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Träfflista för sökning "LAR1:su ;spr:swe;lar1:(liu);srt2:(2000-2004)"

Sökning: LAR1:su > Svenska > Linköpings universitet > (2000-2004)

  • Resultat 1-10 av 11
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1.
  • Aronsson, Karin, 1946- (författare)
  • Att möta huvudfotingens blick
  • 2002
  • Ingår i: Bild i skolan : Lärarförbundets tidskrift för bildpedagogik : konst, media, design. - 0349-2117. ; 3, s. 34-34:3, s. 34-
  • Tidskriftsartikel (populärvet., debatt m.m.)
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2.
  • Aronsson, Karin, 1946- (författare)
  • Praktikgemenskap och barns bildskapande i förskolan
  • 2001
  • Ingår i: Bild i skolan : Lärarförbundets tidskrift för bildpedagogik : konst, media, design. - 0349-2117. ; 72, s. 40-42
  • Tidskriftsartikel (populärvet., debatt m.m.)
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4.
  • Förhammar, Staffan, 1944- (författare)
  • Med känsla eller förnuft? : svensk debatt om filantropi 1870-1914
  • 2000
  • Bok (övrigt vetenskapligt/konstnärligt)abstract
    • Modern socialpolitik beskrevs länge enbart som en frukt av det starka samhällets framväxt. Filantropi likställdes med tillfälliga allmosor. I boken Med känsla eller förnuft? Svensk debatt om filantropi 1870-1914 visar Staffan Förhammar att socialpolitik av i dag också har rötter i en frivillig social hjälpverksamhet - den vetenskapliga filantropin. I stället för den traditionella välgörenhetens kravlösa gåvor ville den vetenskapliga filantropin ge hjälp till självhjälp och fostra hjälpbehövande till ansvarstagande samhällsmedborgare
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6.
  • Jülich, Solveig, 1966- (författare)
  • Skuggor av sanning : Tidig svensk radiologi och visuell kultur
  • 2002
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The present study deals with the introduction and reception of x-ray images in Sweden around 1900. The general aim is to investigate two cultural contexts of the early x-ray image. It is shown that during the initial years x-ray images were wedded with photographs and film in an expanding mass visual culture. From the outset, x-ray images were also part of a more narrow medical context raising expectations of their usefulness as a diagnostic aid. The study suggests that the tension between these two areas of use - subjective seeing tied to the world of attractions and objective scientific representation - was maintained even after radiology became etablished as a new medical practice.Regarding its theoretical point of departure, this dissertation draws inspiration from the interdisciplinary field of science studies. In particular, the study of the rhetorical role of visual images in science has proven to be a fruitful approach. Here it is used to show that x-ray images were used rhetorically by physicians to persuade their colleagues of the credibility of scientific results. Also, it demonstrates that the relationship between medical science and popular science was more dynamic than has often been asserted. As a complement to science studies this analysis also draws theoretical support from another interdisciplinary field of research; that of visual culture or alternatively visual studies. Researchers in this field study the meaning that seeing and the visual aspects of a broad spectra of phenomena have in our culture. With this outlook amore complex image of the constitution of the new radiological discipline is created where producers and consumers have a more entangled role.
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7.
  • Knutsson, Johan, 1955- (författare)
  • Folkliga möbler : tradition och egenart : en stilanalytisk studie av renässans- och barockdrag i den svenska folkliga möbelkonsten
  • 2001
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • A collection of furniture, most of which was produced before 1770, forms the basis of this description and explanation of the characteristics distinguishing vernacular furniture from bourgeois furniture, and the vernacular furniture in one area from that in another. The vernacular material is used to test the convincing force of the art history terms created to describe the artistic expression of the upper-class culture. The criteria previously used to define the specific characteristics of vernacular furniture is called into question and modulated.The study shows how regional characteristics can be observed as early as in the seventeenth century in many areas, long before what is considered the most prosperous period of vernacular art. It shows how Renaissance features played a crucial part in influencing the inherited characteristics of vernacular furniture right up until the emergence of rococo features in vernacular painting, towards the end of the eighteenth century, and sometimes even longer.The study focuses on the selection of stylistic features as an active choice. The survival of Renaissance features at the expense of baroque features cannot only be attributed to retardataire or 'cultural fixation' as a consequence of economic stagnation and lack of outside influence. The choice of certain stylistic features over others depends on a number of reasons. The pews, pulpits and other features in the parish churches that served as models played a crucial part. Out of all of that, the village joiner would chose the models he considered best suited for domestic furniture, and disregarded the others. 
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9.
  • Olsson, Erik A O (författare)
  • Väljer att vara annorlunda
  • 2003
  • Ingår i: I&M. - Sverige : Stiftelsen I&M. - 1404-6857. ; 29
  • Tidskriftsartikel (populärvet., debatt m.m.)
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  • Resultat 1-10 av 11

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