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Changing Satire : Transformations and Continuities in Europe, 1600–1830
- 2022
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.
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- Nordenstam, Anna, 1965, et al.
(författare)
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Feminist comics activism : Stories about migrant women in Sweden by Amalia Alvarez and Daria Bogdanska
- 2023
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Ingår i: Comics and Migration. - London : Taylor & Francis Group. - 9781032184579 - 9781003254621 ; , s. 62-77, s. 62-77
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Bokkapitel (refereegranskat)abstract
- This article argues that Amalia Alvarez’s comics album The Stories of Five Undocumented Women (2013), based on a collection of stories told by migrant women, and Daria Bogdanska’s autobiographical comics album Wage Slaves (2016) can be regarded as feminist comics activism. They are examples of comics activism since the comics point to an essential topic in opposition to a controversial issue, namely, the treatment of migrant women. The comics’ emphasis on the situation of migrant women also makes it relevant to regard them as feminist activism, since they have a performative potential to create change regarding politics and legislation. The stories can influence how readers formulate and communicate thoughts about themselves and others, and they can contribute to changing societal structures. The comics also show how it is possible to mobilise resistance, generate support networks, and create hope. By making and publishing the comics, Alvarez and Bogdanska give migrant women an opportunity to come to voice and talk back against their situation, as well as against people who just express pity instead of taking action.
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- Ingvarsson, Jonas, 1966-
(författare)
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Cutting-up Beach Boys : the Body, the Tape Recorder and the Nova/SMILE Splice
- 2012
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Ingår i: Media and Materiality in the Neo-Avant-Garde. - Frankfurt am Main : Peter Lang Publishing Group. - 9783631621844 ; , s. 63-78
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- The essay investigates the relation between body and tape recorder in the works of Brian Wilson (& Van Dyke Parks) and William S. Burroughs, in 1966-67. Burroughs in theory and literary practice demonstrates a radical standpoint where the body merges cybernetically with the voices on the tape. Brian Wilson, in recording and mixing practice as well as in the mythology surrounding the abandoned SMiLE project, can be seen as a burroughsian case-in-point, demonstrating the dangers involved in cutting and splicing tape recordings of your own voice.
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- Ingvarsson, Jonas, 1966-, et al.
(författare)
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Introduction : Media and Materiality in the Neo-Avant-Garde
- 2012. - 200
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Ingår i: <em>Media and Materiality in the Neo-Avant-Garde</em>. - Frankfurt am Main : Peter Lang Publishing Group. - 9783631621844 - 9783653013788 ; , s. 7-14
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- An introductory essay for the volume.
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| 7. |
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Media and Materiality in the Neo-Avant-Garde
- 2012. - 200
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
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- Zetterman, Eva, 1957
(författare)
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Att skapa ett vi – gatukonst i Kalifornien
- 2006
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Ingår i: Dom – och vi. Humanistdagboken nr. 19. Red. Patrik J. Andersson m.fl.. - Göteborg : Göteborgs universitet. - 9173603473
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 9. |
- Nordenstam, Anna, 1965, et al.
(författare)
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Comics craftivism : Embroidery in contemporary Swedish feminist comics
- 2022
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Ingår i: Journal of Graphic Novels and Comics. - : Taylor & Francis. - 2150-4857 .- 2150-4865. ; 13:2, s. 174-192
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this article is to analyse contemporary feminist comics by the Swedish comics artists Åsa Grennvall/Schagerström, Lotta Sjöberg and Sara Granér in relation to the ongoing movement called craftivism, as defined by Betsy Greer and her fellow crafters. The article argues that embroidered feminist comics can be regarded as comics craftivism, since, although similar to drawings, they are all sewn by needle and thread, and often thematise topics connected to craftivism’s ideas concerning ‘raising consciousness, creating a better world stitch by stitch’. The comics artists use embroidered comics to create ‘wider conversations about uncomfortable issues’, e.g. feminist issues, such as being trapped in a violent relationship as in Schagerström’s cover image for Svinet [The Swine], or the unequal sharing of household work in Sjöberg’s sequential story in Det kan alltid bli värre. [It can always get worse]. The feminist, craftivist comics artists are engaged in the politics of the handmade – narrating through textiles. The content concerns political, environmental and gender issues. Comics craftivism contributes to the renewal of the comics medium, and while experimenting artistically with materials and techniques, practitioners thematise new ideas as well as new perspectives on lingering problems, often with irony and humour.
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- Wallin Wictorin, Margareta, 1958-, et al.
(författare)
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Feminist Art History as an Approach to Research on Comics : Meta Reflections on Studies of Swedish Feminist Comics.
- 2022
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Ingår i: Seeing Comics through Art History.. - Cham : Palgrave Macmillan. - 2634-6370 .- 2634-6389. - 9783030935061 - 9783030935078 ; , s. 163-183
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Bokkapitel (refereegranskat)abstract
- The aim of this chapter is to illuminate how the theories of the feminist art historians Linda Nochlin, Griselda Pollock and Rozsika Parker can be utilized when analysing Swedish comics. What are the potentials and the deficiencies, and what other theories and methods are needed when investigating comics from feminist perspectives? The analysis will be based on four case studies of Swedish feminist comics: “The Future in Swedish Avant-Garde Comics, 2006–2014” (2017), “Högerideologi som dansbandsmelodi. Politisk satir i svenska feministiska serier” [Right wing ideology as popular dance music. Political satire in Swedish feminist comics] (2017),“Women’s Liberation. Swedish Feminist Comics and Cartoons from the 1970s and 1980s” (2019) and “Comics Craftivism: Embroidery in Contemporary Swedish Feminist Comics” (2021). The chapter is structured according to Pollock’s three positions for feminism’s encounter with the canon, which began with the Women’s Liberation Movement in the early 1970s (Pollock, Griselda, Differencing the Canon: Feminist Desire and the Writing of Art’s Histories. Routledge, London 1999). This chapter ends with a reflection on the relevance—the potential and the deficiencies—of feminist art-historical approaches to the field of Comics Studies, and their methodological possibilities.
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