| 1. |
- Hedling, Erik, et al.
(författare)
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Inledning : välfärdstecken i tiden
- 2008
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Ingår i: Välfärdsbilder : svensk film utanför biografen. - 9188468097 ; , s. 7-29
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Hedling, Olof, et al.
(författare)
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Mapping the Region : An Introductory Note
- 2010
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Ingår i: Regional Aesthetics : Locating Swedish Media. - Stockholm : Royal Library of Sweden (Kungliga biblioteket). - 9789188468147 ; , s. 9-9
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Introductory chapter to the collection Regional Aesthetics: Locating Swedish Media
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| 3. |
- Jönsson, Mats, et al.
(författare)
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”’Den kungliga skölden’ – Per Albin Hansson, Gustaf V och medierna 1940”
- 2007
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Ingår i: Medier & politik. Om arbetarrörelsens mediestrategier under 1900-talet. - 9188468089 ; , s. 159-205
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Bokkapitel (populärvet., debatt m.m.)abstract
- The chapter compares the media roles of the Swedish monarchy with that of the country's Labor Movement. In focus are the ways in which these two institutions used and were used in the visual culture of Sweden during World War Two. It is predominantly the official roles of king Gustaf V and prime minister Per-Albin Hansson that are under scrutiny, not least the common media platforms of these two iconic national figures.
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| 4. |
- Jönsson, Mats, et al.
(författare)
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Family Matters : The Bernadottes and the Defence Loan 1940
- 2009
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Ingår i: Media and Monarchy in Sweden. - 9789189471771
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- On the basis of one specific event during World War two, the Swedish Defence Loan campaign in 1940, the text studies how the Bernadotte family – as one homogenous entity as well as separate family members – acted and staged themselves in the media and the public sphere.
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| 5. |
- Jönsson, Mats, et al.
(författare)
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Inledning
- 2007
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Ingår i: Medier & politik : om arbetarrörelsens mediestrategier under 1900-talet. - 9188468089
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Bokkapitel (populärvet., debatt m.m.)abstract
- In their introductory chapter to the anthology "MEDIER & POLITK: Om arbetarrörelsens mediestrategier under 1900-talet", the two editors present a brief history of the ways in which the Swedish Labor Movement has used and related to various media during the last hundred years.
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| 6. |
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| 7. |
- Jönsson, Mats, et al.
(författare)
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Media and Monarchy : An Introduction
- 2009
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Ingår i: Media and Monarchy in Sweden. - 9789189471771 ; , s. 9-19
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- This introductory chapter presents an overview of how the Swedish monarchy has related to and used the media over the centuries. By discussing examples not included in preceeding chapters, the text widens the scope of the book both theoretically and methodically.
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| 8. |
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| 9. |
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| 10. |
- Andersson, Lars Gustaf, et al.
(författare)
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Amatör och avantgarde : de mindre filmkulturerna i efterkrigstidens Sverige
- 2008
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Ingår i: Välfärdsbilder: svensk film utanför biografen. - 9789188468093 ; , s. 229-245
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- An important feature in the Swedish avant-garde film culture of the 40s and 50s is the creation of a public sphere for cinephilia. At first this public sphere was an "Öffentlichkeit" in the sense of Negt and Kluge. No distinction was made between production, exhibition and distribution; film theoretical reading, film viewing, and film production were not separated, nor were the films categorized. Experimental work, documentaries, commercial features and mateur films were shown at the same venues. On the other hand the discussion around avant-garde film and filmmakers was vital and the reception of the continental and the American avant-garde was prominent. Film journals like Biografbladet (1920 - 1952) became important vehicles for new ideas in film aesthetics. The funding of Svensk Experimentfilmstudio (S.E.F.) in 1950 marked the beginning for a new phase in the history of the experimental film in Sweden. Through new magazines like SEF (1952) and Filmfront (1953 - 1956) the ontological question of the experimental cinema came into focus. Thus, the spheres became divided into a cineaste and an avant-garde one. The case of the films of Peter Weiss is typical. The chapter depicts this change and discusses how it addresses all the major questions concerning the politics and the poetics of the production, reception and distribution of marginal cinema practices.
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