| 1. |
- Åsberg, Cecilia, 1974-
(författare)
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A Feminist Companion to Posthumanities
- 2008
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Ingår i: NORA. - : Taylor & Francis. - 0803-8740 .- 1502-394X. ; 16:4, s. 264-269
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Tidskriftsartikel (refereegranskat)
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| 2. |
- Åsberg, Cecilia, 1974-
(författare)
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Als een prinses de broek aan heeft
- 2008
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Ingår i: Lover: tijdschrift over feminisme, cultuur, en wetenschap. - 0165-8042. ; :12, s. 46-52
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- Koningin Christina van Zweden ging in de 17e eeuw haar eigen gang. Lapte de verwachtingen van haar 'als vrouw' aan haar laars en was ook nog eens een toonaangevende intellectueel. Maar ze had ook een zeer lage dunk van datgene wat -typisch vrouwelijk- was en gaf bovendien vrijwillig haar macht op. Even slikken voor wie haar graag als recalcitrante koningin in het hart had gesloten. Maar toch een inspirerend rolmodel.
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| 3. |
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| 4. |
- Åsberg, Cecilia, 1974-, et al.
(författare)
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Digital performances of gendered pasts
- 2007. - 1
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Ingår i: Cyberfeminism in a Nordic light. - Cambridge : Cambridge Scholars Press. - 1847180892 - 9781847180896 ; , s. 152-180
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Bokkapitel (refereegranskat)abstract
- What does it mean to study supposedly global media phenomena from a Nordic perspective? In which ways could a Nordic feminist perspective on digital media make a difference in relation to dominant research traditions? What would be particular and unique about Nordic cyberfeminism compared to the unmarked version of cyberfeminism dominating the field today? These are some of the questions that this book sets out to answer. Cyberfeminism in Northern Lights: Digital Media and Gender in a Nordic Context pushes the boundaries of contemporary cyberfeminism significantly. Against the background of an expanding body of research in the field of digital media and gender which to this date has primarily been carried out from an Anglo-American perspective the book argues that feminist studies of digital media need to become more inclusive and aware of their own geographical and cultural biases and limits. The book takes as its point of departure the knowledge and experiences from the Nordic countries: Norway, Sweden, Finland, Iceland and Denmark. Although often grouped together under the assumed homogeneity of Scandinavia, there are important differences between the countries but also certain qualities and aspects that run across national borders, which make for an intriguing foundation of this book. Highlighting the work of several of Scandinavia's best internet researchers, this collection shows how our understanding of the intersection of gender and computer technology is both universal and cultural. It's fascinating reading for anyone interested in questions of gender, culture, or social aspects of the internet and serves as a useful corrective for those who assume these issues can be understood without considering them from multiple cultural positions. Nancy Baym, Associate professor of Communication Studies, University of Kansas. This is a very illuminating, unconventional and agenda-setting collection of essays by a new generation of scholars. Very Nordic in its pragmatic approach, egalitarian spirit and scholarly excellence, it manages to strike a global note. The range, depth and scope of the theoretical concerns, coupled with the originality of the themes discussed casts a new light on a number of crucial issues in feminist cultural studies of science and technology. A delight to read! Rosi Braidotti, Distinguished professor in the Humanities, Utrecht University.
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| 5. |
- Åsberg, Cecilia, 1974-
(författare)
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Feministiskt virus i ett sexistiskt internet?
- 2003
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Ingår i: Naistutkimus : Kvinnoforskning. - 0784-3844. ; 3, s. 45-47
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Review of the dissertation Figures of Fantasy. Women, Cyberdiscourse and the Popular Internet, by Susanna Paasonen, Turku, Finland.
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| 6. |
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| 7. |
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| 8. |
- Åsberg, Cecilia, 1974-
(författare)
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Genetiska föreställningar : Mellan genus och gener i populär/vetenskapens visuella kulturer
- 2005
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This study investigates how representations of genes and genetics have given rise to new kinds of cultural imageries created and reflected in popular science media. The concept of popular/science is used here in order to circumvent the traditional diffusion model of science communication, and to focus instead on how popular science media taps into scientific discourse just as scientific representations draw on popular imagery. The study thus shows how the new genetics is not created in a cultural vacuum, but thrives in the intersection of popular culture and science culture. The main argument is that together with the changing genetic imageries in popular/science both conventional and unconventional ways of enacting gender, sexuality and race emerge. Thus the illustrations and stories assembled and analysed here can be regarded as contested sites of social change.This exploration of contemporary representations of genes and genetics is performed with analytical tools from the overlappmg fields of feminist cultural studies, visual studies, and science and literature studies. As the ways of representing genes and generics in the visual field of popular science media are mapped out, the thesis gives a partial and local account of the mosaic of the genetic imaginary - a discursive fantasy landscape which is used as a resource for collective subject formations, and in which cultural communities mirror and articulate themselves.
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| 9. |
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| 10. |
- Åsberg, Cecilia, 1974-
(författare)
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Genus och genetik - konflikter och hybrider
- 2006
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Ingår i: Genetiska konflikter: Symposion 1 Dec 2006,2006.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- I samband med Bengt Olle Bengtssons publikation (2006), ett symposion med samma namn, Genetiska konflikter, där ett flertal forskare presenterade kritiska perspektiv på genetiken.
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