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- Lönngren, Ann-Sofie, 1974-
(författare)
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Animal studies
- 2020
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Ingår i: Lambda Nordica. - : Föreningen Lambda nordica. - 1100-2573 .- 2001-7286. ; 25:1, s. 27-30
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Forskningsöversikt (övrigt vetenskapligt/konstnärligt)abstract
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| 3. |
- Lönngren, Ann-Sofie, 1974-
(författare)
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Illusionen av en kvinna : En queerteoretisk analys av det homosexuella tabut i En dåres försvarstal
- 2002
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Ingår i: Lambda Nordica. - 1100-2573 .- 2001-7286. ; :1, s. 6-21
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The illusion of a woman - a queer-theoretical study of the homosexual taboo in A madman's defence.A madman's defence was written by August Strindberg in 1884-85, during a time of intense Swedish debate concerning moral and sexual hygiene. The novel has traditionally been read as the story of the author's relationship to his first wife, Siri von Essen, and the "war of the sexes" has been viewed as its central theme. This article shows however, that both implicit and explicit homosexual themes can be traced throughout the text.The implicit homosexual theme occurs mainly in the erotic triangle in the flrst half of the book. The triangle consists of two men (Axel and Gustav) and one woman (Maria). The joint worship of the same woman has been interpreted as being partdy pretence for two men to approach each other sexually.The explicit homosexual theme occurs mainly in the second half of the novel, and consists of Maria's boundary-crossing behaviour and sexual attraction to other women. The queer-theoretical approach made possible a new interpretation of the course of events in A madman's defence, and led to the exposure of a new aspect of the motifs in the novel.
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| 4. |
- Lönngren, Ann-Sofie, 1974-
(författare)
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Mellan metafor och litterär materialisering : Heteronormer och djurblivande i Monika Fagerholms novell "Patricia Kanin"
- 2011
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Ingår i: Lambda Nordica. - Stockholm : Kristiansstads boktryckeri. - 1100-2573 .- 2001-7286. ; 16:4, s. 53-84
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Tidskriftsartikel (refereegranskat)abstract
- Between metaphor and materialization. Heteronormativity and becoming animalin Monika Fagerholm’s short story “Patricia Kanin (Patricia Rabbit)”Literary transformations from human to animal is a figuration that occursalready in ancient literature, but is frequently employed also in modern times,particularly in science fiction, fantasy, horror-stories and children’s literature.In this article, however, I study this figuration as it appears in a realistic text,Monika Fagerholm’s short story “Patricia Kanin (Patricia Rabbit)” from thecollection of short storiesPatricia, published in 1990. Employing the termsintra-activity (Karen Barad), performativity (Judith Butler), becoming (GillesDeleuze), the Human club (Judith Halberstam) and animaling (Nina Lykke),as well as a non-hierarchical, non-metaphorical view of the relationship betweenhuman and animal (Jacques Derrida), I discuss how the figuration oftransformation in “Patricia Kanin” enlighten the social and political processesthrough which a human body is denied or granted humanity. The realistic contextin the text elucidates the close connection between the process of becominghuman and heteronormative concepts of primarily sexuality and gender, butalso age and ethnicity.
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| 6. |
- Lönngren, Ann-Sofie, 1974-
(författare)
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Ordens skapande kraft : Den Okändes queera maskuliniteter i "Till Damaskus" I–III
- 2008
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Ingår i: Lambda Nordica. - Stockholm : Föreningen Lambda nordica. - 1100-2573 .- 2001-7286. ; :nr 4, s. 61-74
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- The Prolific Power of Words – The Unknown´s Queer Masculinities in To Damascus I-III The play To Damascus by Swedish playwriter August Strindberg was accomplished in two parts in 1898, and a third part in 1901. In research and stagings it has been a common practice to focus mainly or exclusively on the first part. In doing so, however, we loose track of The Unknown’s search for a stable, male identity, which is a theme that is crucial in all three parts of the play. In this article, I argue that the different representations of The Unknown that is seen throughout the play – as e.g a child, a bird, a woman, God and the Devil – are all part of a process in which he is trying to find and stabilize his own male identity in accordance with what was accepted and valuable at the turn of the 20th century. The different social positions of The Unknown are accomplished by words; hence, it is within the context of verbal interactions with other individuals in the play that the transformations of his identity gains material reality. At the end of the play, it is this negotiable quality of the material world that makes it possible for The Unknown to die and live again.
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| 7. |
- Lönngren, Ann-Sofie, 1974-, et al.
(författare)
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Power, Myths, Materiality: A Multilingual Reflection over the Conditions for Knowledge Production in Times of Political Turbulence
- 2017
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Ingår i: Lambda Nordica. - Uppsala. - 1100-2573 .- 2001-7286. ; 22:4, s. 93-126
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Tidskriftsartikel (refereegranskat)abstract
- During 2016 to 2018 the research node “Science, validation, partial perspectives: Knowledge production beyond the norms,” create spaces for transdisciplinary meetings at Uppsala university. In spring of 2017, the node arranged a journey to California in the USA, for MA candidates, PhD candidates, lecturers, and researchers. The aim was to meet with academics, activists, and artists to discuss the conditions for knowledge production in relation to the current political situation, in which ideas of “post truth” and “alternative facts” have surfaced. We visited the Scandinavian Studies and the Gender and Women’s Studies departments at UC Berkeley, and the Science and Justice Research Center at UC Santa Cruz. This multilingual essay, written in the months following the trip, is a collective, rhizomatic reflection over the relationship between narratives, cultural identities and truths; privilege and politics; language and reality; art and science; potential and risk in boundarycrossing encounters.
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