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Träfflista för sökning "AMNE:(SOCIAL SCIENCES Political Science Globalization Studies) srt2:(2010-2014)"

Sökning: AMNE:(SOCIAL SCIENCES Political Science Globalization Studies) > (2010-2014)

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1.
  • Pemunta, Ngambouk Vitalis, 1973-, et al. (författare)
  • Toward a reconceptualization of the “urban” and “rural” as conceptual and analytical categories in the social sciences
  • 2012
  • Ingår i: Arts and Social Sciences Journal. - : Aston Journals. - 2151-6200. ; 3
  • Tidskriftsartikel (refereegranskat)abstract
    • Globalization implies a general shift in spatio-temporal relations and the simultaneous deterritorialization of cultural phenomena orchestrated by the multiple global flows of people, ideas, and fashions. Within the context of globalization, it is troublesome for social scientists to continue using the “urban–rural” dichotomy as distinctive analytical and methodological categories because it tends to suggest a contingency in the pattern and character of social phenomena. This article sets out to theoretically rethink this conceptualization because of the multi-stranded and culturally embedded nature of human behavior in both space and time which has led to difficulties in delineating rigid subject boundaries today unlike in the past. Drawing on empirical data from diverse social phenomena, but particularly from the urban procurement and consumption of medicinal plant recipes, “dualistic” religious inclination and urban agriculture, we demonstrate that the geographic, spatio-temporal conceptualization of distinctive urban and rural phenomena are problematic. We suggest the notions of “urban-ruralism” and “rural-urbanism” as theoretical and methodological reconceptualizations to capture multiple embedded processes and to show that there exists a type of behavioral continuum/consistency because individuals have adopted hyphenated identities.
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2.
  • Lindholm, Kristina, 1976-, et al. (författare)
  • Crisis Communication as a Multilevel Game : The Muhammad Cartoons from a Crisis Diplomacy Perspective
  • 2011
  • Ingår i: The International Journal of Press/Politics. - : Sage Publications. - 1940-1612 .- 1940-1620. ; 16:2, s. 254-271
  • Tidskriftsartikel (refereegranskat)abstract
    • The Muhammad cartoon crisis in 2005 provides an illustrative example of how crises travel across geographical boundaries, in this case, from a national newspaper into a full-fledged public diplomacy crisis at the international level. From a crisis management perspective, a multilevel setting poses a real challenge to actors trying to contain the situation at hand. Likewise, the multilevel nature of a crisis poses a challenge to crisis communication theories, which have traditionally focused on rhetorical strategies in single organizational crises. As a response, this article proposes a framework for examining crisis communication based on how actors’ framing impact the perceptions of arenas, stakeholders, and communication strategies.
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3.
  • Jonsson, Stefan, 1961- (författare)
  • The Wisdom of Crowds
  • 2014
  • Ingår i: TANK Magazine. - London : Tank Publications Ltd. - 1464-3472. ; 8:1, s. 62-65
  • Tidskriftsartikel (populärvet., debatt m.m.)abstract
    • Stefan Jonsson reminds us that without the uprisings of the 'swinish multitude' there would be no such thing as democracy.
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4.
  • Wennerhag, Magnus, 1973- (författare)
  • Another Modernity is Possible? : The Global Justice Movement and the Transformations of Politics
  • 2010
  • Ingår i: Distinktion. - : Taylor & Francis. - 1600-910X .- 2159-9149. ; 11:2, s. 25-49
  • Tidskriftsartikel (refereegranskat)abstract
    • Using and expanding upon the conception of ‘successive modernities’ that has recently been developed within social theory, this article offers an interpretation of the political aims, ideas, and practices of the ‘global justice movement’ and argues that this contemporary social movement is best understood as an expression of the tensions characterizing the prevailing configuration of Western modernity in our own time. Social movements have often simultaneously challenged, changed, and sustained the institutions, norms, and habits of modern societies. Placing the global justice movement in this historical context, the author elaborates how the notion of the creative capacities of social movements has hitherto been discussed in several major theories about social movements and modernity. The article argues that the movements mobilized since the 1990s in response to issues related to globalization should neither be seen as revolts against the demise of ‘organized modernity’, nor as heralding a new type of Western modernity. Instead, the critique and political claims of the global justice movement are, according to the author, better interpreted as expressing a will to realize a ‘third modernity’ in an alternative way that stresses the values of participatory democracy, democratization of international economic institutions, and the strengthening of social equality on a global level. Thus, the movement should foremost be seen as articulating a crisis in the forms of politics and democracy during our present epoch of modernity.
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5.
  • Casula Vifell, Åsa, et al. (författare)
  • Organizing for social sustainability : Governance through bureaucratization in meta-organizations
  • 2012
  • Ingår i: Sustainability. - : Informa UK Limited. - 1548-7733. ; 8:1, s. 50-58
  • Tidskriftsartikel (refereegranskat)abstract
    • The difficulties nation states face when attempting to use traditional legal means to cope with transnational phenom-ena such as environmental degradation, international labor conditions, and global trade have created an opportunity for the emergence of new types of regulations. These rules are often issued by organizations that produce voluntary measures such as standards and action plans to influence the behavior of individuals and institutions. These are in many cases meta-organizations that have other organizations rather than individuals as members. They are important links in the process of creating and diffusing dominant definitions in the “ideoscape” of influential policy concepts such as sustainable development. This article explores how two meta-organizations, Fairtrade International (FLO) and Organic Forum, shape the concepts of fair trade and organic food by providing ideas and content to the ideoscape of sustainable development. We argue that this process takes place by governance through bureaucratization in which fair trade and organic food become formalized, precisely defined, and made visible. This in turn determines how—or even if—the social dimension of sustainability can be made into policy. Furthermore, we find explanations in these processes as to why the social dimension of sustainability tends to be the most underdeveloped. We conclude that bureaucratization is also a form of politics, although not one that is as easily recognizable as an open power struggle. 
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6.
  • Roy, Sumit (författare)
  • China and India, "rising powers" and African development : challenges and opportunities
  • 2014
  • Rapport (övrigt vetenskapligt/konstnärligt)abstract
    • In this report, the challenges and opportunities arising from the growing ties between two key “Rising Powers,” China and India, and Africa are more fully explored. This trend has given rise to speculative, exaggerated and ideological responses and a mixture of anxiety and hope. What is needed is an interdisciplinary political economy study to investigate the ways in which global, regional and national linkages in the relationship impact on the prospects of sustainable development in Africa. The necessity for this is underscored by the growing influence of the BRICS group (Brazil, Russia, India, China and South Africa) in reshaping the world.In this frame, the focus is on the nature of the shift in China’s and India’s strategic vision of Africa in terms of politics, ideology and economic development. This shift impinges on trade and investment and, in turn, the scope for inducing structural economic change in the context of colonial and postcolonial tensions. Comparative observation of countries in Eastern and Southern Africa, particularly Ethiopia in the former, illustrates their capacity to cope with the new powers. This is a critical aspect of the continent’s complex interplay with states and institutions within and beyond its borders. Ultimately, African nations have to individually and collectively confront the challenges and opportunities stemming from their evolving relationships with these Rising Powers.
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7.
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8.
  • Hedberg, Charlotta, et al. (författare)
  • Repopulation of the Swedish countryside : globalisation by international migration
  • 2014
  • Ingår i: Journal of Rural Studies. - : Elsevier. - 0743-0167 .- 1873-1392. ; 34, s. 128-138
  • Tidskriftsartikel (refereegranskat)abstract
    • Rural areas have often been treated as mono-ethnic and homogeneous areas, as compared to urban areas that are seen as dynamic and mobile areas. Recent discourses in rural studies have been questioning this idea, adding the perspectives that rural areas are constituted by mobilities, actively engaged in globalization processes, and characterized by ethnic diversity. As population decline is a constant threat to many rural areas, international migration flows can contribute to their repopulation and to a dynamic and transnational countryside. The present paper takes a quantitative perspective, thereby adding to the mostly qualitative studies in this field. Through the use of Swedish full-population register data, patterns of international migrants in rural areas are depicted, using a unique definition of rurality. Our study shows that international migration to the countryside reveals a rich diversity in ethnicity and age. Nordic and European middle-aged and elderly migrants have the highest odds of living in the countryside, while South East Asian women are an upcoming group. Migrants in the countryside are more often women, have a Swedish partner, have less education, live in border areas and are short stayers. Female migrants in rural areas also have a higher employment rate than their urban counterparts. The results suggest a variety of migration motives, ranging from quality of life to cross-border and marriage migration, which indicate increased globalization of the countryside.
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9.
  • Nilsson, Elina (författare)
  • 'Let's pretend we are the only people in the universe' : Entangled Inequalities in Lukas Moodysson's Mammoth
  • 2014
  • Ingår i: Scandinavica - International Journal of Scandinavian Studies. - 0036-5653. ; 53:1, s. 55-67
  • Tidskriftsartikel (refereegranskat)abstract
    • This article utilizes an intersectional approach to examine Lukas Moodysson's film Mammoth (2009). When the film premiered it was by some criticized for its over-explicit critique of globalization and its portrayals of the female characters as scapegoats. My aim is to show how the film's critique of globalization entails even more complexity. An intersectional reading of Mammoth reveals that the film employs a structure of pronounced narrative layers to illustrate how different axes of stratifications are entangled on a global level, such as how the situation of the characters are determined by an interplay of their gender, class and race. The film is thus a rich example of why a sensitivity to intersectionality when mapping processes of globalization is highly important. At the same time there is an ambivalence with regard to how the female characters are represented, as the film in some respects fails to acknowledge their agency.
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10.
  • Persson, Beatrice, 1963 (författare)
  • In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization
  • 2011
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This study emerges from the question: what is contemporary art, and mainly what criteria constitute contemporary art in a globalized art world in general? Thus, the focus of this dissertation is on the postcolonial context of Australia and the fact that the contemporary art scene in Australia is divided into Australian and Aboriginal art respectively. This is a division originating from the colonization of Australia that began in the 1770’s, resulting in an Australian art descending from a Western art practice, where there is further focus on two categories within this art. The first category is a so-called “young” Australian art created by young artists who are returning to skills of, for instance, woodcarving and bronze casting, emphasizing the techniques of creation, and the finish of the surfaces in a do-it-yourself-aesthetic. The second category is called Asian-Australian art, featuring diaspora artists, a category pointing to the fact that Australia is situated in the Asia-Pacific region and has a large Asian population. Aboriginal art, on the other hand, is regarded to be an unbroken tradition dating back some 40,000 years, featuring art created by indigenous artists living on ancestral land in remote communities, often being called traditional Aboriginal art, and city-based Aboriginal art produced by indigenous artists who have grown up and are living in Australian cities and have been educated in Western art schools. These four categories are represented by four artists whose artworks are analysed and interpreted from a cultural semiotic point of view in order to be used in practical examinations of the viability of the two theoretical concepts cross-culture and contemporaneity, as well as an investigation of whether the contemporary global art scene is truly global or still tends to emanate from a Western perspective. In this context the concept of cross-culture is examined through the history of how primitive art and primitive artists, and non-Western art and artists in general, have been apprehended, indicating that the crossing of cultures, making transformations and influences possible in the arts, have taken place from a Western perspective, thus demonstrating power relations deriving from colonization. Contemporaneity should be understood as an inquiry into how various artistic expressions with different time conceptions appear when produced simultaneously in different, closely connected, yet mutually incomparable cultures. This is art that communicates across the divide between cultures and as such grasps the driving spirit of the contemporary.
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