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- Lindkvist, Anna, et al.
(författare)
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Intensive Forestry as Progress or Decay? : An Analysis of the Debate about Forest Fertilization in Sweden, 1960–2010
- 2011
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Ingår i: Forests. - : MDPI Publishing. - 1999-4907 .- 1999-4907. ; 2:1, s. 112-146
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Tidskriftsartikel (refereegranskat)abstract
- In the mid-1960s, fertilization (with nitrogen) had a breakthrough as a promising forest management method in Swedish company owned forests. The activity grew and peaked during the 1970s but then lost ground and stabilized at a low level in the 1990s and early 2000s. Over the last five years, however, interest in fertilizing Swedish forests has increased again. In this article both the forestry industry’s, and the environmental movement’s, attitudes toward forest fertilization over time are investigated. Furthermore, conflicting persistent ideas about nature and future, i.e., “figures of thought”, within interest groups, representing forestry and the environmental movement respectively, are identified and analyzed in relation to the debate on fertilization. The analysis reveals mainly three figures of thought that have influenced this debate during the period, “the idea of progress”, “the idea of decay” and “the idea of the great chain of being”. The study thus sheds light on how the relationship between forestry and the environmental movement has evolved from the 1960s until today and uncovers thought patterns that have stood, and continue to stand, in opposition to one another.
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- Foka, Anna, 1981-, et al.
(författare)
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Introduction to the DHQ Special Issue : Digital Technology in the Study of the Past
- 2018
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Ingår i: Digital Humanities Quarterly. - Boston : Alliance for Digital Humanities Organisations. - 1938-4122. ; 12:3
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Tidskriftsartikel (refereegranskat)abstract
- Digital technology is transforming the assemblage and dissemination of historical information. Museums, libraries, archives, and universities increasingly modify their digital research infrastructures in order to make data open and available (see [Crane, Seales, and Terras 2009]; [Smithies 2014]; [Terras, Nyhan, and Vanhoutte 2013]; cf [Foka et al. 2017]). The imminent assessment and representation of historical data has admittedly challenged the boundaries of historical knowledge and generated new research questions [Drucker 2013] [Nygren, Foka, and Buckland 2014] #nygren2016 [Westin 2014] #westin2015[Chapman, Foka, and Westin 2016] [Foka and Arvidsson 2016]. The process of reconstructing, visualizing and rendering historical data has equally developed together with technology [Westin, Foka, and Chapman 2018]. This is the case in both academic and heritage contexts and in less immediately obvious popular uses, such as the increasingly significant presence and use of history within video games [Chapman 2016]. Regardless of specific context, as this collection of articles shows, the process of digitally capturing and representing historical data is often analogous to and determined by the digital platform used.
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- Öhman, May-Britt, 1966-
(författare)
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Gut la dån? Vem är du? Kukas sie olet?
- 2020. - 1
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Ingår i: Kiruna Forever. - Stockholm : Statens centrum för arkitektur och design, ArkDes Förlag. - 9789198511253
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Bokkapitel (populärvet., debatt m.m.)abstract
- Malmen, skogen och vattenkraften, i de nordliga samiska territorierna, (och numera de nordligaste delarna av Sverige) har under lång tid varit förutsättningen för den vällevnad och ohållbara livsstil som många människor, kanske även du, upprätthåller idag.Titelfrågan – om vem du är – på (lule)samiska, svenska och meänkieli, handlar om just detta. Minns du dina förmödrar och förfäder, och vilken del de har haft i denna historia? Vilken roll, som bygger på det som hänt, är, i nutiden, din? Låt oss bryta ner detta i lite mindre delar. Vi börjar med en fråga om glädje: Vad får dig att känna glädje och är den känslan kopplad till något slags konsumtion? Hur lever du? I vilken slags byggnad, varifrån kommer vattnet du dricker, vart tar maten du processat genom din kropp vägen? Hur färdas du dagligen? Är du fastboende och under svenska statens kontroll eller förflyttar du dig fritt som du vill? Och hur hänger detta ihop med den kultur du lever i? Har du funderat något på vad svensk kultur egentligen är? Hur svensk kultur formuleras i ord, bild, berättelser, i historien du fått lära dig, eller kanske den historia du inte fått lära dig?Jag vill ta dig med på en perspektivvändarresa. Där du, som den du är idag, får vrida och vända på dig för att minnas – och därmed förstå vem du är, vem du blivit, beroende på vad dina föregångare gjort och sagt.Sverige har inte alltid varit. Sverige – Svea rike – som modern kolonialstat skapades på 1500-talet. Fram till dess var samer inflytelserika och mäktiga. Parallellt med de europeiska kolonisationsprocesserna runtom i världen blev även Sverige en stark kolonialstat, ett imperie, grundat på just kolonisationen av de samiska territorierna.
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| 9. |
- Chapman, Adam, et al.
(författare)
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What is historical game studies?
- 2017
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Ingår i: Rethinking history. - : Taylor & Francis. - 1364-2529 .- 1470-1154. ; 21:3, s. 358-371
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Tidskriftsartikel (refereegranskat)
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| 10. |
- Öhman, May-Britt, 1966-
(författare)
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Gut la dån? Vem är du? Kukas sie olet? Who are you?
- 2020. - 1
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Ingår i: Kiruna Forever. - Stockholm : Statens centrum för arkitektur och design, ArkDes Förlag. - 9789198511253
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Bokkapitel (populärvet., debatt m.m.)abstract
- The ore, the forest and the hydropower of the northern Sami territories (nowadays the northernmost part of Sweden) have for a long time been essential to the unsustainable life of luxury that many people, perhaps even you, lead today.The question in the title – asking who you are in Lule Sami, Swedish and Meänkieli – is about exactly this. Do you remember your foremothers and forefathers, what part they played in this history? Which role, based on all that has happened, is now yours? Let’s break it down into smaller parts. And begin with a question about joy: What makes you feel joy, and is that feeling connected to some kind of consumerism? How do you live? In what kind of building? Where does the water that you drink come from, where does the food processed by your body end up? What is your daily mode of transport? Are you a permanent resident under the control of the Swedish State or do you move freely as you wish? How does all of this connect with the culture you live in? Have you ever considered what Swedish culture really is? And how Swedish culture is being defined through words, images, and stories, through the history you were told, or perhaps through the history you were not told?I want to invite you along on a voyage of reversed perspectives. During which you, as you are today, have to contort yourself to remember – in order to understand who you are, who you have become, and how this depends on what your predecessors did and said. ‘Sweden’ has not always been. Modern Sweden – that is the Kingdom of Sweden – was established as a colonial nation state in the 16th century. Up until then the Sámi were influential and powerful. But, concurrently with other European colonisation processes taking place across the world, Sweden also became an assertive colonial state; an empire founded on the colonisation of the Sámi territories.
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