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The Posthumanities Hub Webinars and Workshops Spring 2023 : Creative with Concepts
- 2023
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The Posthumanities Hub round-table workshop On "Creative with concepts"Speakers: Prof. Nanna Verhoeff (Utrecht University), Prof. Iris van der Tuin (Utrecht University), Dr Janna Holmstedt (Sweden’s Historical Museums), Prof. Christina Fredengren (Uppsala University), Prof. Paola Ruiz Moltó (Universitat Jaume) & Prof. Cecilia Åsberg (LiU) with friends.11th May, 2023 on-location workshop at Linköping UniversityEngaging with what concepts can do, we explore in this experimental round-table workshop what happens in the arts and creative humanities when "theory words" (concepts) work across different research practices. We move through a set of concepts, like, "assembling", "cartography", "curation", "dirt", "following", "micrology", "unlearning" and "wonder" (all from Iris van der Tuin & Nanna Verhoeff's (2022) Critical Concepts for the Creative Humanities, see below how to download it!). Such concepts are put to work differently across the invited speakers' various research projects. Come meet artistic research on soil and sustainability; museum ecologies and heritage research on past and future waste sites of the present Antropocene; imaginative teacher education with art, science and tiny, tiny critters, as well as other forms of blue/ environmental/ feminist/ more-than-human and creative humanities.
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| 2. |
- Worbin, Linda
(författare)
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Designing dynamic textile patterns
- 2010
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Designing Dynamic Textile Patterns Progress in chemistry, fibres and polymers technology provides textile designers with new expressive materials, making it possible to design dynamic textile patterns, where several different expressions are inherent in the same textile, textiles that, for example, could alternate between a striped and checkered pattern. Textiles are traditionally designed and produced to keep a given, static expression during their life cycle; a striped pattern is supposed to keep its stripes. In the same way textile designers are trained to design for static expressions, where patterns and decorations are meant to last in a specific manner. However, things are changing. The textile designer now deals also with a new raw material, a dynamic textile, ready to be further designed, developed and/or programmed, depending on functional context. This transformation in practice is not an easy one for the designers. Designers need to learn how to design with these new materials and their specific qualities, to be able to develop the full expressional potential inherent in “smart textiles design”. The aim of this thesis is to display, and discuss, a methodology for designing dynamic textile patterns. So far, something that mainly has been seen in different experimental and conceptual prototypes, in artistic expressions and for commercial efforts etc. In terms of basic experimental research this thesis explores the turn in textile design practice through a series of design experiments with focus on contributing to identifying and characterizing new design variables, new design methods and new design techniques as a foundation for dynamic textile patterns.
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| 3. |
- Berríos-Negrón, Luis
(författare)
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Manners, Parameters and the Gay Sciences : Realities from the Paramannerist Treatise
- 2013
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Ingår i: Space Matters. - Vienna : Ambra Verlag. - 9783990435632 - 9783990435762 ; , s. 120-137
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In this paper I aim to remind a brief projection about the inseparable difference between mental and physical space. This projection intends to thicken the aesthetics of sustainability by rejecting social Darwinism as the normalization of chaos and the irrational by way of evolutionary teleology and technocratic domination. To do so, I describe a mannerist recurrence in cultural production and how I hope it may inform a revitalized movement beyond an age of mass industrialization, beyond claims of Parametricism. I argue that this move can be activated by revising Charles Peirce’s Infinite Community of Inquiry, and Gerald Raunig’s notion of Abstract Machines, as vehicles for anthropocentric cybernetics and contemporary ecology. This is not about metaphorical relations between the visual arts and the hard sciences, but to set forth a topological heuristic, an ongoing inquiry to further categorize aspects between the human and non-human worlds, reflecting through Nietzsche's idea of 'gay science.'
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| 4. |
- Berríos-Negrón, Luis, Associate Professor, 1971-, et al.
(författare)
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Method of Indirection : talking to Walter Benjamin through the Arcades Project
- 2018
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Ingår i: Legacy. - Amsterdam : Frame Publishers. - 9789492311306 ; , s. 234-239
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Bokkapitel (populärvet., debatt m.m.)abstract
- I’ve wanted to talk to Walter Benjamin ever since encountering his Arcades Project. But – as much as that desire may be attune with Benjamin’s own commitment to bringing the past forth to the present – I can’t. I therefore turn to Arcades translator, and Benjamin scholar, Howard Eiland... and, it was inevitable that I had to return to the Arcades, not just because Benjamin meticulously objectified the glass and iron arcades as method and catalyst of research, but because, to me, ‘greenhouse’ does precede, and succeed, the arcades themselves as display and index of what was, and is to become of ‘natural history.’ For 'Legacy' I share excerpts of an interview (soon to be published entirely) that started at the Harvard Co-op in 2016; a conversation that continues to this day, by way of intermittent emails and other correspondence.
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| 5. |
- Hayashida, Jennifer, 1973
(författare)
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Removal, Refusal, Rehearsal: 15 Fridays
- 2020
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Ingår i: Women & Performance. - 0740-770X. ; 30:1, s. 94-99
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Tidskriftsartikel (refereegranskat)abstract
- Essä om att undervisa i konstnärlig forskning via Asian American studies som en del av ett adjunktifierat prekariat på ett offentligt universitet i New York. En del av det konstnärliga forskningsprojektet Feeling Translation.
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| 6. |
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“Letter to a Grain of Wheat”
- 2021
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Konstnärligt arbete (refereegranskat)abstract
- The piece is a contribution to the art project Seeding Stories: A Guide to the Interior of a Salt Water Crocodile (2019) by Migrant Ecologies Project, placed in The Svalbard Seed Cultures Ark, Svalbard, Norway in 2019: https://seeding-stories.org/Marietta-Radomska . The project, including Radomska's piece, has been published in Antennae: The Journal of Nature in Visual Culture, issue 54 / summer 2021, pp. 202-203
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| 7. |
- Berríos-Negrón, Luis
(författare)
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Greenhouse Doppelgänger Deposed : An Indexical Prototype about Parastructures, Anarchives, and the Social (Hyperobjective) Pedestal
- 2018
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Ingår i: Architecture in Effect: Volume 1: Rethinking the Social in Architecture. - Barcelona : ACTAR. - 9781940291994
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Greenhouse is an opaque manifold of meanings. The opacity is not just the result of a layering that occurs when considering its many definitions. It is more so the result of the suppressed colonial violence that is implicit in its technological instrumentalization. This mythical violence, of willfully transplanting the exotic, is at the heart of allother compound terms and subsets of ‘greenhouse’. I have been working on how this opacity obscures a range of forces that shape the environment. More specifically, I amexploring how these opaque forces affect, and may be perceived through, the forms and languages of sculptural and spatial production beyond prescribed visual or imagined outcomes. The work you will encounter here is then a probe to test how the violent opacity of greenhouse may be demystified by shaping an index as potential format for dematerialized display.
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| 8. |
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MIUN Research Exhibition : Utställningsproduktion i universitetsbibliotekets fysiska och webbaserade rum
- 2023
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Denna antologi har sin grund i arbetet med projektet MIUN Research Exhibition: Upplevelsebara forskningsutställningar i det fysiska och digitala biblioteksrummet, som under åren 2020-2022 pågick vid Mittuniversitetet. I antologin skriver samtliga medlemmar i projektgruppen ett eller flera kapitel med utgångspunkt i den roll som var och en har haft inom projektet. Syftet med antologin är att samla och dokumentera erfarenheter från arbetet med projektet. Därigenom är antologin ett forum för en avslutande reflektionsprocess för oss som nu under flera år har arbetat med att utarbeta och prova de modeller för forskningskommunicerande utställningar i det fysiska och digitala biblioteksrummet som utgör projektets kärna. Med antologin vill vi också bidra till den kunskapsbank som är på väg att växa fram om hur universitetsbibliotek kan initiera och skapa utställningar med utgångspunkt i forskning som bedrivs vid det egna lärosätet, och därmed bli aktörer på ämnesfältet forskningskommunikation. Antologin har mot denna bakgrund flera målgrupper. Med en förhoppning om att våra erfarenheter kan komma andra till nytta vänder vi oss till kollegor vid andra lärosäten som vill, eller redan är i gång med att, utforma sina egna forskningskommunicerande utställningar. Vi ser gärna att antologin blir ett inlägg i ett kontinuerligt samtal om hur forskningskommunikation kan bedrivas i utställningsformat och i samverkan mellan universitetsbibliotek och andra enheter vid våra lärosäten. På så sätt kan antologin också ses som ett inlägg i diskussionen om forskningskommunikationens olika format och vilka inom universitetsvärlden som är, kan vara eller borde vara aktörer i forskningskommunicerande processer.
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| 9. |
- Livholts, Mona, 1961-
(författare)
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Situated Writing as Theory and Method : The Untimely Academic Novella
- 2019. - 1
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Bok (refereegranskat)abstract
- This creative and original book develops a framework for situated writing as theory and method, and presents a trilogy of untimely academic novellas as exemplars of the uses of situated writing. It is an inter- and trans-disciplinary book in which a diversity of forms are used to create a set of interwoven novellas, inspired by poststructuralist and postcolonial feminist theory and literary fiction, along with narrative life writing genres such as diaries and letters, memory work, poetic writing, and photography. The book makes use of a politics of location, situated knowledges, diffraction, and intersectionality theories to promote situated writing as a theory and method for exploring the complexity of social life through gender, whiteness, class, and spatial location. It addresses writing as an inter- and trans-disciplinary form of scholarship in its own right, with emancipatory potential, emphasising the role of writing in shaping creative, critical, and reflexive approaches to research, education, and professional practice. It is useful for researchers, teachers, postgraduate and PhD students in feminist and intersectionality studies, narrative studies, and pursuing interdisciplinary approaches across the humanities, social sciences, design, and the arts to inspire a theory and method for situated writing.
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| 10. |
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Tjejer och teknik
- 2019
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Konstnärligt arbeteabstract
- Studier visar att intresset för teknikämnet i skolan sjunker dramatiskt bland flickor mellan årskurs 5 och årskurs 8. Är det verkligen så att flickor tappar allt intresse för teknik eller visar siffrorna på något annat? Ulrika Sultan, doktorand i teknikens didaktik vid Institutionen för samhälls- och välfärdsstudier vid Linköpings universitet, menar att flickor ÄR intresserade av teknik och GÖR teknik hela tiden, men att de inte definierar det de gör som teknik.Arbetsgivarorganisationen Teknikföretagen lyfter fram att för att Sverige ska kunna behålla sin position i framkant när det gäller industriell utveckling och innovation behövs en breddad rekrytering till tekniska yrken.Utställningen tar med besökaren till miljöer där kvinnor, flickor och tjejer i olika åldrar rör sig i teknikens värld. Här lyfts kvinnliga förebilder fram, eldsjälar och föreningar som jobbar för att stärka tjejers tekniska självförtroende.Utställningsperiod 30/8-19/12 2019 (Vallabiblioteket) och 20/1-31/3 2020 (Campus Norrköpings bibliotek)
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