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- Strindberg, August, 1849-1912, et al.
(författare)
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The occult diary : Paris 1896 – Stockholm 1908
- 2022. - 1
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Bok (refereegranskat)abstract
- August Strindberg (1849–1912) kept a diary from February 1896 in Paris until the summer of 1908 in Stockholm. He referred to his diary from this period as his Occult Diary and used it to help him decipher the world as he experienced it. He read and reread his own notations, adding new interpretations, and deleting others. He also drew on the diary as material for creative expression, transforming isolated events and observations into groundbreaking works of literature. The Occult Diary is published here in its entirety in English translation for the first time, in a final revision by Ann-Charlotte Gavel Adams and with an introduction by Per Stam. The Occult Diary is a key resource for international Strindberg scholars and theater professionals and more broadly for scholars focusing on drama, theater history, stage performance, and literary currents at the turn of the previous century. The diary initiates the reader into the writer’s inner world during a crucial transitional period in his personal and literary life. It documents his readings and observations and gives important clues and information about an ongoing process of artistic reorientation. Strindberg was exploring new ways of looking at, interpreting, and writing about nature, science, art, the occult, and his fellow human beings.
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| 2. |
- Cedergren, Mickaëlle, 1969-, et al.
(författare)
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Le positionnement transnational d’August Strindberg dans la presse française — Un contre-discours boréal ?
- 2020
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Ingår i: Revue nordique des études francophones. - : Stockholm University Press. - 2003-0401. ; 3:1, s. 133-149
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Tidskriftsartikel (refereegranskat)abstract
- L’essai d’August Strindberg intitulé « De l’Infériorité de la femme et comme corollaire de la justification de sa situation subordonnée selon les données dernières de la science » fait scandale lorsqu’il apparaît dans la Revue blanche en 1895. Ce discours est surprenant pour diverses raisons. Que recherchait Strindberg en écrivant un article aussi provocateur ? En resituant ce texte dans la production littéraire de l’écrivain, en étudiant sa genèse et sa réception dans les journaux français de l’époque, nous proposons de traiter la question suivante : Strindberg voudrait-il se profiler comme écrivain nordique aux allures scientifiques dans le champ français, en publiant en langue française, un texte « scientifique » anticonformiste sur la femme ? À la lumière des travaux portant sur le boréalisme, la paratopie et la réception, nous nous interrogeons pour savoir si ce discours ne serait pas une stratégie pour conquérir le public parisien et européen. Les résultats de cette contribution tendent, en effet, à montrer comment Strindberg a cherché à se positionner en rupture et en continuité, à la manière d’un écrivain « scandinave méridional ». L’écrivain suédois joue sur les représentations du Nord et intègre le discours exogène français tout en le dépassant. En adoptant un contre-discours boréal où Strindberg s’affiche à la fois épigone et pionnier, l’auteur suédois ajuste adroitement son discours.
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| 3. |
- Engwall, Gunnel, 1942-, et al.
(författare)
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Die Gestaltungpsychologischer Experimente in Le Plaidoyer d'un fou : Ein Übersetzungsvergleich
- 2020
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Ingår i: August Strindberg und die Aufklärung. - Würzburg : Verlag Königshausen & Neumann. - 9783826069079 ; , s. 197-212
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Bokkapitel (refereegranskat)abstract
- The article examines how August Strindberg’s scientific interest feeds into his literary work. The analysis focuses on the autobiographically inspired novel Le Plaidoyer d’un fou, which Strindberg wrote directly in French, and compares it to the first German translation, which was the first ever publication of this novel. The analysis reveals that readers of the translation did not get a faithful picture of the function Strindberg ascribes to psychology in the novel. This was not without consequence for the Swedish reception of Le Plaidoyer. In fact, the first two Swedish translations of the novel were not based on Strindberg’s original French manuscript, but on the first German translation. Further studies will look at how various translators of Le Plaidoyer d’un fou dealt with the challenges of reproducing Strindberg’s French style in their respective target languages, with a particular focus on Swedish.
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| 7. |
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Tears, sighs and laughter : Expressions of Emotions in the Middle Ages
- 2017
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- In the 1990s a new interest for research on emotions and affectivity in the humanities and the social sciences began to develop. This movement, later referred to as “the affective turn”, has been a most productive and vigorous field of research in the past decades, as it opens up for new interpretations of historical source materials and enables studies of the relationship between states of mind and materiality. In addition, it prompts questions of, for example, gender, power and religiosity, thus being conducive to a fuller understanding of historical events, places and persons. This anthology is the result of the Marcus Wallenberg symposium at the Royal Swedish Academy of Letters, History and Antiquities in early spring 2014. All studies included concern the interpretation of emotional expression in medieval art and literature written by scholars representing a wide variety of disciplines.
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| 9. |
- Engwall, Gunnel, 1942-
(författare)
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Språkvetarna i De 17
- 2016
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Ingår i: Sällskapet De 17. - Lidingö : Sällskapet De 17. - 9789163903052 ; , s. 88-98
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Bokkapitel (populärvet., debatt m.m.)
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