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A Place in Europe : Proposed project description peered by Project Anywhere
- 2017
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Konstnärligt arbete (refereegranskat)abstract
- This is not conceived as an exclusive work but rather a demonstrably inclusive one (albeit resistant to the logic of circular reproduction). Within the process of artistic research and a developing practice, new methods might constitute another form of art. The project has been centered upon the idea of a round table at which a number of people with different competences have collaborated productively to build the project. The divergent competences that make up the project team have all contributed to the development of A Place in Europe, and moreover worked to challenge conventional practices and forms of knowledge belonging to the various fields of expertise in order to foster a spirit of experimentation and novelty. The key point of departure for all collaborators has been the value of approaching the topic from a creative base, and in doing so striving to exchange ideas in a productive manner with others, both at the site and within the process of developing the project and presentation. We have also been collectively mindful of the potentially asymmetrical power relations at play in any process during which “we” film and interact with “them”. We do not seek to speak for ”them” but rather use our collective desire to explore a more inclusive society.
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| 2. |
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A Slip of the Machinic Tongue
- 2022
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Konstnärligt arbete (refereegranskat)abstract
- The title of the book, The Computer as Seen at the End of the Human Age, is a reference to the exhibition “The Machine as Seen at the End of the Mechanical Age”, curated by Pontus Hultén for MoMA in 1968, highlighting how technology was influencing art at a time when mechanical machines were increasingly replaced by electronic and chemical devices. Through its selection of contemporary art works the exhibition thus came to function as a recording of technological history.I never got to see the exhibition since I wasn’t born at the time, but a couple of years ago I came across a curious book with a tin cover. The book was published in connection to the exhibition, and the history recorded between its covers ends at approximately the same time that early computers start to make their way into the art world. In the fifty years that followed, art came to be marked by a digital presence. It was that book, along with an interest in dead media, and a curiosity for art aided by algorithms, that sparked the idea for The Computer as Seen at the End of the Human Age.Here you will encounter new works by a selection of artists, specifically invited to use algorithms/AI to contribute to a continuous, self-reproducing, anachronistic, machine aided recording of history. A way to preserve, revise and/or comment upon digital history from the vantage point of present-day technology or through the lens of imagined future media, perspectives and technologies.The works have been created specifically for the book. Some are based on works by other artists, made in another era, repurposed for our time and technologies. Others are based on redundant technologies, revived and given new functions. Some adopt a critical or political approach to the algorithm and its impact on society. Several utilize it as an opportunity to create unique works for each separate copy of the edition. Thousands of files eventually compiled into 200 unique books, each with a different cover and different contents – generated, aided or influenced by algorithms. Participating artists: Geraldine Juárez, Cornelia Sollfrank/Winnie Soon, Mishka Henner, Shane Hope, !Mediengruppe Bitnik, Rosa Menkman, Rosemary Lee, Olle Essvik, Evan Roth, Jonas Lund, Darsha Hewitt, Carl-Johan Rosén, Linda Hilfling Ritasdatter and Jacek Smolicki.Editor: Olle Essvik
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| 3. |
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A Slip of the Machinic Tongue : Performative Soundscape Installation
- 2022
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Konstnärligt arbete (refereegranskat)abstract
- The performance was premiered at 'Digital Existence III: Living with Automation' an international conference at Sigtuna Foundation in Sweden, organized by BioMe project led by prof. Amanda Lagerkvist at Uppsala University and featuring Joanna Zylinska, Katherine Hayles, Nick Couldry, Sarah Pink and others. The performance is based on an essay written for a book 'The Computer as Seen at the End of the Human Age', edited by Olle Essvik (Rojal Förlag, Göteborg 2022). A dialog between several repurposed 'smart' speakers is accompanied by a spontaneously evolving soundscape generated by those devices' electromagnetic fields and micro-currents that make them operational. The piece is a component of an artistic inquiry into other, imperceptible voices and sonic realms that underlie and sustain contemporary technologies of voice recognition, synthesis and biometric capture. The project is part of BioMe: Existential Challenges and Ethical Imperatives of Bio-metric AI in Everyday Lifeworlds led by professor Amanda Lagerkvist at the Informatics and Media Department of Uppsala University.
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| 4. |
- Abdel-Khalek, Ahmed A., et al.
(författare)
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Chemical Studies on Uranium Extraction from Concentrated Phosphoric Acid by Using PC88A and DBBP Mixture.
- 2011
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Ingår i: Journal of Radioanalytical and Nuclear Chemistry. - : Springer. - 0236-5731 .- 1588-2780. ; 290, s. 353-359
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Tidskriftsartikel (refereegranskat)abstract
- Liquid–liquid extraction of U (VI) from concentrated phosphoric acid by using (2-ethyl hexyl) phosphonic acid, mono (2-ethyl hexyl) ester (PC88A) and di-butyl butyl phosphonate (DBBP) has been investigated. The effect of different factors affecting the extraction process (PC88A concentration, DBBP concentration, shaking time, aqueous/organic phase ratio, phosphoric acid concentration and effect of diluents) have been investigated. The obtained data of temperature on the extraction showed that the enthalpy change is −17.15 kJ mol−1. Uranium was extracted from the strip liquor by using di (2-ethylhexyl) phosphoric acid and tri-octyl phosphine oxide mixture and finally converted to a high purity UO3 product using precipitation with hydrogen peroxide and heat treatment at 365 °C.
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| 5. |
- Abdulle, Assyr, et al.
(författare)
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Exponential decay of the resonance error in numerical homogenization via parabolic and elliptic cell problems
- 2019
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Ingår i: Comptes rendus. Mathematique. - : Elsevier BV. - 1631-073X .- 1778-3569. ; 357:6, s. 545-551
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Tidskriftsartikel (refereegranskat)abstract
- This paper presents two new approaches for finding the homogenized coefficients of multiscale elliptic PDEs. Standard approaches for computing the homogenized coefficients suffer from the so-called resonance error, originating from a mismatch between the true and the computational boundary conditions. Our new methods, based on solutions of parabolic and elliptic cell problems, result in an exponential decay of the resonance error.
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| 6. |
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| 7. |
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Action Research in Circus; Learning the Methods of Teaching the Methods of Artistic Research.
- 2011
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Proceedings (redaktörskap) (refereegranskat)abstract
- In 2011, circus as an art form had only recently entered into the circuits of artistic education at a university level and into artistic research. A working group at the Circus department Stockholm University of the Arts, formely knows as DOCH, has been teaching, analyzing and documenting a particular course that concerned the methods of artistic exploration in circus. The purpose of the project was to address the following question: which pedagogical methods can we develop to prepare students for the methods of artistic exploration and research, specifically in circus? Or in other words: how can we learn the method of teaching the methods of artistic research in the field of circus? The described project was initiated and directed by Marie-Andrée Robitaille. This documentation was written by Camilla Damkjaer in collaboration with Marie-Andrée Robitaille and the presentation was made with the participation of circus students from the bachelor program in circus arts namely Nathalie Bertholio, Quim Giron Figuerola, Patrik Elmnert.
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| 8. |
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Acts of Seeing
- 2018
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Konstnärligt arbete (refereegranskat)abstract
- Stefanie Malmgren de Oliviera, PhD student from the Swedish School of Textiles at the University of Borås, exhibits her PhD research, focusing on fashion and seeing. De Olivieras work investigates how various and subjective ways of seeing influence the design process. She invites visitors into a normally secluded world where designers visions become reality. The exhibition displays sculpturally wrapped fabrics, photography and poems. There is also an interactive part where visitors can use their own imagination to drape mannequins by themselves.
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| 9. |
- Acuña, José, 1982-, et al.
(författare)
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Distributed thermal response tests on pipe-in-pipe borehole heat exchangers
- 2013
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Ingår i: Applied Energy. - : Elsevier BV. - 0306-2619 .- 1872-9118. ; 109:SI, s. 312-320
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Tidskriftsartikel (refereegranskat)abstract
- Borehole Thermal Energy Storage systems typically use U-pipe Borehole Heat Exchangers (BHE) having borehole thermal resistances of at least 0.06 K m/W. Obviously, there is room for improvement in the U-pipe design to decrease these values. Additionally, there is a need for methods of getting more detailed knowledge about the performance of BHEs. Performing Distributed Thermal Response Tests (DTRT) on new proposed designs helps to fill this gap, as the ground thermal conductivity and thermal resistances in a BHE can be determined at many instances in the borehole thanks to distributed temperature measurements along the depth. In this paper, results from three heat injection DTRTs carried out on two coaxial pipe-in-pipe BHEs at different flow rates are presented for the first time. The tested pipe-in-pipe geometry consists of a central tube inserted into a larger external flexible pipe, forming an annular space between them. The external pipe is pressed to the borehole wall by applying a slight overpressure at the inside, resulting in good thermal contact and at the same time opening up for a novel method for measuring the borehole wall temperature in situ, by squeezing a fiber optic cable between the external pipe and the borehole wall. A reflection about how to calculate borehole thermal resistance in pipe-in-pipe BHEs is presented. Detailed fluid and borehole wall temperatures along the depth during the whole duration of the DTRTs allowed to calculate local and effective borehole thermal resistances and ground thermal conductivities. Local thermal resistances were found to be almost negligible as compared to U-pipe BHEs, and the effective borehole resistance equal to about 0.03 K m/W. The injected power was found to be almost evenly distributed along the depth.
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| 10. |
- Adler-McKean, Jack
(författare)
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Brass instruments, techniques, and repertoire in the early twenty-first century
- 2024
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Ingår i: The Oxford Handbook of Wind Instruments.
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Bokkapitel (refereegranskat)abstract
- This chapter assess the state of brass instruments and their associated repertoire and performance practices in the early twenty-first century. Technological innovations and manufacturing developments from recent decades are outlined, as well an examination of how performance techniques have evolved and adapted to meet the demands of modern musicians. Finally, an overview is given of contemporary composition for brass, including examples of repertoire for trumpet, horn, trombone, and tuba, as well as ensemble deployment in compositions from the last quarter-century.
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