1. |
-
Kärleken begär att detta tal skall fram - Jalal ud-din Rumis liv, lära och lyrik
- 2008
-
Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Kärleken begär att detta tal skall fram är en antologi med texter om den persiske 1200-tals mystikern och poeten Jalal ud-din Rumi. Bidragen är skrivna av Sveriges främsta kännare av persisk litteratur och muslimsk mystik. I anslutning till texterna finns ett urval av Rumis dikter i svensk översättning av Eric Hermelin, Eric von Post, Gunnar Ekelöf, Bo Utas, Ashk Dahlén och Simon Sorgenfrei.
|
|
2. |
|
|
3. |
|
|
4. |
|
|
5. |
- Bengtson, Erik, 1985-, et al.
(författare)
-
Introduction: On the Art of Cave Guiding
- 2022
-
Ingår i: Shadows in the Cave. - Helsingborg : Retorikförlaget. - 9789186093518 - 9789186093525 ; , s. 9-16
-
Bokkapitel (övrigt vetenskapligt/konstnärligt)
|
|
6. |
|
|
7. |
-
Shadows in the Cave : Revisiting Rosengren's Doxology
- 2022
-
Samlingsverk (redaktörskap) (refereegranskat)abstract
- Caves, images, and symbols are recurring topics in the work of Mats Rosengren, from his reading of Plato in his dissertation Psychagōgia – Konsten att leda själar, to his investigation of the world of paleolithic cave art in Cave Art, Perception and Knowledge. While other philosophers might have descended into the cave with the aim of guiding visitors back up into the blinding light of eternal truths, Rosengren seems to be at home in the underworld. Instead of dismissing the paintings that adorn its walls as merely shadowy copies or distorted images, or claiming that the truth of these pictures is readily available to us, Mats Rosengren invites any traveler joining him to understand them as different forms of sensemaking, forms which at first might appear foreign, but that, upon closer inspection, reveal themselves in all their complexity. In this volume, the contributors take on some of the key themes found in Rosengren’s work, mirroring the stylistic, generic, and topical range that characterizes it. The volume is titled “Shadows in the Cave”, signaling a focus not on eternal truth, but – alluding to Plato – on the shadowplay of our human caves.
|
|
8. |
|
|
9. |
|
|
10. |
|
|