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- Nyström, Staffan, 1952-
(författare)
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Ord för höjder och sluttningar i Daga härad : en studie över betydelsen hos två grupper terrängbetecknande appellativ och ortnamnselement
- 1988
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- When topographical generics such as backe, berg, slänt and stalp are treated in literature and dialect records, their lexical meaning is often given without details and precise semantic distinctions. It is indicated by 'synonyms' and by established agreement with other words within the same semantic field, rarely by contrasting definite differences between the words. This can easily give an impression of a synonymity among topographical generics which is out of proportion to the great number of words in use. The main aim of this dissertation is to establish the exact meaning of words for heights and slopes in their two functions, as appellatives and as place-name elements. The study also aims atillustrating the necessity of field work, its problems and possible sources of errors.
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- Olsen, Lena, 1951-
(författare)
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Ersättningsklausuler : vite och andra avtalade ersättningar vid kontraktsbrott
- 1986
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The object of this work is to consider the importance of the purpose attached to such clauses as liquidated damages, penalties and forfeiture. Such clauses are common for example in contracts for goods and construction. They also appear in the form of a deposit in contracts for land. As a general term for this kind of clauses the term ”compensation clause” is used.The primary method used has been analysis of ordinary Swedish High Court-cases. As most of these cases date back to the turn of this century, the author discusses whether they still represent a correct view in today’s society. As much of the analysis conserns such intricate matters as construction of contracts, cases from other Nordic countries are not used. However, Nordic legal literature is considered frequently in the discussion. English and German law on the field is dealt with in a separate chapter.The main result of the study is that the individual purpose of the compensation clause appears to play only a minor role in its application. However, a general aim, to provide compensation and fascilitate dispute settlement, is fulfilled through presumptions and adjustment. The main aspect is whether the clause requires a breach of contract. Different kinds of clauses are applied similarly. Thus the term ”compensation clause” is recommended as a more general term for clauses requiring breach of contract and specifying either a special amount or the basis for calculation.The construction of the clause in different aspects is discussed, e.g., the relevant breach, the necessity and influence of the actual damage and the possibility of requiring performance of the contract. The possibility of an adjustment of the amount according to Contract Act 36 § is considered, as well as the validity of a clause connected with an invalid obligation.
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- Tatlow, Ruth, 1956-
(författare)
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Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs
- 1988
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Ingår i: Sinnbildlichkeit in Text und Musik bei Johann Sebastian Bach. - Heidelberg : Internationale Arbeitsgemeischaft für theologische Bachforschung e.V: Heidelberg. ; , s. 157-180
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Bokkapitel (refereegranskat)
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- Tatlow, Ruth
(författare)
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Lusus Poeticus vel Musicus : Johann Sebastian Bach, the Baroque Paragram and Friedrich Smend's Number Alphabet Theory
- 1987
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The starting point of this investigation was Friedrich Smend's number alphabet theory. Contrary to current trends in the analysis of Bach's music, Friedrich Smend used an eighteenth-century technique to understand eighteenth century music. This thesis presents a critical examination of Smend's theory, a history of number alphabets and their use in the eighteenth century, a history of the poetical paragram and a consideration of which, if any, of these forms Johann Sebastian Bach would have encountered, and whether he might have used the natural order number alphabet when composing.
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