| 1. |
- Ericsson, Lena, et al.
(författare)
-
Astakines in arthropods-phylogeny and gene structure
- 2018
-
Ingår i: Developmental and Comparative Immunology. - : ELSEVIER SCI LTD. - 0145-305X .- 1879-0089. ; 81, s. 141-151
-
Tidskriftsartikel (refereegranskat)abstract
- Astakinel was isolated as a hematopoietic cytokine in the freshwater crayfish Pacifastacus leniusculus. In this study we detect and compare 79 sequences in GenBank, which we consider to be possible astakine orthologs, among which eleven are crustacean, sixteen are chelicerate and 52 are from insect species. Available arthropod genomes are searched for astakines, and in conclusion all astakine sequences in the current study have a similar exon containing CCXX(X), thus potentially indicating that they are homologous genes with the structure of this exon highly conserved. Two motifs, RYS and YP(N), are also conserved among the arthropod astakines. A phylogenetic analysis reveals that astakinel and astakine2 from P. leniusculus and Procambarus clarkii are distantly related, and may have been derived from a gene duplication occurring early in crustacean evolution. Moreover, a structural comparison using the Mamba intestinal toxin (MITI) from Dendroaspis polylepis as template indicates that the overall folds are similar in all crustacean astakines investigated.
|
|
| 2. |
- Ericsson, Hans-Ola
(musiker, creator_code:cre_t)
-
Invigning av Orgel Acusticum
- 2012
-
Konstnärligt arbeteabstract
- Invigning av Orgel Acusticum, Studio Acusticum, konsertsalenHans-Ola Ericsson, orgel; Lena Weman, traversflöjt; Anders Hannus, klangregi; Birgitta Svendén, konferencièreOlivier Messiaen 1908-1992Apparition de l'Église éternelle (1932)Hans-Ola Ericsson f. 1958Nytt verk (2012) för förstärkt traversflöjt och orgelJohann Sebastian Bach 1685-1750Ich ruf zu dir, Herr Jesu Christ (BWV 639) ur OrgelbüchleinHans-Ola EricssonPostludium - "Spikar" ur orgelmässan "De fyra varelsernas Amen" (1999-2000) för orgel och elektronikCésar Franck 1822-1890Choral no3 en la mineur (1890) ur Trois choralsPausModest Petrovitj Mussorgskij 1839-1881Tavlor på en utställning (1874; in memoriam Viktor Hartmann)Transkription: Keith John1. Promenade [Promenad]: Allegro giusto, nel modo russico, senza allegrezza, ma poco sostenuto2. Gnomus [Gnom]: Sempre vivo-Poco meno mosso, pesante3. Promenade: Moderato commodo assai e con delicatezza4. Il vecchio castello [Det gamla slottet]: Andantino molto cantabile e con dolore5. Promenade (Moderato non tanto, pesamente)6. Tuileries: Dispute d'enfants après jeux [Tuilerierna: Grälande barn efter leken]: Allegretto non troppo, capriccioso7. Bydlo [Boskap]: Sempre moderato, pesante8. Promenade: Tranquillo9. Balet nevylupivshikhsya ptentsov [De okläckta kycklingarnas balett]: Scherzino10. Samuel Goldenberg och Schmuyle: Andante. Grave - energico11. Promenade: Allegro giusto, nel modo russico, poco sostenuto12. "Limoges", le marché: La grande nouvelle ["Limoges", marknaden: Den stora nyheten]: Allegretto vivo, sempre scherzando13. Catacombae: Sepulchrum Romanum [Katakomber: romersk grav]: Largo14. "Cum Mortuis in Lingua Mortua" [Med de döda på ett dött språk]: Andante non troppo, con lamento15. Izbushka na kuryikh nozhkakh (Baba-Jaga) [Huset på kycklingben (Baba-Jaga]: Allegro con brio, feroce16. Bogatyrskiye vorota: V stolnom gorode Kiyeve [Bogatyrportarna i huvudstaden Kiev (Stora porten i Kiev)]: Allegro alla breve. Maestoso. Con grandezza.
|
|
| 3. |
- Ericsson, Hans-Ola
(musiker, creator_code:cre_t)
-
JSB : complete flute sonatas
- 2012
-
Konstnärligt arbete (refereegranskat)abstract
- Skivinspelning av samtliga flöjtsonater, inklusive solopartitan, av J S Bach:Sonat i h-moll BWV 1030Sonat i Ess-dur BWV 1031Sonat i g-moll BWV 1020Sonat i A-dur BWV 1032Solo i a-moll BWV 1013Sonat i C-dur BWV 1033Sonat i E-dur BWV 1035Sonat i e-moll BWV 1034
|
|
| 4. |
- Ericsson, Hans-Ola
(musiker, creator_code:cre_t)
-
JSB : ein musikalisches Opfer
- 2012
-
Konstnärligt arbeteabstract
- 01. Ricercare a 302. Canon perpetuus super Thema Regium03. Canones diversi super Thema Regium — Canon I a 204. Canones diversi super Thema Regium — Canon a 2 violini : in Unisono05. Canones diversi super Thema Regium — Canon a 2 per Motum contrarium06. Canones diversi super Thema Regium — Canon a 2 per Augmentationem, contrario Motu07. Canones diversi super Thema Regium — Canon a 208. Canones diversi super Thema Regium — Fuga canonica in EpiDiapente09. Ricercare a 610. Quarendo invenietis — Canon a 211. Quarendo invenietis — Canon a 412. Sonata ‘opr’il Soggetto Reale à Traversa, Violino e Continuo — Largo13. Sonata ‘opr’il Soggetto Reale à Traversa, Violino e Continuo — Allegro14. Sonata ‘opr’il Soggetto Reale à Traversa, Violino e Continuo — Andante15. Sonata ‘opr’il Soggetto Reale à Traversa, Violino e Continuo — Allegro16. Canon perpetuusWeman – Flute, Lindal – Violin, Perkola – Viola da Gamba, Ericsson – Harpsichord and Organ
|
|
| 5. |
- Ericsson, Hans-Ola
(musiker, creator_code:cre_t)
-
JSB : trio Sonatas
- 2012
-
Konstnärligt arbete (refereegranskat)abstract
- Triosonata in Es-Dur (E flat major), BWV 525 – in G-Dur(G major)1. [Allegro] 2:322. Adagio 7:183. Allegro 3:23Flute, violin, and basso continuo (harpsichord and viola da gamba)Triosonata in c-Moll (C Minor), BWV 526 – in e-Moll(E minor)4. Vivace 3:445. Largo 3:326. Allegro 3:35Flute, obbligato organ, and basso continuo (viola da gamba)Triosonata in d-Moll (D minor), BWV 527 – in e-Moll(E-minor)7. Andante 4:298. Adagio e dolce 5:099. Vivace 3:28Flute, violin, and basso continuo (harpsichord and viola da gamba)Triosonata in e-Moll (E minor), BWV 528 – in g-Moll(G minor)10. Adagio – Vivace 2:3111. Andante 4:2912. Un poc’ Allegro 2:28Flute, violin, and basso continuo (harpsichord and viola da gamba)Triosonata in C-Dur (C major),BWV 52913. Allegro 4:3314. Largo 5:1315. Allegro 3:20Violin, viola da gamba (tenor*), and basso continuo (harpsichord andviola da gamba**)Triosonata in G-Dur (G major), BWV 53016. Vivace 3:3917. Lento 7:0218. Allegro 3:28Violin, obbligato organ, and basso continuo (viola da gamba)
|
|
| 6. |
- Ericsson, Hans-Ola
(musiker, creator_code:cre_t)
-
JSB : complete chorale partitas
- 2011
-
Konstnärligt arbete (refereegranskat)abstract
- Skivinspelning av samtliga koralpartitor av JS BachAch, was soll ich Sünder machen, BWV 770O Gott, du frommer Gott, BWV 767O Vater, allmächtiger Gott, BWV 758Herr Christ, der einig Gottes Sohn, BWV Anh. 77Wenn wir in höchsten Nöten sein, BWV Anh. 78Christ, der du bist der helle Tag, BWV 766Sei gegrüßet, Jesu gütig, BWV 768
|
|
| 7. |
- Ericsson, Lena Weman
(musiker, creator_code:cre_t)
-
Musik der Aufklärung : für Flöte und Cembalo/Orgel
- 2011
-
Konstnärligt arbeteabstract
- Konsert i St. Katharinenkirche, Oppenheim, TysklandProgramCarl Philipp Emanuel Bach - Sonat i a-mollJohann Sebastian Bach - Sonat i C-dur, BWV 1033Michel Blavet - Sonat i g-mollJohann Sebastian Bach - Sonat i g-moll, BWV 1020Wilhelm Fridemann Bach - Sonate i e-moll
|
|
| 8. |
- Ericsson, Lena Weman
(författare)
-
Never before heard : Unexplored sounds in time and space
- 2011
-
Konferensbidrag (refereegranskat)abstract
- This project as a whole focuses around the construction of a new innovative organ in a concert hall in the very north of Sweden, in Piteå. The concert hall in itself is a kind of laboratory with it its adjustable acoustics through the ceiling that as a whole can be adjusted up or down approximately 8 meters. In its highest position the reverb of the hall is approximately 2,8 seconds – which can be considered rather perfect for a huge concert organ with 89 sounding registers but with 215 stops.The research project seeks to explore, through artistic practice and reflection, the tonal world with its possibilities and limitations of the organ. The research is conducted along three parallel tracks: 1. Explorative studies of the harmonics division. 2. Explorative studies of the influence and use of latency when playing the instrument over Internet. 3. Musical responses to the voicing refinement process. The project will move from an exploration of individual elements within each of the research tracks, towards more integrative approaches within the tracks and, finally, a synthesis covering all three tracks. The synthesis will be achieved through in-depth systematic work with compositions and improvisation. This part of the project will bring the innovative aspects in tune with the more traditional parts of the organ, producing genuine artistic results from the entire research project. Research results will be published in sounding and written formats
|
|
| 9. |
- Ericsson, Lena Weman, et al.
(författare)
-
Aktivitet: Klassisk förmiddag
- 2010
-
Annan publikation (populärvet., debatt m.m.)abstract
- Johann Sebastian Bach: Blockflöjtsonat F-dur BWV 1035. Kerstin Frödin, blockflöjt, Lena Weman-Ericsson, viola da gamba och Hans-Ola Ericsson, orgel. Konsert 2008, Förslövs kyrka.Från Båstads kammarmusikfestival 2008.
|
|
| 10. |
|
|
