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| 2. |
- Cabak Rédei, Anna, et al.
(författare)
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Seeing different motifs in one picture : Identifying ambiguous figures in South Scandinavian Bronze Age rock art
- 2020
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Ingår i: Cogent Arts & Humanities. - : Informa UK Limited. - 2331-1983. ; 7:1
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Tidskriftsartikel (refereegranskat)abstract
- Ambiguous figures, as described in visual perceptual psychology, are single pictures that contain several possible, mutually exclusive, motifs. Some specific cases of images in South Scandinavian Bronze Age rock art can be fruitfully analysed as ambiguous figures. Furthermore, we argue that these images represent some sort of narrativity, which needs to be understood in order to make a perceptual switch between different motifs in one picture. Using a semiotic approach, we describe the experiential requirements on the perceiver for seeing the different motifs, which differ in their iconic complexity.
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| 3. |
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Konsthantverk i Sverige, del 1
- 2015
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Konsthantverk i Sverige del 1 samlar 18 författare. Boken kommer ur ett gemensamt intresse att förändra och vidga en konventionell historieskrivning om konsthantverk, bortom traditionella materialuppdelningar och nationella förståelser. Det vi skriver om kan ha kallats slöjd, konst, design, pyssel, konsthantverk, formgivning, brukskonst, hantverk och hemslöjd. Historia betraktas här som något pågående, något som vi gör. Det är ingen neutral aktivitet utan den är platsspecifik. I Konsthantverk i Sverige del 1 skildrar författarna från sina perspektiv en berättelse om materialitet och görande i Sverige från sent 1800-tal och fram till i dag. Boken skall inte ses som Historien med stort h utan snarare som de första stegen i en diskussion om historia, materialitet och görande.Med texter av Zandra Ahl, Christian Björk, Otto von Busch, Päivi Ernkvist, Kakan Hermansson, Elina Holmgren, Charlotte Hyltén-Cavallius, Frida Hållander, Love Jönsson, Mahmoud Keshavarz, Gunilla Lundahl, Helena Mattsson, Anneli Palmsköld, Johanna Rosenqvist, Miro Sazdic, Rosa Taikon, Jorunn Veiteberg, Christina Zetterlund
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| 5. |
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Pendulum : En levande gestaltning
- 2016
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Konstnärligt arbeteabstract
- En kväll på Kalmar konstmuseum med dikter, bilder och musik ur boken Pendulum: Kalmar-Växjö. Medverkande: Dan Alkenäs, musik, Charlotte Forsberg, sång, Cecilia Davidsson, kreativt skrivande, Pernilla Frid, design och Vasilis Papageorgiou, kreativt skrivande.
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What Images Do
- 2019
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- When images look like something they do so because they are different from what they resemble. This difference is not sufficiently captured by the traditional theories of representation and mimesis, and yet it is the condition for any such theory. Various contemporary image theorists have pointed out that Plato already understood that images are not what they look like. Images have their own existence, which cannot be identified with a concept, but should be examined in terms of actions.This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts. It claims that it is the differentiating power of images—their actions—which constitutes their capacity to look like something they are not, as well as create something that does not yet exist. What Images Do address the crucial role that images might play in producing and investigating what we have not yet seen or understood in and of reality.
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| 7. |
- Sundberg, Martin, et al.
(författare)
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Editorial : reconsidering the Carpet Paradigm: carpet as material, motif and medium
- 2014
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Ingår i: Konsthistorisk Tidskrift. - : Taylor & Francis. - 0023-3609 .- 1651-2294. ; 83:3, s. 207-210
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- In this special issue of Konsthistorisk tidskrift some implications of reconsidering the so-called carpet paradigm are persued. This can provide for new angles not only when it comes to research on the Oriental carpet and work on the carpet as motif and medium but also for demonstrating in a further sense how the carpet – and research on it – can be used as a model to understand art and art histories. The American art historian Joseph Masheck introduced this term in his influential article ‘The Carpet Paradigm" (1976). Here it includes analysing the carpet as motif as well as medium. It investigates how the carpet functions as a model for a better understanding of the image in general. Of special importance is the fact that the carpet paradigm forms a crossroads for research on images, textiles, literature, decorative arts, iconography, gender, ornament and cultural transfers–to name but a few. The lines of investigation are interconnecting.
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Crafting Cultural Heritage
- 2016
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The making of artefacts is a core activity in society, the result of which contributes to the building up of our physical surroundings and material culture. Throughout history, craft skills have been highly appreciated and have often been seen as crucial component of a capable human. Despite this, the knowledge base that constitutes the actual making is often overlooked in research. What can we learn about things by learning about their making? How do different craft skills offer an understanding of its historical use? How can theoretical and methodological approaches be developed concerning the actual making? How can we study and understand craft as cultural heritage? This book contains a selecion of papers from the session Crafting Cultural Heritage at the Assosiation of Critical Heritage studies inaugural conference Re/theorising Heritage 2012 in Gothenburg. The contributors are Anneli Palmsköld; Thomas Laurien; Eleonora Lupo and Elena Giunta; Gunnar Almevik and Nicola Donovan. Their common interest are theories and methods of crafting that could benefit heritage studies approach to making.
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| 9. |
- Makai, Péter Kristóf, 1988-
(författare)
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Ascending the Evolutionary Trees : The 'Epic of Evolution' Narrative in Games
- 2020
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Ingår i: DiGRA ’20. - : Digra.
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Konferensbidrag (refereegranskat)abstract
- The extended abstract outlines the analysis of games like Ancestors: The Humankind Odyssey (2019) and the incremental game Cell to Singularity - Evolution Never Ends (2019) in terms of the biological and technological trees the player 'ascends' by playing the game.
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| 10. |
- Vitral, Leticia, 1990-, et al.
(författare)
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Iconically modeling a demolition process in the photobook Palast der Republik
- 2018
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Ingår i: Semiotica. - Berlin : Walter de Gruyter. - 0037-1998 .- 1613-3692. ; 2018:224, s. 191-209
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Tidskriftsartikel (refereegranskat)abstract
- Palast der Republik, by the photographer Christoph Rokitta, is an independent photobook published in 2013 in Berlin. In the photobook different semiotic resources are coupled in order to iconically model the demolition of the homonymous building in Berlin. In opposition to the trivial notion of icon as sign that stands for its object in a relation of similarity, we are going to analyze the photobook as an icon whose main feature is the possibility of discovering information about its object through its manipulation. This specific feature is called operational criterion for iconicity, and it stresses the inherent quality of icons of revealing information available through their manipulation and observation. Our aim is to describe and analyze the relations between semiotic resources in this photobook, by exploring the operational criterion of iconicity, and models as epistemic artifacts. We are interested in how couplings between semiotic resources in the photobook can iconically model a spatio-temporal process.
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