Edited by: Helena Britt, Kevin Almond, Laura Morgan. - 9781527249691
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Konferensbidrag (refereegranskat)abstract
- The design of woven and knitted structures can be compared with the formation of buildings’ facades and constructions. However, textile designers do not generally participate when the exterior structure and facades of a building take shape, but rather when textiles and materials for the indoor environment are chosen, often with the intention of enhancing the acoustic qualities of spaces. In this research project, two architects and a textile designer collaborate, the latter focusing particularly on sound design. Incorporating textile designers in the early stages of building projects can lead to benefits of exploring and improving sound landscapes in outdoor environments. In order to search for and develop new approaches, methods and techniques in the field described as textile architecture, textile facade modules were designed and produced, and the design process was examined and evaluated from the points of departure of the two design fields. Questions such as ‘who is actually prototyping?’ arose, as well as the search for finding common references and concepts, both historical and contemporary, to strengthen the collaborative work. A practice-based experimental approach was important for the project and the merger of the two design fields, not least to put different textile techniques and materials to the test to examine how they can affect the sound landscape and experiences of space. The key activities in the laboratory work were technique, method, perception, stage-setting and context, which connected both to textile design and architecture. The different textile materials were chosen to comply with the requirements of external climate impact and rough outdoor environments. In groups of demarcated design experiments, the textile techniques of weaving and hand tufting were explored, and the modules were tested acoustically.
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| 2. |
- Lilja, Petra, 1973-, et al.
(författare)
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sensing interdependency, experiencing embeddedness, extending the frame while zooming in
- 2021
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Ingår i: Proceedings of Politics of the Machines - Rogue Research 2021 (POM 2021). - Swindon, UK : ScienceOpen, Inc.. - 9781780175980 ; , s. 77-83
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Konferensbidrag (refereegranskat)abstract
- This text is a dialogic conjunction of working practices developed in and around specific quarries, with Karin Reisinger tracing the material and life-worlds of iron ore in Malmberget and Petra Lilja the limestone in Limhamn, both in Sweden. We walk and think with humans and non-humans such as rocks, stones and minerals through our respective practices and pedagogies of design and architecture. Our practices take place in and around quarries, extractive sites of mining. We come in after the machines, when it is time to think about how to move forwards, to deal with the losses, to repair and care and to find strategies of surviving and coming together in educational situations. Dealing with the large-scale spatial changes, we are deeply aware that we are participating in massive earthly and material movements. With this paper we also share connections between theory and practice, based on a feminist–materialist framework. These connections lead us to the various applied practices of sensing interdependency, experiencing embeddedness and extending the frame while zooming in and to its epistemological reverberations.
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| 3. |
- Femenias, Paula, 1966, et al.
(författare)
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Earthy textiles. Experiences from a joint teaching encounter between textile design and architecture
- 2017
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Ingår i: Cumulus REDO Conference Proceedings Design School Kolding 30 May - 2 June 2017. - 9788793416154 ; , s. 236-251
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Konferensbidrag (refereegranskat)abstract
- This paper presents experiences from a two-day teaching workshop where first year students in architecture meet with first year students in textile design for an assignment on building structures with textile, soil and plants designing for indoor gardening with the aim of inspiring for more sustainable lifestyles. The background is a research project on textile architecture with the objective of exploring this new field and to establish a platform for long-term collaboration between the disciplines of architecture and textile design. The paper addresses pedagogical challenges in the meeting between first-years students of different disciplines and traditions, but also in the meeting between research and undergraduate teaching. The students produced creative results but had difficulties in exploring the full complexity of the task. An evaluative discussion is based on observations, photo documentation, notes during group discussions, follow-up questionnaires among the students and reflections among involved researchers.
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| 4. |
- Klarén, Ulf, 1944-, et al.
(författare)
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Always Something Else : Levels of experiencing colour and light
- 2012
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Ingår i: In color we live. - : Color Association of Taiwan. - 9789868679634 ; , s. 68-71
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- This paper springs from a project about concept formation in the field of colour and light, andpresents a graphic model describing possible constituent relations between colour and lightexperiences. A deeper understanding of colour and light experiences calls for a coherent andwell-defined structure that can be used to describe connections and distinctions betweenexperiences of different kinds. This also can contribute to understanding of how colour andlight concepts are related to each other. We experience the world holistically. Our experiencesof colour, light and space have many aspects. Their relations to different levels of experiencealways have to be considered.
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| 5. |
- Norell, Daniel
(creator_code:cre_t)
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Under Construction : A Real World Fiction
- 2020
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Konstnärligt arbete (utställning/event)abstract
- Under Construction imagines a city that is constantly being rebuilt using the same stock of materials. At the Triennale, the project is exhibited in the form of a large model, constructed of materials found on demolition sites in Stockholm. Reuse of building materials is not just a problem of logistics and material flows. It is as much a cultural and architectural problem. One of the most persistent architectural conventions is to consider abstract space before objects and materials. Building elements and furnishings should be subservient to a larger whole. This approach is aligned with a view on the world that is inherited from industrialism, in which any materials could be sourced anew and moulded into shape indefinitely. Reuse, as a conceptual approach to architecture, is different in that the starting point is a specific and limited stock of elements and chunks of materials. Each piece of material comes with a set of qualities – a character – that may be amplified, subverted or altered. In addition, depending on the relation between the context of the original structure and the new structure, reused objects may be charged with different cultural value and meaning.Under Construction is a fictional neighbourhood constructed from discarded building materials. It begins with a scavenger hunt where we visit demolition sites and collect building materials: fractions of concrete, plastics, bits of plaster board, steel studs, and a sink, and so on. By playing with the scale of this kit of parts, we imagine a neighbourhood constructed from reused materials. Armed with hot glue guns we erect a bustling city with a rich and varied materiality. As structures grow, interiors, furniture and infills between fragments are 3d-printed with recyclable filament.
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| 6. |
- Rodhe, Einar, 1982-, et al.
(författare)
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Dead Ringers
- 2020
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Ingår i: MAS Context. - Chicago. - 2332-5046. ; 32, s. 208-215
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 7. |
- Rodhe, Einar, 1982-, et al.
(författare)
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La Ville 100% Réutilisée
- 2020
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Ingår i: Plan Libre. - Paris. - 1638-4776. ; 175, s. 15-15
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 8. |
- Rodhe, Einar, 1982-
(creator_code:cre_t)
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Under Construction : A Real World Fiction
- 2019
-
Konstnärligt arbete (utställning/event) (refereegranskat)abstract
- Under Construction imagines a city that is constantly being rebuilt using the same stock of materials. At the Triennale, the project is exhibited in the form of a large model, constructed of materials found on demolition sites in Stockholm. Reuse of building materials is not just a problem of logistics and material flows. It is as much a cultural and architectural problem. One of the most persistent architectural conventions is to consider abstract space before objects and materials. Building elements and furnishings should be subservient to a larger whole. This approach is aligned with a view on the world that is inherited from industrialism, in which any materials could be sourced anew and moulded into shape indefinitely. Reuse, as a conceptual approach to architecture, is different in that the starting point is a specific and limited stock of elements and chunks of materials. Each piece of material comes with a set of qualities – a character – that may be amplified, subverted or altered. In addition, depending on the relation between the context of the original structure and the new structure, reused objects may be charged with different cultural value and meaning.Under Construction is a fictional neighbourhood constructed from discarded building materials. It begins with a scavenger hunt where we visit demolition sites and collect building materials: fractions of concrete, plastics, bits of plaster board, steel studs, and a sink, and so on. By playing with the scale of this kit of parts, we imagine a neighbourhood constructed from reused materials. Armed with hot glue guns we erect a bustling city with a rich and varied materiality. As structures grow, interiors, furniture and infills between fragments are 3d-printed with recyclable filament.
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| 9. |
- Orrù, Anna Maria, 1976
(författare)
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Wild Poethics - Exploring relational and embodied practices in urban-making
- 2017
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Nature is not something separated from the city. With this in mind, this research emerges from the act of urban gardening, staging space for naturecultures that reinforce a direct relation to an urban nature. Alternate agencies can motivate ecological mindsets in urban approaches, bypass the hegemonic and paralysing attitude of the Anthropocene and render a more profound relation with the spatial environment. This catalyses a potential in embodied methodologies to generate vibrant materialist relations in urban-making. The research is positioned with a two-fold challenge; urban-making and naturecultures. The aim is to reorientate methodologies in urban-making to approach relational space matters, and promote ecological poethics relevant for practice, research and education. Three thresholds of engagement structure the exploration: the embodied, the relational and the situated. Alongside explorative practices are built up cartographies of theoretical neighbourhoods that provide alternate knowledge generation on individual, shared and collective levels. Experimental embodied interventions are grounded in artistic research through choreographical approaches using Butoh, Body Weather and swarm-behaviour practices. These approaches are set in a voyage-metaphor to a fictional Island of Encounters reaching four destinations. Each encounter unravels a particular perspective into relational and embodied practice: Alba (body/curiosity), Agora (fiction/performance), Clinamen (atmosphere/imagination), and Plūris (metaphor/swarming). A methodological choreography which corresponds with the theoretical cartographies, reveals and opens up for an urban-making founded in situated knowledges to generate a corporeal poethics – poetic, politic, and ethical. As the activated practice unfolds, interventions are supported by their theoretical neighbourhoods nested in feminist spatial practice, vibrant relationscapes, worlding, affective atmospheres, imagination, spatial-temporal in-betweeness and assemblage-thinking. Accompanying each destination are five film essay(s), each pertaining to the particular artistic interventions in the research.Using corporeal imagination and re-enactment modes of enquiry such as thinking with paper modelled texts, creating fictocriticisms with clouds, using dynamic biomimesis, and mimicking swarms, generates an enlivened relation with naturecultures that gestures the body into becoming a reflective and profound membrane with space. By encountering and immersing the body in a space/time construct, a critical materiality practice emerges that can infuse urban-making, render the body a more refined medium and reactivate architectural thinking and making.
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| 10. |
- Skeppe, Veronica, 1984-, et al.
(författare)
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A Live Interior : Environments, Assemblies, Materialities
- 2021
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Ingår i: Athens Journal of Architecture. - Athens : Athens Institute for Education and Research ATINER. - 2407-9472. ; 7:4, s. 463-482
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Tidskriftsartikel (refereegranskat)abstract
- This paper examines the interior as a condition that is continuously in production through the arrangement of objects and furniture. This is done along two lines of inquiry. First by examining a few different historical and contemporary conceptions of the domestic interior through the lens of architectural representation. Second by using the technique of laser scanning to document a number of inhabited interiors in two apartment buildings. Through a series of representations, or cloud drawings, produced from the scans, the paper presents three ways of reading the interior: as environments, as assemblies, and as materialities. Departing from Robin Evans’ writing on drawing techniques for representing the interior and their correlation to ways of inhabitation, the paper poses questions around how the understanding of the interior may shift when using emerging techniques for architectural representation. Through readings of Walter Benjamin as well as Sylvia Lavin, the paper discusses such shifts in relation to changes in the conception of the interior and the objects that it contains.
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