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Sökning: WAKA:ref > Chalmers tekniska högskola > Konstfack

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1.
  • Femenias, Paula, 1966, et al. (författare)
  • Earthy textiles. Experiences from a joint teaching encounter between textile design and architecture
  • 2017
  • Ingår i: Cumulus REDO Conference Proceedings Design School Kolding 30 May - 2 June 2017. - 9788793416154 ; , s. 236-251
  • Konferensbidrag (refereegranskat)abstract
    • This paper presents experiences from a two-day teaching workshop where first year students in architecture meet with first year students in textile design for an assignment on building structures with textile, soil and plants designing for indoor gardening with the aim of inspiring for more sustainable lifestyles. The background is a research project on textile architecture with the objective of exploring this new field and to establish a platform for long-term collaboration between the disciplines of architecture and textile design. The paper addresses pedagogical challenges in the meeting between first-years students of different disciplines and traditions, but also in the meeting between research and undergraduate teaching. The students produced creative results but had difficulties in exploring the full complexity of the task. An evaluative discussion is based on observations, photo documentation, notes during group discussions, follow-up questionnaires among the students and reflections among involved researchers.
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2.
  • Fridh, Kristina, 1961-, et al. (författare)
  • Sound absorbing textile surfaces in the urban landscape - collaborative research in textile and architectural design
  • 2019
  • Ingår i: Futurescan 4: Valuing Practice Edited by: Helena Britt, Kevin Almond, Laura Morgan. - 9781527249691
  • Konferensbidrag (refereegranskat)abstract
    • The design of woven and knitted structures can be compared with the formation of buildings’ facades and constructions. However, textile designers do not generally participate when the exterior structure and facades of a building take shape, but rather when textiles and materials for the indoor environment are chosen, often with the intention of enhancing the acoustic qualities of spaces. In this research project, two architects and a textile designer collaborate, the latter focusing particularly on sound design. Incorporating textile designers in the early stages of building projects can lead to benefits of exploring and improving sound landscapes in outdoor environments. In order to search for and develop new approaches, methods and techniques in the field described as textile architecture, textile facade modules were designed and produced, and the design process was examined and evaluated from the points of departure of the two design fields. Questions such as ‘who is actually prototyping?’ arose, as well as the search for finding common references and concepts, both historical and contemporary, to strengthen the collaborative work. A practice-based experimental approach was important for the project and the merger of the two design fields, not least to put different textile techniques and materials to the test to examine how they can affect the sound landscape and experiences of space. The key activities in the laboratory work were technique, method, perception, stage-setting and context, which connected both to textile design and architecture. The different textile materials were chosen to comply with the requirements of external climate impact and rough outdoor environments. In groups of demarcated design experiments, the textile techniques of weaving and hand tufting were explored, and the modules were tested acoustically.
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3.
  • Norell, Daniel, 1973, et al. (författare)
  • Under Construction: A Real-World Fiction
  • 2021
  • Ingår i: CA²RE / CA²RE+ Hamburg. Conference for Artistic and Architectural Research - Book of Proceedings. - Hamburg : Hafen City Universität. - 9783947972302
  • Konferensbidrag (refereegranskat)abstract
    • The climate crisis has prompted new imaginaries in architecture and design that go beyond technical responses to issues of sustainability and into critical and creative practice. Recent discourse suggests that architects and designers can intervene in this cultural condition by constructing and materialising alternative realities. Models, as means of representation, hold particular promise for such intervention, as they can accommodate both theoretical concepts and material interventions. These concerns are explored through Under Construction, a design project that imagines a city that is constantly being rebuilt using a limited stock of materials. Consisting of a scale model of a neighbourhood constructed from demolition waste, the project explores how salvaged pieces of material can be situated in “real” material flows while simultaneously representing something other than themselves. The project argues that the ambiguities that the blending of the real and the fictional result in can unlock new possibilities for architectural representation.
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