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1.
  • Garberding, Petra, 1965- (författare)
  • Musik och politik i skuggan av nazismen : Kurt Atterberg och de svensk-tyska musikrelationerna
  • 2007
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • This thesis deals with relations between music and politics in Sweden and Germany during the 1930s and 40s. I study how music was used as a political tool, and the ideas that existed about musical expression of national and ethnic identity and about “good” and “bad” music. I argue that these conceptions became a driving force and were important to Swedish relations with Nazi Germany. The study focuses on material by and about the Swedish composer Kurt Atterberg (1887–1974). Atterberg was a central figure in the world of Swedish music during the first half of the 20th century and his life gives a glimpse of the spirit of the time. The theoretical platform arises from a critical discourse analysis combined with theories about modernity, nationalism and ethnicity. The empirical basis of the thesis consists of material from Swedish, German and Austrian archives, newspaper articles, radio programmes and interviews with composers of today. My study shows how Sweden and Germany inspired each other in the musical relationship. Both countries encountered similar problems. In the first half of the 20th century, modernisation accelerated in Europe, which also meant dramatic changes in musical life. Music could be spread to a greater extent without the composer’s control. New techniques, for example the sound movie, left many musicians unemployed. New musical styles appeared and challenged establishments. I argue that different ideas about national identity and its musical expression were important for the development of relations between Sweden and Nazi Germany. For many composers and musicians an engagement in Nazi Germany was interpreted as a contribution to the establishing of a strong national identity and the improvement of their own national musical life. Swedish-German musical relations were also influenced by different views on music and politics. For Nazi politicians music and politics ran together and music was to give expression to Nazi ideology. In Sweden music and politics were to be kept apart. Different perspectives on music and politics made it possible for Swedish composers and musicians to be active in Nazi Germany and to define their engagement as purely musical work. The Nazi government could for its part use Nordic composers and music to confirm Nazi ideas on race biology and to spread Nazi propaganda.
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2.
  • Söderholm Werkö, Sophie, 1972- (författare)
  • Patient Patients?
  • 2008
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • This study examines patient empowerment in two local diabetes branch organisations in Sweden. In particular, the study focuses on the organisations’ membership, participation and influence on external actors. The overall aim of this thesis is to explore patient empowerment in order to discern what influence patient organisations and individual members can have and how they use it.This study is based on both quantitative and qualitative empirical data. Interviews with active members from two local diabetes organisations were conducted and a survey was carried out to identify the members’ thoughts and feelings about their membership, motivations, participation and influence, as well as to examine their local organisation, its work and influence.The findings form an overall picture of how members experience their organisation, memberships and empowerment. Characteristics of the two local patient branch organisations were identified and the leaders were found to be intensely dedicated people.The interviews, survey and participant observations revealed the members’ opinions about their organisation, their reasons for joining, their involvement, participation and influence, as well as their understanding of the local organisation and the Swedish Diabetic Association (SDA) and their possibility to empower them. Without organisations, members felt that they could not have a significant influence on external actors and events.
3.
  • Edberg, Hélène, 1952- (författare)
  • Kreativt skrivande och kritiskt tänkande
  • 2015
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • I högskolesammanhang finns en tendens att betrakta fantasi och känsla som hinder för kritiskt tänkande. I denna studie, som har en högskoledidaktisk utgångspunkt, prövas tvärt om att se subjektivitet som resurs. Studien prövar lärande genom skrivande. Den prövar också hur man kan analysera den skrivna texten för att se vilka läranderesultat som följt avskrivandet. Närmare bestämt är det kreativt skrivande som metod för att öva kritiskt tänkande som undersöks. På en högskolekurs i kreativt skrivande får studenter i uppgift att skriva berättelser utifrån ett moraliskt dilemma. Berättelserna blir underlag för diskussioner och analyser under seminarier. Till sist sammanfattar studenterna sina tankar och iakttagelser i samband med övningen i en reflektionstext. Dessa texter utgör huvudmaterialet för studiens textanalytiska ansats.För att undersöka lärandet genom skrivande har aktivitetsteori, en organisationsteori på sociokulturell grund, använts som en textanalytisk modell. Analysresultaten visar att kritiskt tänkande blir olika i de närmare femtio texterna som undersökts, men att det följer vissa mönster som är beroende av vad skribenterna vill med sitt skrivande och vilka de blir när de skriver, alltså vilka skribentidentiteter som intresserar dem.
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4.
  • Eriksson, Niklas, 1976- (författare)
  • Urbanism Under Sail
  • 2014
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • In the seventeenth- and early eighteenth centuries, fluits were the most common type of merchant ship used in Baltic trade. Originally a Dutch design, the majority of all goods transported between Sweden and the Republic was carried on board such vessels. Far from all voyages reached their destination. Down in the cold brackish water of the Baltic, the preservation conditions are optimal, and several of these unfortunate vessels remain nearly intact today. Although thousands of more or less identical fluits were built, surprisingly little is known about the arrangement of space on board, their sculptural embellishment and other aspects that formed the physical component of everyday life on and alongside these ships. Fluits were a fixture in early modern society, so numerous that they became almost invisible. The study of wrecks thus holds great potential for revealing vital components of early modern life. Inspired by phenomenological approaches in archaeology, this thesis aims to focus on the lived experience of fluits. It sets out to grasp for seemingly mundane everyday activities relating to these ships, from the physical arrangements for eating, sleeping and answering nature’s call, to their rearrangement for naval use, and ends with a consideration of the architectonical contribution of the fluit to the urban landscape.
5.
  • Jukkala, Tanya, 1981- (författare)
  • Suicide in Russia
  • 2013
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • This work constitutes a macro-sociological study of suicide. The empirical focus is on suicide mortality in Russia, which is among the highest in the world and has, moreover, developed in a dramatic manner over the second half of the 20th century. Suicide mortality in contemporary Russia is here placed within the context of development over a longer time period through empirical studies on 1) the general and sex- and age-specific developments in suicide over the period 1870–2007, 2) underlying dynamics of Russian suicide mortality 1956–2005 pertaining to differences between age groups, time periods, and particular generations and 3) the continuity in the aggregate-level relationship between heavy alcohol consumption and suicide mortality from late Tsarist period to post-World War II Russia. In addition, a fourth study explores an alternative to Émile Durkheim’s dominating macro-sociological perspective on suicide by making use of Niklas Luhmann’s theory of social systems. With the help of Luhmann’s macro-sociological perspective it is possible to consider suicide and its causes also in terms of processes at the individual level (i.e. at the level of psychic systems) in a manner that contrasts with the ‘holistic’ perspective of Durkheim. The results of the empirical studies show that Russian suicide mortality, despite its exceptionally high level and dramatic changes in the contemporary period, shares many similarities with the patterns seen in Western countries when examined over a longer time period. Societal modernization in particular seems to have contributed to the increased rate of suicide in Russia in a manner similar to what happened earlier in Western Europe. In addition, the positive relationship between heavy alcohol consumption and suicide mortality proved to be remarkably stable across the past one and a half centuries. These results were interpreted using the Luhmannian perspective on suicide developed in this work. 
6.
  • Jurkane-Hobein, Iveta, 1984- (författare)
  • I Imagine You Here Now
  • 2015
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • Today, individuals can relatively easily meet and communicate with each other over great distances due to increased mobility and advances in communication technology. This also allows intimate relationships to be maintained over large geographical distances. Despite these developments, long-distance relationships (LDRs), i.e. intimate relationships maintained over geographical distance, remain understudied. The present thesis aims to fill this knowledge gap and investigates how intimate partners who live so far away from each other that they cannot meet every day make their relationship ongoing beyond face-to-face interaction.Theoretically, this study departs from a symbolic interactionist viewpoint that invites us to study phenomena from the actor’s perspective. Conceptually, the thesis builds on the recent development in sociology of intimate lives that sees intimacy as a relational quality that has to be worked on to be sustained, and that focuses on the practices that make a relationship a relationship. Empirically, the thesis is based upon 19 in-depth interviews with individuals from Latvia with long-distance relationship experience.The thesis consists of four articles. Article I studies the context in which LDRs in Latvia are maintained, focusing on the normative constraints that complicate LDR maintenance. Article II analyses how intimacy is practiced over geographical distance. Article III examines how long-distance partners manage the experience of the time they are together and the time they are geographically apart. Article IV explores the aspect of idealization in LDRs. Overall, the thesis argues for the critical role of imagination in relationship maintenance. The relationship maintenance strategies identified within the articles are imagination-based mediated communication (creating sensual/embodied intimacy, emotional intimacy, daily intimacy and imagined individual intimacy); time-work strategies that enable long-distance partners to deal with the spatiotemporal borders of the time together and the time apart; and creating bi-directional idealization. The thesis is also one of the few works in the field of intimate lives in Eastern Europe and analyses the normative complications that long-distance partners face in their relationship maintenance in Latvia.
7.
  • McWilliams, Anna, 1975- (författare)
  • An Archaeology of the Iron Curtain
  • 2013
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • The Iron Curtain was seen as the divider between East and West in Cold War Europe. The term is closely connected to the Cold War and expressions such as ‘behind the Iron Curtain’ or ‘after the fall of the Iron Curtain’ are common within historical discussions in the second half of the twentieth century. Even if the term was used regularly as a metaphor there was also a material side with a series of highly militarised borders running throughout Europe. The metaphor and the material borders developed together and individually, sometimes intertwined and sometimes separate.In my research I have carried out two fieldwork studies at sites that can be considered part of the former Iron Curtain. The first study area is located between Italy and Slovenia (formerly Yugoslavia) in which the division between the two towns of Nova Gorica on the Slovenian side and Gorizia on the Italian side was investigated. The second study area is located on the border between Austria and Czech Republic (formerly Czechoslovakia) within two national parks. A smaller study was also carried out in Berlin as the Berlin Wall is considered of major importance in the context of the Iron Curtain. This research has resulted in large quantities of sources and information and a constant need to re-evaluate the methods used within an archaeology of a more recent past.This thesis falls within what is usually referred to as contemporary archaeology, a fairly young sub-discipline of archaeology. Few large research projects have so far been published, and methods have been described as still somewhat experimental. Through my fieldwork it has been possible to acknowledge and highlight the problems and opportunities within contemporary archaeology. It has become clear how the materials stretch both through time and place demonstrating the complex process of how the material that archaeologists investigate can be created. The material of the Iron Curtain, is also well worth studying in its own right.
8.
  • Wolrath Söderberg, Maria (författare)
  • Topos som meningsskapare : retorikens topiska perspektiv på tänkande och lärande geonom argumentation
  • 2012
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • De flesta teorier om meningsskapande som är moderna inom ramen för den högskolepedagogiska diskursen i Sverige idag utgår från en perspektivisk kunskapssyn. Det kan emellertid vara svårt att realisera en didaktik som tar många synsätt på allvar i klassrummet utan att landa i hållningslös relativism. Det är detta övergripande problem som motiverar denna avhandling som anknyter till den retoriska toposläran. Den utvecklades som en kognitiv verktygslåda för tänkande och argumentation i problematiska, föränderliga och mångfacetterade frågor. Den byggde på antagandet att en fråga skulle kunna hanteras genom att teman, skäl och resonemangssätt som fungerat tidigare i liknande frågor skulle kunna ställas mot varandra i debatt och på så vis erbjuda en mångsidig perspektivprövning. Det finns skäl att anta att den därför också skulle kunna vara värd att pröva i arbetet med att utveckla en högskolepedagogik för problematisk kunskap och för en dynamisk värld. För att en sådan didaktik ska vara intressant bör den emellertid vara förankrad i en genomtänkt teori om meningsskapande. Det mer konkreta syftet med avhandlingen är därför att undersöka förutsättningarna för en sådan teori. Frågan som ställs är: Hur kan vi förstå meningsskapande om vi ser det genom toposbegreppets lins? Utifrån en undersökning av toposlärans framväxt och historiska kontext och en rekonstruktion av dess bakomliggande kunskapsteori föreslås en utvecklad toposmodell. Denna används sedan för att komplettera och vidareutveckla ett sociokulturellt och dialogiskt synsätt på meningsskapande, inspirerat av Bachtin. Till sist prövas dessa tankar som utgångspunkter för design av högskoleundervisning i seminarieform.
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9.
  • Huss, Markus (författare)
  • Motståndets akustik : Språk och (o)ljud hos Peter Weiss 1946–1960
  • 2014
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • This study explores how language is thematized in a selection of literary texts written in Swedish and German by Peter Weiss between 1946 and 1960. The textual interpretations seek to establish how Weiss’s literary work forms a multifaceted reflection on language and its cultural, historical and material preconditions. The various literary conceptualizations of language in Weiss’s texts are shown to be intimately linked to historical processes, where early postwar Germany plays a crucial role as a contextual framework. The study demonstrates how the texts explore an acoustic dimension of language, where non-articulatory sounds and noises oscillate between two poles: they either pose a threat to the narrator, or form a promise of a future emancipatory linguistic expression beyond a territorializing and violent language. Furthermore, the study argues that the sounds and noises permeating Weiss’s literary work form a soundtrack of past violence haunting the present. Finally, this soundtrack is shown to undermine a German postwar literary discourse that postulates a historical break after the Second World War (Stunde Null) as well as a new German literary language cleansed of Nazi contamination (Kahlschlag).The study draws its theoretical framework mainly from research concerned with mono- and multilingualism in literature, as well as from intermedial studies examining the interaction between literary texts and other artistic media such as the visual arts and music.The material examined in the study consists of six short stories in Swedish published between 1946 and 1953 in the literary journals 40-tal, Prisma and All världens berättare; the prose manuscript “Der Vogelfreie” (1947), later published as Der Fremde. Erzählung (1980); as well as the “micro novel” Der Schatten des Körpers des Kutschers (1960). Aside from these literary texts, Weiss’s documentary film Enligt lag (1957) and his feature film Hägringen (1959) are also analyzed.
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10.
  • Nyman, Maria (författare)
  • Resandets gränser : :
  • 2013
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • 1700-talet kan på många sätt ses som det århundrade då den litterära genren ”reseskildringar” fick sitt genomslag i Europa. Det fanns ett stort intresse för att läsa om resor och beskrivningar av okända platser. Det var också en period när naturalhistoria och den alltmer detaljerade kartläggningen av vad som ansågs vara outforskade områden, gav en ny dimension till resenärers beskrivningar. I Resandets gränser står frågan om hur svenska resenärer skildrat det ryska riket och dess många folkgrupper i fokus. Genom en analys av svenskars rysslandsskildringar från det stora nordiska krigets dagar, fram till separationen från Finland och Napoleons intåg i det ryska riket, belyses skildringarnas mångbottnade funktioner och tillkomstsätt. Vilken roll spelade Ryssland i den svenska och europeiska omvärldsförståelsen?Resandets gränser är en studie som berör hur människor har förhållit sig till det främmande och annorlunda och vilka strategier som använts för att beskriva detta. Det handlar om kulturella normer, respresentationer, men även om resenärers möjligheter, och svårigheter att beskriva mänskliga möten.Maria Nyman är historiker och verksam vid Södertörns högskola, samt knuten till Lunds universitet och Forskarskolan i historia. Det här är hennes doktorsavhandling.
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