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- Björkén, Cecilia, 1962-
(författare)
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Into the Isle of Self : Nietzschean Patterns and Contrasts in D. H. Lawrence's The Trespasser
- 1996
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis is based on a close reading of Lawrence's novel The Trespasser from a Nietzschean point of view. By adopting this perspective it aims at giving the novel the sense of unity it has so far been alleged to lack. The analysis is preceded by a detailed discussion of the concept of literary influence. Since the purpose of this study is to illuminate what is unique in Lawrence's novel rather than to claim any derivative use of Nietzsche's thought, the focus is on Lawrence's transformative and dynamic way of adopting Nietzschean themes in his novel. The Trespasser is read in its Edwardian context, with particular attention to the response that Nietzsche's philosophy met with 1900-1910. A separate section is devoted to the presentation of him in the Socialist weekly The New Age in 1908-09. The analysis of The Trespasser is conducted along two partly related lines of thought: the Apollonian-Dionysian dichotomy as it is presented by Nietzsche in The Birth of Tragedy, and the process towards a Dionysian awareness that is put forward in Thus Spoke Zarathustra. As is pointed out in chapter three, the Apollonian-Dionysian contrast is reflected chiefly in the characterization, setting, symbolism, and to some degree also in the action of the novel. In chapter four the actual progression of the plot is dealt with in terms of a Zarathustran journey and the light symbolism associated with it. Moreover, some of Lawrence's early poems are discussed in connection with Nietzschean parallels found in The Trespasser, with a view to emphasizing the pervasive influence of Nietzsche's ideas on the young Lawrence.
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- Olsson, Sven-Olof
(författare)
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Medeltida danskt järn : framställning av och handel med järn i Skåneland och Småland under medeltiden
- 1995
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Bok (populärvet., debatt m.m.)abstract
- Danmark var det mest framträdande landet i Norden under medeltiden. Skåneland, dvs Skåne, Halland och Blekinge, utgjorde en viktig del av Danmark på grund av förekomster av strömmande vatten, skog samt sjö- och myrmalm. Från gränsbygderna på svenska sidan, främst från Småland och Västergötland, skedde en mycket omfattande handel utmed ådalarna, ofta ner till kuststäderna, utanför statlig kontroll. Vi är sedan gammalt förtrogna med den svenska äldre och lågteknologiska järnutvinningen, medan den som skett på dansk botten varit mycket lite känd. I de östdanska landskapen Skåne, Halland och Blekinge har skett en betydande järnproduktion under medeltiden. Troligen har det östdanska järnet spelat en viktig roll för kyrkobyggnation under högmedeltiden liksom för städernas utbyggnad, framför allt den som gällde Köpenhamn. Under 1990-talet har man börjat få en klarare bild av den östdanska järnframställningen. Väg- och järnvägsutbyggnader samt naturgasledningsdragningar i Skåne och Halland har bidragit till att blottlägga många fynd. De pågående arkeologiska utgrävningarna i Göinge i norra Skåne och i Tvååker i Halland pekar genom sina stora slaggvarpar mot en mycket betydande järnframställning.
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- Brunow, Dagmar
(författare)
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Frauen und Film. Heft 61. Krieg und Kino. Stroemfeld.
- 1999
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Ingår i: testcard. Beiträge zur Popgeschichte #9: Pop und Krieg. ; , s. 272-275
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Recension (populärvet., debatt m.m.)abstract
- A review of the recent issue of the feminist journal of film studies "Frauen und Film" and the previous edition of the journal testcard with its focus on gender studies. Using the issue of "Frauen and Film" as an example, the review argues for the need to include the notion of masculinity into gender studies.
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- Brödje, Catrine, 1959-
(författare)
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Ett annat tiotal : En studie i Anna Lenah Elgströms tiotalsprosa
- 1998
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis investigates the literary texts by Elgström in relation to the political, cultural and literary context of the years between 1910 and 1920.Among her contemporaries Elgström was important, but today she is completely unknown. The literary criticism of her time is one of the reasons why her writings have been transferred to the periphery. When she made her début, Elgström was very positively received. After that, the literary critics were not capable of seeing the innovative aspects of her prose of that period and a discussion of incomprehensibility was initiated, in which words like hysterical, extatic and exalted became catchwords. It appears that Elgström created a form of expression that was not yet accepted in literature. The male dominated literary criticism was at a loss and Elgström was ignored.The prose she wrote during the period in question has a distinctly experimental approach. In her literary texts, that are violating the standard conventions, Elgström appears as a female modernist and creates alternative images in the form of feminist and pacifist utopias. Expressionism is the modernist movement that can mainly be related to her prose of this period. Like the expressionists, she expresses a new sense of life which is permeated with religious conceptions.In the study the female modernism is seen in a feminist perspective, as well as in a perspective of gender theory where networks constitute an important basis. Elgström often worked in female networks and thus she became an important figure in the context of female literature and female politics of that time.By showing Elgström's kinship with the nation-wide early Swedish modernism, the Finno-Swedish modernism and the German expressionism, as well as by illustrating Elgström's position in the context of female literature and female politics of that time, the study contributes to a different image of the 1910s.
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- Eriksson, Jonnie, 1978-, et al.
(författare)
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Tarkovskijs "Stalker" : En analys
- 1999
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Rapport (övrigt vetenskapligt/konstnärligt)abstract
- Arbetet bygger på ett projekt inom ämnet filmvetenskap vid Högskolan i Halmstad, Foto- och Filmhögskolan i Göteborg samt Göteborgs Universitet, i vilket studenter analyserat Andrej Tarkovskijs film Stalker (1972) utifrån en rad frågor. Svaren på dessa uppgifter har här legat till underlag för en självständig bearbetning som sammanfattar resultatet i formen av en analys av filmen ifråga utifrån sju aspekter: handlingens tematik, den dramaturgiska framställningsformen, bildspråkets former, gestaltningen av tid och av rum, skildringen av fiktionens karaktärer samt den människosyn som representeras. Den teoretiska tonvikten ligger vid Bakhtins och Deleuzes idéer om bilden av rum och tid inom konst; en särskild hänsyn tas till filosofiska och religiösa frågor inom filmen.
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