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Träfflista för sökning "AMNE:(HUMANITIES and RELIGION Aesthetic subjects Theatre) srt2:(2005-2009);mspu:(conferencepaper);spr:eng"

Sökning: AMNE:(HUMANITIES and RELIGION Aesthetic subjects Theatre) > (2005-2009) > Konferensbidrag > Engelska

  • Resultat 1-4 av 4
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1.
  • Hoogland, Rikard (författare)
  • Threaten Masculinity? : The declining of the male theatre audience and the Swedish cultural policy.
  • 2008
  • Ingår i: The 5th International Conference on Cultural Policy Research.
  • Konferensbidrag (övrigt vetenskapligt)abstract
    • Swedish cultural policy has since the thirties have a main goal that everybody should have the possibility to participate in cultural activities. When looking at the figures, the answer is that the cultural policy has been successful. For instance nearly 50 percent visit at least one theatre performance every year. In the last years efforts have been made to change the gender representation on stage, a governmental investigation report pointed out that there is very few female stage directors, playwrights and leading parts. This problem is not directly addressed by the cultural policy, in spite of the cultural goals that aims to involve all.The paper discuss why a majority of male no longer finds it important to take part in culture, and especially visiting theatre performances. Is the politics of equality leading to less value in terms of cultural capital? Is the masculinity threaten by theatre, is it seen as feminizing
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2.
  • Lundborg, Nina (författare)
  • News Paper Reviews of Black Dancers in Sweden before 1970 : - the Tradition
  • 2006
  • Ingår i: The North in a Global Context : Proceedings 8th International NOFOD Conference January 12-15 2006 Stockholm Sweden. - 978-91-631-9376-7 ; s. 4
  • Konferensbidrag (övrigt vetenskapligt)abstract
    • Dance criticism is shaped by society, politics, economics, gender, and it is shaped by race. The tradition of whiteness constructs the texts written about black dancers performing in a Swedish context. In the reviews from 1950-1970 that is studied in this paper, there is a constant look at "the Other" performing and words like primitive, exotic and original are dominating the outcome. The papers studied are Dagens Nyheter, Svenska Dagbladet and Expressen.
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3.
  • Enström, Ann, 1975- (författare)
  • Theatrical Emotion
  • 2009
  • Ingår i: 2009 IFTR Conference:"Silent Voices Forbidden Lives: Censorship and Performance" : Lisboa, Portugal, July 12-18th. - Centro de Estudos de Teatro : Impresso em Julho pela Multi Artes Grafias. ; s. 1-5
  • Konferensbidrag (refereegranskat)abstract
    • Imagine that you have two options of comparing THE MODERN actor, either to an airplane, or to a perfume-bottle.1Where the airplane is a symbol of rationality, enlightenment, science, efficiency and reason. And where the perfume-bottle is a symbol of desire, longing, craving, affect, dreams, appearance and surface. The modern actor as either a fast and fierce airplane, or, a nice smelling, nice looking perfume bottle!1Not to make things unnecessary complicated, having in mind the debate of the origins of modernism, I date the breakthrough of modern acting to the first half of the 1900, to first and foremost Stanislavski, but also to some of his contemporaries. 
4.
  • Papageorgiou, Vasilis (författare)
  • The tragic elusiveness in John Ashbery’s The Heroes
  • 2007
  • Ingår i: Anglo-Amarican Perceptions of Hellenism. - Newcastle : Cambridge Scholars Publishing, Cambridge. - 9781847182487 ; s. 252-265
  • Konferensbidrag (refereegranskat)abstract
    • A new critical approach of the term "tragic" through the play The Heroes by John Ashbery. Instead of the tragic I propose the use of the term "tragic awareness", as a result of the Derridean deconstruction of identities or definitions.
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  • Resultat 1-4 av 4
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Enström, Ann, 1975-, (1)
Papageorgiou, Vasili ... (1)
Hoogland, Rikard, (1)
Lundborg, Nina, (1)
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