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Träfflista för sökning "AMNE:(HUMANITIES Arts Visual Arts) "

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1.
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3.
  • Cabak Rédei, Anna, et al. (författare)
  • Seeing different motifs in one picture : Identifying ambiguous figures in South Scandinavian Bronze Age rock art
  • Ingår i: Cogent Arts & Humanities. - : Taylor & Francis. - 2331-1983. ; 7:1
  • Tidskriftsartikel (refereegranskat)abstract
    • Ambiguous figures, as described in visual perceptual psychology, are single pictures that contain several possible, mutually exclusive, motifs. Some specific cases of images in South Scandinavian Bronze Age rock art can be fruitfully analysed as ambiguous figures. Furthermore, we argue that these images represent some sort of narrativity, which needs to be understood in order to make a perceptual switch between different motifs in one picture. Using a semiotic approach, we describe the experiential requirements on the perceiver for seeing the different motifs, which differ in their iconic complexity.
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4.
  • Åsberg, Cecilia, 1974- (författare)
  • Looking at Science, Looking at You! : The Feminist Re-visions of Nature(Brain and Genes)
  • 2009. - 1
  • Ingår i: Teaching Visual Culture in Interdisciplinary Classrooms. - Utrecht : ATHENA 3. - 9187792494 ; , s. 95-122
  • Bokkapitel (övrigt vetenskapligt)abstract
    • Vision has often been a central concern of feminist studies of science, medicine and technology. In cultural or social feminist analysis, the male gaze and the ways in which technoscience accommodates, and in effect organizes the watching of women, has been an important part of the feminist interrogation of the gender and power relations that produce the subjects and the objects of science. This attention is due to the intimate, and power-saturated, merge of processes of seeing and processes of knowing. Inherent in the notion of vision, there is always a politics to ways of seeing, ordering and observing, of organising the knowledge of the world. Historically, this can be exemplified by the eighteen-century Swedish “father” of biological classification, Linnaeus. Taking a leap away from Christian assumptions, Linnaeus placed human beings in a taxonomic order of nature together with other animals.
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5.
  • Mäntymäki, Tiina, et al. (författare)
  • Introduction
  • 2015
  • Ingår i: Gender and History. - Oxford : Peter Lang Publishing Group. ; , s. 9-25
  • Bokkapitel (refereegranskat)abstract
    • The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.
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6.
  • Mäntymäki, Tiina, et al. (författare)
  • Introduction
  • 2015
  • Ingår i: Gender and History. - Oxford : Peter Lang Publishing Group. ; , s. 9-25
  • Bokkapitel (refereegranskat)abstract
    • The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.
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7.
  • Sundberg, Martin, et al. (författare)
  • Editorial : reconsidering the Carpet Paradigm: carpet as material, motif and medium
  • 2014
  • Ingår i: Konsthistorisk Tidskrift. - : Taylor & Francis. - 0023-3609 .- 1651-2294. ; 83:3, s. 207-210
  • Tidskriftsartikel (övrigt vetenskapligt)abstract
    • In this special issue of Konsthistorisk tidskrift some implications of reconsidering the so-called carpet paradigm are persued. This can provide for new angles not only when it comes to research on the Oriental carpet and work on the carpet as motif and medium but also for demonstrating in a further sense how the carpet – and research on it – can be used as a model to understand art and art histories. The American art historian Joseph Masheck introduced this term in his influential article ‘The Carpet Paradigm" (1976). Here it includes analysing the carpet as motif as well as medium. It investigates how the carpet functions as a model for a better understanding of the image in general. Of special importance is the fact that the carpet paradigm forms a crossroads for research on images, textiles, literature, decorative arts, iconography, gender, ornament and cultural transfers–to name but a few. The lines of investigation are interconnecting.
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8.
  • Makai, Péter Kristóf, 1988- (författare)
  • Ascending the Evolutionary Trees : The 'Epic of Evolution' Narrative in Games
  • 2020
  • Ingår i: DIGRA Digital Library. - : Digra Digital Library.
  • Konferensbidrag (refereegranskat)abstract
    • The extended abstract outlines the analysis of games like Ancestors: The Humankind Odyssey (2019) and the incremental game Cell to Singularity - Evolution Never Ends (2019) in terms of the biological and technological trees the player 'ascends' by playing the game.
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9.
  • Sandberg, Leo, 1969- (författare)
  • Intent
  • Ingår i: Research – Gestalt.
  • Annan publikation (övrigt vetenskapligt)abstract
    • This Gestalt artistic research paper explores intent based on the idea that all human acts of creation and communication has intent, conscious or unconscious.
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10.
  • Sternudd, Hans T., 1955- (författare)
  • Digitalization and the Production of Feeling and Emotion : The Case of Words Cut into the Skin
  • 2015
  • Ingår i: Acta Universitatis Sapientiae Film and Media Studies. - : Walter de Gruyter. - 2065-5924 .- 2066-7779. ; 10:1, s. 183-199
  • Tidskriftsartikel (refereegranskat)abstract
    • This article investigates one example of how affect is articulated in the self-cutting of words into the skin and how the meaning of this multimodal statement is modified through remediation. According to Tomkins, affects are understood as intensities that are impossible to frame as feelings or emotions. A theoretical framework based on Laclau’s and Mouffe’s discourse theory and the multimodal categories developed by Kress and van Leeuwen is used. Photographs of self-cutting and statements from people who cut themselves are examined through content analyses. The results show that words that had been cut into the skin often referred to painful experiences, disgust directed against themselves or social isolation. Further, the study shows that when the cut-in words are remediated through a photograph, digitalized and published online, other meanings appear. Inside Internet communities for people who self-injure, the photographs were associated with a communal experience, identification and prescribed activity. The original self-oriented feelings about one’s shortcomings and isolation attached to self-cutting could be altered so that those connoted, instead, experiences of solidarity, identity and intimacy.
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