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  • Scripts of Kingship
  • 2008
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt)abstract
    • When French Marshal Jean Baptiste Bernadotte was elected heir to the Swedish Throne in 1810, a dramatic dynastic venture commenced. In an age of revolutions, marked by political as well as cultural upheavals, the commoner from Pau was transformed into King Charles XIV John and the head of a new royal dynasty in Sweden and Norway. Although fraught with challenges, the venture proved successful. As restoration set in, and the Napoleonides of Europe fell one after the other, Bernadotte held fast, and today the dynasty is approaching its bicentennial on the throne.In nine illustrated essays, the formation of a dynasty is explored as it unfolded in media such as ceremonies, spatial arrangements, opera performances, publicity and panegyrics.
  • Cedergren, Mickaëlle (författare)
  • L'Idéal monastique chez Huysmans et Strindberg, entre réalité et fiction.
  • 2009
  • Ingår i: Revue de littérature comparée. - Paris : Klincksieck. - 0035-1466. ; LXXXVI:2, s. 165-182
  • Tidskriftsartikel (refereegranskat)abstract
    • Strindberg et Huysmans appartiennent à la même période mystique de fin de siècle et partagent le même rêve religieux, celui notamment de fonder une colonie d’artistes de style monastique. Alors que Huysmans réalise une partie de ses rêves en devenant oblat bénédictin et en essayant de regrouper autour de lui quelques artistes, Strindberg échouera. L’écrivain suédois ne verra jamais son rêve prendre forme tel qu’il l’aura défini avec minutie dans sa correspondance. En revanche, au lieu de devenir moine, il mettra son écriture à contribution pour faire vivre ce rêve à travers de nombreux personnages littéraires de son théâtre. Cette étude examine les deux manières différentes par lesquelles Huysmans et Strindberg ont vécu leurs rêves.
  • Iversen, Gunilla, 1941- (författare)
  • Psallite regi nostro, psallite : singing ’Alleluia’ in ninth–century poetry
  • 2009
  • Ingår i: Sapientia et eloquentia : meaning and function in liturgical  poetry, music, drama and biblical commentary in the Middle Ages. - Turnhout : Brepols. - 978-2-503-52057-5 ; s. 9-58
  • Bokkapitel (övrigt vetenskapligt)abstract
    • In a number of interrelated case studies of earlier unexplored poetic and musical material dating from the ninth through the thirteenth centuries, the scholars explore and shed further light on changes in functions and forms in poetry, particularly in liturgical poetry, and in medieval interpretations of this poetry and music.The present volume thrusts the reader into the intellectual turmoil of the period in medieval Europe that is often characterized by Peter Abelard and his controversies with contemporary authorities. Although the earlier part of the twelfth century remains the focus of the book, this should not be taken as a clearly delimited period. Many of the phenomena dealt with had roots in earlier times and did by no means end with the 'high Middle Ages'.In several articles, the poetical heritage of the Carolingian environment of the palace school of Charles the Bald is examined – a poetic before the poetics, the place and function of music in the liturgical context, to name but two subjects that are treated. With the twelfth century, the ideas developed during the preceding centuries finally took a more institutional shape; in the present book, we see this phenomenon represented in Peter Abelards hymnary for the Paraclete, ritual representations and liturgical drama, in commentaries to biblical poetry, such as the Glossa ordinaria to Lamentations. Finally, the interpretation and understanding of musical texts,  exemplified by the view on Boethius’ De Musica and the new literary genre represented by commentaries to Sequences  in the later middle ages give the volume a final touch and tie its end again to the beginning.
  • Wulff, Helena (författare)
  • Dancing at the Crossroads : Memory and Mobility in Ireland
  • 2007
  • Bok (övrigt vetenskapligt)abstract
    • "Dancing at the crossroads" used to be an opportunity for young people to meet and enjoy themselves on mild summer evenings in the Irish countryside until this practice was banned by the Public Dance Halls Act of 1935. Now a key metaphor in Irish cultural and political life, "dancing at the crossroads" also crystallizes the argument of this book: Irish dance, from Riverdance (the commericial show) to competitive dancing and dance theatre, conveys that Ireland is in a crossroads situations. Irish dance, with a firm base in a distinctly Irish tradition, is becoming a prominent part of European modernity. While this book highlights the captivating tensions and ties surrounding debates on Irish dance, it also aims to extend broader understandings of place, mobility and rooted cosmopolitanism.
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