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  • Silence and Silencing in Children’s Literature
  • 2021
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • The concept of silence and silencing evokes questions of self in relation to others, of language and of communication, even of what it is that makes us human. It contains numerous interpretative possibilities, all highly relevant for the study of children’s literature. Aiming the searchlight at silence and silencing points at the multiple ways in which children’s literature functions, and how complex and varied – and sometimes paradoxical – children’s literature is as a field. The relationship between children’s literature and silence suggests an intriguing tension between voicing and silencing, between speech and the unspoken. While children’s literature tends to be considered a liberating and empowering force in children’s lives, it can also be seen as implicated in a widespread and deeply rooted discourse of silence and silencing, which draws on the idea that children should be seen but not heard. The theme also draws attention to how children’s literature can both challenge and reinforce notions of which subjects are tabooed or censored, which further points to the necessity of examining the silences and lacunae within children’s literature.This volume springs out of a global congress, IRSCL Congress 2019: Silence and Silencing in Children’s Literature, organized by the editors of this volume in Stockholm, Sweden. The volume includes the five keynotes of the congress as well as a selection of studies sprung from congress presentations. It is divided into five sections: Multiple Facets of Silence and Silencing, Narrating Silence, Addressing Aetonormative Silences, Structural and Societal Silences and Silencing, and Trauma and Traumatic Silences. The book is edited by Elina Druker, Professor at Stockholm University, Sweden; Björn Sundmark, Professor at Malmö University, Sweden; Åsa Warnqvist, Docent and Research Manager at the Swedish Institute for Children’s Books, Sweden, and Mia Österlund, Associate Professor at Åbo Akademi University, Finland.
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  • Alkestrand, Malin, 1986- (författare)
  • Magiska möjligheter : Harry Potter, Artemis Fowl och Cirkeln i skolans värdegrundsarbete
  • 2016
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Sedan den första Harry Potter-boken publicerades år 1997 har intresset för fantasylitteratur ökat lavinartat. Miljontals barn, ungdomar och vuxna har följt sina mest omtyckta fantasyhjältar och –hjältinnor på deras äventyr in i magiska världar, där verklighetens lagar utmanas, överskrids och ställs på ända. Men vad kan läsare lära sig om sin egen värld via karaktärernas upptäcksresor in i de magiska världarna? Och hur kan fantasylitteratur användas i klassrummet, när verklighetens maktförhållanden diskuteras? Dessa frågor står i centrum för Malin Alkestrands avhandling Magiska möjligheter: Harry Potter, Artemis Fowl och Cirkeln i skolans värdegrundsarbete.Avhandlingen fokuserar på vad tre fantasyserier för barn och ungdomar – J. K. Rowlings Harry Potter-serie (1997–2007), Eoin Colfers Artemis Fowl-serie (2001–2012) samt Mats Strandberg och Sara Bergmark Elfgrens Engelsforstrilogi (2011–2013) – kan lära läsaren om demokrati, mänskliga rättigheter och kulturell mångfald. De tre problemkomplexen utgör en del av skolans värdegrund. Alla lärare inom det svenska skolsystemet, oavsett ämnestillhörighet, har i uppdrag att inkorporera värdegrunden i sin undervisning.Med utgångspunkt i bland annat Viktor Sklovskijs främmandegöringsbegrepp, diskursanalys, intersektionell teori och litteraturdidaktiska teorier undersöker Alkestrand hur de fantasylitterära exemplen problematiserar demokrati, mänskliga rättigheter och kulturell mångfald, samt vilka kopplingar det finns till de värden som definieras i skolans värdegrund. På så sätt undersöks vilken didaktisk potential de aktuella fantasyserierna har i skolans värdegrundsarbete. Avhandlingens huvudtes är att fantasylitteratur utgör en utmärkt utgångspunkt för värdegrundsarbetet, eftersom skildringarna av de magiska världarnas maktförhållande fungerar som allegorier över verklighetens motsvarigheter, samtidigt som de skapar en främmandegörande effekt som hjälper läsaren att betrakta maktfrågor utifrån, med en distanserad blick. Det är i denna dialektik mellan närhet och distans som fantasylitteraturens magiska möjligheter konstitueras.
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  • Alkestrand, Malin, 1986- (författare)
  • Magiska möjligheter : Harry Potter, Artemis Fowl och Cirkeln i skolans värdegrundsarbete
  • 2021
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Fantasy literature has the power to explore the real world in a magical guise. By creating magical realms where reality’s natural laws are challenged, subverted, and ultimately broken, this literary genre can help us to look at our own world in a new light. The thesis examines how the distancing perspective of fantasy literature makes this genre an ideal vehicle for discussing democracy, human rights, and multiculturalism in the classroom. The British Harry Potter series, the Irish Artemis Fowl series, and the Swedish Engelsfors Trilogy are analysed. In the first chapter, the thesis’ theoretical framework is presented. The second chapter, ‘Democracy’, explores two examples of the righteous rebellion of the young in the Harry Potter series and the Engelsfors Trilogy. In both cases, the adolescents rebel in order to defend democratic values and democratic rights, when they are threatened by corrupt adults and institutions. At the same time, the rebellions problematise the distribution of power according to age.The third chapter, ‘Human rights’, explores in depth one of the most important genre characteristics of fantasy literature—the existence of magic. Three young fantasy characters’ use of magical powers, for the purpose of challenging the restrictions that intersections impose on them, are investigated and related to questions concerning human rights.The fourth chapter, ‘Multiculturalism’, investigates two culture clashes found in fantasy literature: a body switch between five teenage witches in the Engelsfors trilogy, and a confrontation between the human world and the fairy world in the Artemis Fowl series. In both cases, questions are raised about how a confrontation with “the Other” can enrich our lives and help us realise what type of person we want to be. Thus, the possible gains of multiculturalism are highlighted.Finally, the fifth chapter, ‘Magical possibilities’, summarises the conclusions of the thesis and suggests some guidelines for how teachers can best work with fantasy literature in the classroom.
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  • Alkestrand, Malin, 1986- (författare)
  • Mothers and Murderers : Adults' Oppression of Children and Adolescents in Young Adult Dystopian Literature
  • 2021
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Since the publication of Suzanne Collins’ The Hunger Games in 2008, there has been a boom in literature about dystopias with authoritarian regimes, featuring adults who oppress children and adolescents. Dystopian literature for young adults asks important questions about the consequences of the adult generation’s inability to deal with challenges such as discrimination and dictatorial tendencies. It also illustrates how young people can be oppressed by adults in non-fictional societies by exaggerating the power inequalities between children, adolescents and adults.Mothers and Murderers explores power relationships between adults and the young, using a corpus of around one hundred Anglophone and Swedish dystopian novels for young adult (YA) readers. It highlights the power relationships that come into play when dystopian regimes force young characters to become killers. It also illuminates the relationship of power between children, adolescents and adults by analysing the motif of the adolescent mother. In this dystopian literature, adolescent mothers must be prepared to do whatever it takes to protect their child, even while being oppressed by adults. This book analyses how the power category of age relates to other categories such as gender, race, (dis)ability and class.The genre’s problematisation of adult oppression of the young incorporates an educational potential that can be harnessed in the classroom. By exaggerating actual age-related power inequalities, it can support students and teachers in questioning assumptions about what the young generation needs and what elements of society it needs protecting from.Combining text analyses of the motifs in the corpus, case studies with in-depth analyses of these motifs, and suggestions for teaching plans, this book is aimed at readers who want to explore dystopian literature for young adults, as well as teachers and trainee teachers who want to actualise the educational potential of this genre in the classroom.
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  • Hellström, Martin, 1979- (författare)
  • Pippi på scen : Astrid Lindgren och teatern
  • 2015. - 1
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Studien skildrar den betydelse som de första uppsättningarna av pjäsen Pippi Långstrump hade för berättelsens genombrott. Studien skildrar också Astrid Lindgrens upplevelse av att själv spela amatörteater. I verket finns även de pjäser Lindgren skrev om Pippi med
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  • Andersson, Maria, 1973- (författare)
  • Att bli människa : Barn, sedlighet och kön i Amanda Kerfstedts, Helena Nybloms och Mathilda Mallings författarskap 1880-1910
  • 2010
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The purpose of this doctoral thesis is to analyze discourses of children, morality and gender in prose works for children and adults written between 1880 and 1910. Ten texts by Amanda Kerfstedt, Helena Nyblom and Mathilda Malling are studied. The main questions are: To what extent did writing for children or adults create different possibilities and restraints for the authors? Were ideas of morality and sexuality articulated differently in relation to children, women and men? What gender ideals were formulated through depictions of children’s upbringing? By foregrounding the role of children and children’s literature, a new perspective on the period is put forward. The analyses explore how changing ideas about family, femininity and virtue affected the way women wrote and how the literary establishment received their works. Some other important topics are the debate on children’s sex education in the 1880’s, the function of childhood in discourses of gender and sexuality, and the role of confession in 19th century society and literature. Conceptions of children, gender and morality are continuously redefined in Kerfstedt’s, Nyblom’s and Malling’s texts for children and adults. Varying ideals, ideas and practices are compared in the texts, which creates a space for change and negotiation. In contrast to previous research, this thesis shows that Swedish children’s and adult literature around the turn of the 20th century shared many themes and ideas. Although different aspects of the questions are put in focus, books for both audiences explore how a true man, woman or child should be, what defined a moral life and, ultimately, what it meant to be human.
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