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Träfflista för sökning "AMNE:(NATURVETENSKAP Data- och informationsvetenskap Datateknik) ;pers:(Cappelen Birgitta 1962)"

Search: AMNE:(NATURVETENSKAP Data- och informationsvetenskap Datateknik) > Cappelen Birgitta 1962

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  • Cappelen, Birgitta, 1962-, et al. (author)
  • Design for co-creation with interactive montage
  • 2011
  • In: Proceedings, 4th Nordic Design Research Conference, Nordes2011, School of Art and Design, Aalto University, Helsinki, Finland
May 29th - June 1st, 2011.
  • Conference paper (peer-reviewed)abstract
    • Montage in cinema means to mount images andsounds from different sources, that are interpreted together and whose oppositions drive the storyfurther. In this paper we develop the montage concept further for co-creation in interactive, tactile, spatial cross-media. As case we use the design of the interactive, tangible, cross-media installation ORFI. ORFI is developed to facilitate collaboration and co-creation between children with severe disabilities and their care persons. In this paper we focus on how we have designed for interactive montage. We present two main types of interactive montage, close and shifted in three dimensions (spatial, temporal and actorial). With the first we mean spatial and temporal closeness, depending on the roles users take and the interpretations they make. With shifted we mean how to use spatial and temporal shifting and distance between the media elements in space and over time, depending on the users’ roles and interpretations. All this to encourage co-creation over time, between a variety of users in different situations.
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2.
  • Cappelen, Birgitta, 1962-, et al. (author)
  • From designing objects to designing fields : from control to freedom
  • 2003
  • In: Digital Creativity. - 1462-6268 .- 1744-3806. ; 14:2, s. 74-90
  • Journal article (peer-reviewed)abstract
    • In this paper we want to explore Field as a concept and as a metaphor for understanding interactive systems. By interactive systems we mean both systems and artworks, where the user by interacting changes the course of events. We intend to show why we need new terms and why we consider Field to be a fruitful concept and term. Further we will show how the Field concept changes both our understanding of what we do as designers and composers and how we acknowledge our audience. We will exemplify the design consequences of the Field concept by going through some design considerations we made when designing the audio tactile installation Mufi.
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  • Result 1-2 of 2
Type of publication
journal article (1)
conference paper (1)
Type of content
peer-reviewed (2)
Author/Editor
Andersson, Anders-Pe ... (2)
University
Kristianstad University College (2)
Language
English (2)
Research subject (UKÄ/SCB)
Natural sciences (2)
Social Sciences (2)
Humanities (2)

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