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- Eriksson, Jonnie, 1978-
(författare)
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Maskinisk darwinism : Teknikens naturhistoria hos Samuel Butler och Gilles Deleuze
- 2009
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Ingår i: Kultur~Natur. - Linköping : Linköping University Electronic Press. ; , s. 299-310
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Till de utmärkande dragen i det sena 1900-talets idéhistoria hör en framväxt av teknologier som utmanar, omdefinierar eller överskrider gränsen mellan det naturliga och det artificiella, mellan det organiska och det tekniska. Detta kan ge upphov till dystopiska visioner om förlusten av mänskliga värden, till om med människans förlust som art i kampen mot sina uppfinningar, men också till utopiska bilder av människans överskridande av sina egna biologiska villkor. En inhuman fara står mot ett transhumant löfte. Problemet går emellertid djupare än så; det gäller själva idén om liv i denna tid av artificialitet och teknologi, det gäller mekanismerna för en utveckling som plötsligt omfattar maskinerna i lika hög grad som människorna, deras kultur och resten av naturen. Denna studie jämför två gestalter – Samuel Butler och Gilles Deleuze – åtskilda av ett århundrade, som på olika vis, på samma gång innovativa som representativa, teoretiserar villkoren för tänkandet av en teknikens naturhistoria och en maskinernas utvecklingslära.
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- Brunow, Dagmar
(författare)
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The cultural heritage of collective filmmaking in Germany : The archival practice of independent film and video workshops
- 2011
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Ingår i: 21st International Screen Studies Conference, University of Glasgow, Scotland, 1-3 July 2011.
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Konferensbidrag (refereegranskat)abstract
- Collective filmmaking practice in Germany is still a blind spot in film historiography. This is all the more surprising since independent film and video workshops established a nationwide network of political media practice during the 1970s. Inspired by Brecht and Tretjakov, Negt/Kluge and Enzensberger, their aims were twofold: first, to empower political activists departing from Tretjakov’s idea of “operative” art and second, to establish film archives and distribution networks. Yet, currently the archives are facing severe problems concerning preservation: as the video tapes slowly disintegrate, the memory of the various media practices of the last decades is fading away. As digitization is costly and time-consuming, many video productions will not survive. This has, as I will argue, consequences not only for (left-wing) historiography, but also for the visual iconography of cultural memory. My paper focusses on the archival practice of two workshops in Hamburg: the mpz (Medienpädagogikzentrum, 1973-) and bildwechsel, the feminist film archive (1979-). International influences such as the independent workshop sector in the UK as well as questions of auteurism and canonisation will be discussed.
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- Pelliccione, Patrizio, 1975, et al.
(författare)
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Architecting cars as constituents of a system of systems
- 2016
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Ingår i: ACM International Conference Proceeding Series. - New York, NY, USA : Association for Computing Machinery (ACM). - 9781450363990 ; , s. 1-7
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Konferensbidrag (refereegranskat)abstract
- Future transportation systems will be a heterogeneous mix of items with varying connectivity and interoperability. A mix of new technologies and legacy systems will co-exist to realize a variety of scenarios involving not only connected cars but also road infrastructures, pedestrians, cyclists, etc. Future transportation systems can be seen as a System of Systems (SoS), where each constituent system - one of the units that compose an SoS - can act as a standalone system, but the cooperation among the constituent systems enables new emerging and promising scenarios. In this paper we investigate how to architect cars so that they can be constituents of future transportation systems. This work is realized in the context of two Swedish projects coordinated by Volvo Cars and involving some universities and research centers in Sweden and many suppliers of the OEM, including Autoliv, Arccore, Combitech, Cybercom, Knowit, Prevas, ÅF-Technology, Semcom, and Qamcom.
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- Perez Vico, Eugenia, et al.
(författare)
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A resource- and impact-based micro-level conceptualization of collaborative academic work
- 2017
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Ingår i: Aslib Journal of Information Management. - Bingley : Emerald Group Publishing Limited. - 2050-3806 .- 2050-3814. ; 69:5, s. 624-639
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Tidskriftsartikel (refereegranskat)abstract
- Purpose: The purpose of this paper is to develop new conceptual tools for analyzing how contemporary collaborative academic work is organized on micro-level, and its social and economic impact, in broad terms. Thus it makes a contribution towards a better view on how contemporary academics organize their professional activities in light of profound changes to the framework conditions of academic work, and a better view on the productivity and potentially very wide societal impact of academia. Design/methodology/approach: Based on previous research, the arguments are developed conceptually. The paper builds both on previous empirical findings and strong traditions in organization theory (resource dependence theory) and innovation studies. Findings: The paper achieves a synthesized conceptual view on impact of academia, strongly related to how individual academics organize their professional activities today, given the recent profound structural changes to the academic system. The paper launches resource dependence as a key concept for understanding contemporary academic work in a collaborative context, and sequences of impact as a key tool for conceptualizing the very varied role of academia in society. Research limitations/implications: While building strongly on previous research, the paper is conceptual in nature and thus its value lies chiefly in assisting future studies. Practical implications: The contribution can assist in policymaking by promoting the achievement of more accurate and better balanced models and appraisal schemes. Originality/value: The paper has theoretical originality and its synthesized argument about organizing and impact is of high value for current scholarly debate on these topics.
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- Palmsköld, Anneli, 1962
(författare)
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Hur textila mönster blir till
- 2009
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Ingår i: Rondellhundar och schablonspindlar: folkkonst i tiden. - Stockholm : Carlsson i samarbete med Jönköpings läns museum. - 9789173312226 ; , s. 157-164
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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- Björkén-Nyberg, Cecilia, 1962-
(författare)
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From Carl Czerny's Miss Cecilia to the Cecilian : Engineering, Aesthetics, and Gendered Piano Instruction
- 2019
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Ingår i: Journal of Historical Research in Music Education. - Thousand Oaks, CA : Sage Publications. - 1536-6006 .- 2328-2525. ; 40:2, s. 125-142
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Tidskriftsartikel (refereegranskat)abstract
- In this article, Carl Czerny’s Letters to a Young Lady on the Art of Playing the Pianoforte (1837) is studied as a machine manual within the cybernetic economy of James Watt’s governor. It is argued that while the young pupil is encouraged to subject herself to a strict discipline of physical deportment at the piano, this activity is in conflict with her own desire to become a self-regulated learner. The key claim made is that although Czerny’s surveillance strategy prevents Miss Cecilia from breaking with the cybernetic ideal and appropriating the pianistic technology for purposes of virtuosic self-expression, she becomes aware of her latent agency and its potentially subversive implications for gendered music making. As such, Czerny’s piano manual addressed to the stereotypical nineteenth-century piano girl anticipates the pianistic discourse associated with the invention of the player piano at the turn of the twentieth century. © The Author(s) 2018.
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- Dienel, Hans-Luidger, 1961-, et al.
(författare)
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The Historical Context of the Evolution of National Research Systems and International RTD Collaboration
- 2002
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Ingår i: Innovation. The European Journal of Social Science Research. - : Carfax Publishing, Taylor & Francis Ltd. - 1351-1610 .- 1469-8412. ; 15:4, s. 265-278
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Tidskriftsartikel (refereegranskat)abstract
- A historical overview of European science and technology suggests the existence of two parallel trends: those of nationalization and de-nationalization. Since the Enlightenment, besides the modernist universalist perspective on science we find nationalist pressures pushing the idea of socially constructed technology, thus generating scientific results determined by national (cultural) factors. Nationalization and de-nationalization thrive together in certain circumstances--for instance, in disciplines such as geology, meteorology, botany or even physics and chemistry. The entry into the scene of commercial interests gives rise to national interests, in turn hampering efficiency and progress from the scientific perspective. Through national research policies these differential development patterns have tended to create an often unnecessary conflict between basic and applied research. The EU RTD framework has still to resolve these contradictions.
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| 10. |
- Ewertsson, Lena, 1964-
(författare)
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Governing the Digital Future through Demonstrations : An Example from the History of Television
- 2011
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Konferensbidrag (refereegranskat)abstract
- The topic of this paper belongs to the history and sociology of innovation, or what Joseph A. Schumpeter called ’the carrying out of new combinations’: to do new things, or the same things differently, by combining ’materials and forces within our reach’ in a new way. The question addressed has been surprisingly little explored in the literature: How are staged demonstrations used in the creation of technical standards? The paper attends to this question by discussing the (re)production of demonstrations in the context of what in the 1980s and early 1990s was publicly reported upon as a ’war’ or ’battle’ over which technical standards should ultimately carry future ’high definition television’ (HDTV) and its market(s). The author tells a story of the circumstances of a particular demonstration: the HD-Divine demonstration at the International Broadcasting Convention in Amsterdam in 1992, planned to demonstrate that digital HDTV was technologically feasible over conventional television networks. Based upon the story of HD-Divine, it is suggested that demonstrations are good points of departures for analyzing how new as well as old combinations are linguistically (re)named, categorized and publicly visualized in attempts to define, control, extend or destroy particular types of interactions and relations.
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