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After Work : A book about the meaning of Work
- 2022. - 1
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- Economic stress under wage-earning has been abolished. Machines and AI have taken over dirty, heavy and tedious work. Money and social injustice are banned. All the technological resources of humanity can be used to reset the global economy to harmonize with ecology. Free citizens can spend their time in leisure practicing music, art, and poetry.Visions of the future are already here. But is it a utopia that we are seeing materializing around us or a dystopia? What will happen to people when nobody wants their labor? Does there already exist a firm border between those who have a job, with all that it entails in social and economic benefits, and the people that are on the other side of the fence- the people that have to sell their work by the hour, and who in practice are modern slaves under apps and SMS? A division between people who can safely work from home during a pandemic and those who cannot. Is everything for sale? Can you sell voluntary labour? These are some of the questions discussed in the art projects documented in this book.
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Allvarlig personlig övertygelse : Om mätningar av samvetet
- 2020
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Konstnärligt arbete (film/video) (refereegranskat)abstract
- In Serious Personal Conviction – on measurements of conscience, we encounter two groups of people interviewed on different occasions discussing consciousness and ethics in relation to the military system. One of the groups are men that during the 1970s and ‘80s chose to perform non-combatant service and now reflect on the choices they made as 18-year olds. The other group consists of young people of today trying to answer several questions regarding the right to take another person's life. The exposition is part of the artistic research project Refuse to Kill – stories of the conscientious objectors. Our methodology involves a montage of a large number of voices collectively collected through statistical surveys, open-call procedure via advertising in newspapers and the internet, interviews and searches in archives.
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- Almborg, Emanuel
(författare)
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Towards a Pedagogy of the Utopian Image
- 2021
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- This practice-based PhD project investigates the conditions for a pedagogy of the utopian image in contemporary art and film. It starts from the premise that there is a need for new political and social visions and scenarios. The project asks what role art and artist film, both as a medium and as a social activity, can play in experimenting with and sketching such visions and scenarios – a process described as a pedagogy of the “utopian image”. Rather than starting from established concepts in contemporary art theory and practice, this project seeks out fertile notions and methodologies from theoretical traditions in Marxist history that are lesser known in the field of art and artistic research, in order to reassess assumptions and dichotomies around thinking and feeling, mind and body, the social and the individual. By doing so, it seeks to find new ways of understanding and relating the political and psychological in artist film, pedagogy and drama. The project draws on a wide range of sources, from psychologist Lev Vygotsky, Soviet philosopher Evald Ilyenkov and theatre director Konstantin Stanislavski to revolutionary psychiatrist Frantz Fanon and science fiction writer Octavia Butler.The PhD submission consists of the three films, Talking Hands/Говорящие руки, 2016, The Nth Degree, 2018, and Acorn, 2021, along with the exhibition Bildningar at Mint in Stockholm, which ran from 2 to 25 September 2021. Links to these films and documentation of the exhibition are included in the PDF submission, which also includes a written component with theoretical considerations and reflections on method.
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- Almquist, Torbjörn, et al.
(författare)
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Förfall och Återanvändning : Om sekelskiftets arbetarbostäder
- 1972
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Rapport (populärvet., debatt m.m.)abstract
- Vi har nu försökt förklara varför vi tycker att resvirkeshusen är intressanta. Vårt arbete med dessa problem började med ett examensarbete på Tekniska Högskolans husbyggnadsavdelning. Detta arbete behandlar dokumentation och förslag till återanvändning av ett område med tvåvånings bruksarbetarbostäder i Sandviken. Efter detta har vi fortsatt med försök att lokalisera och bestämma förekomsten av denna sorts bebyggelse.
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- Andersson, Axel, 1978-, et al.
(författare)
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Reportage
- 2023. - -
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Bok (populärvet., debatt m.m.)abstract
- Kombinationen är klassisk: En skribent, en tecknare. Så reste DN:s Jan Olof Olsson, signaturen Jolo, och hans äldre bror Per-Olof till Leningrad för att göra reportage om den sovjetiska metropol som varit det tsarryska S:t Petersburg. Så reste Expressenredaktören Ivar Harrie tillbaka till sitt Skåne med Edward Lindahl, och Henrik Tikkanen (som tecknare) tillsammans med Göran Schildt till Egypten. Dit reste också, närmare vår tid, Niklas Rådström och Stig Claesson, känd som Slas, även han här i rollen som bildskapare. Resorna var upptäcktsresor, oavsett om målet var känt sedan tidigare eller en förstagångsdestination. Det gällde att i text och bild förmedla upplevelserna så ofiltrerat som möjligt, att placera sig mitt i ett landskap eller en stad och låta notisboken och teckningsblocket agera lackmuspapper. Med samma enkla utrustning, block och pennor, reste Axel Andersson och Claes Tellvid till Edinburgh i september 2018. Deras texter och teckningar från det veckolånga uppehållet speglar just en gemensam produktiv nollställning inför resmålet, en mottaglighet för syn-, hörsel-, doft-, smak- och känselintryck som paradoxalt nog kräver såväl konstnärlig erfarenhet som förmågan att i ögonblicket helt glömma bort all sådan tidigare samlad kunskap.
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| 9. |
- Andersson Broms, Åsa, et al.
(författare)
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After Work
- 2019
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Annan publikation (populärvet., debatt m.m.)abstract
- Economic stress under wage earning has been abolished. Machines and AI have taken over dirty, heavy and tedious work. Money and social injustice are banned. All the technological resources of humanity can be used to reset the global economy to harmonize with ecology. Free citizens can spend their time in leisure practicing, music, art, and poetry. Visions of the future are already here.But is it a utopia that we are seeing materializing around us or a dystopia? What will happen to people when nobody wants their labor? Does there already exist a firm border between those who have a job, with all that it entails of social and economic benefits, and the people that are on the other side of the fence- the people that have to sell their work by the hour, and who in practice are modern slaves under apps and SMS. Is everything for sale? Can you sell voluntary labour?During this exhibition, these issues are further developed through artworks by Work-a-work.
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| 10. |
- Andersson Broms, Åsa, et al.
(författare)
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Artist Salary Now!
- 2018
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Annan publikation (populärvet., debatt m.m.)abstract
- Should we spend our time filling out forms or making art? was the rhetorical question that acted as a starting point for “Konsnärslön nu!”, an event at Gallery Tegen2 in Stockholm in September 2018. Over a period of a month, a group of artists performed a think tank and a campaign headquarters as a means to provoke discussion. The exhibition also provided space for a series of semi-public talks where the question of a possible basic income for artists was further developed during the exhibition. The talks engaged activists from the universal basic income movement, politicians, researchers, and artists. In this report we describe the ideas behind the project and the discussions that evolved in the talks and interviews with artists. As a result of the project we propose an artist salary as a pilot for a future basic income, a salary that eventually will be for everyone (not only artists). A salary to allow for time to take care of our commons and existential issues. A modest salary based on the modest needs of artists. Unlike a universal basic income, it is intended for a specific purpose, our shared society. And, since we claim that society is an art, it is up to each one of us to define what society is.
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