| 1. |
- Andersson, Eva I., 1968
(författare)
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Clothing and textile materials in medieval Sweden and Norway
- 2013
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Ingår i: Medieval clothing and textiles. Vol. 9 edited by Robin Netherton and Gale R. Owen-Crocker.. - Woodbridge : Boydell. - 9781843838562 ; , s. 97-120
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Bokkapitel (refereegranskat)abstract
- In this article the materials used for clothing in Scandinavia are examined from a variety of written sources such as wills and bills of sale. The article starts with a short presentation and discussion of the various kinds of documents used. Then it continues with the results of the study, starting with textiles and then continuing with furs. The development over time is considered after that and, finally, differences in respect to gender and social status.
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| 2. |
- Andersson, Eva I., 1968
(författare)
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Dangerous Fashions in Swedish Sumptuary Law
- 2019
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Ingår i: The Right to Dress: Sumptuary Laws in a Global Perspective c. 1200-1800 / edited by Giorgio Riello and Ulinka Rublack. - Cambridge, UK : Cambridge University Press. - 9781108475914 ; , s. 143-164
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Bokkapitel (refereegranskat)abstract
- Swedish sumptuary law has a long history - from the Middle Ages to the early 19th century. This article discusses dress regulations throughout this period, paying speciala ttention to ideas about gender, class and nation.
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| 3. |
- Andersson, Eva I., 1968
(författare)
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Det enda könet och klädedräkten
- 2002
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Ingår i: Kors och tvärs bland teorierna. Ett undervisningsexperiment vid Göteborgs och Karlstads universitet, red. Hans Abelius, Thomas Småberg, Sune Åkerman. - Göteborg : University of Gothenburg. - 9188614409 ; , s. 24-46
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Klädedräkt och skönhetsideal under medeltiden diskuteras i relation till Thomas Laqueurs sk. enkönsteori.
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| 4. |
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| 5. |
- Andersson, Eva I., 1968
(författare)
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Hur modemedveten var Bockstensmannen?
- 2008
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Ingår i: Bockstensmannen och hans tid. - : Länsmuseet i Varberg. - 9189570111 ; , s. 13-45
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- How fashionable was the Bocksten Bog man? In this article the uniqe preserved 14th century costume of the Bocksten Bog man is put in the context of European medieval fashion and of the contemporary Scandinavian society - what do his preserved clothes say about him?
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| 8. |
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| 9. |
- Andersson, Eva I., 1968
(författare)
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Kläder, skönhet och kön i tre medeltida romaner
- 2005
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Ingår i: Larsson, H. A. (red). Forskningsfronten flyttas fram : nordiska perspektiv. - Bromma : HLF förlag (Historielärarnas förening). - 9197417033
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 10. |
- Andersson, Eva I., 1968
(författare)
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Kläderna och människan i medeltidens Sverige och Norge : Clothing and the individual in Mediaeval Sweden and Norway
- 2006
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- Clothing and the individual in Mediaeval Sweden and Norway) The manner of dress in Norway and Sweden between 1200 and 1500 is investigated in this dissertation. The main sources are Norwegian and Swedish charters, mainly wills. Clothes mentioned in them are analysed with the help of pictorial sources and preserved garments. As well as the particular garments, the complete dress and its development over time is studied. The clothing materials mentioned and changes over time are discussed. Comparison is also made with European fashion and manners of dress. Dress is also studied as an expression of social categories; how dress differed between the estates and between the sexes and how it was used to signal status and gender is examined. In this investigation the results from the first part of the dissertation is used, but also other sources, like sumptuary regulations and courtly literature. Previous research has seen the dress of the lower estates in Scandinavia as fixed and unaffected by contemporary fashion. In this dissertation it is shown that the spread of the fashionable ideal in dress reached far, both socially and geographically. The same types of garments were, to a large extent, worn by all levels of society, the difference lay in which materials they were made from. One of clothing’s most persistent functions is to express and signal differences between men and women. How this is done is, however, culture specific and changes over time. In the Middle Ages with few exceptions men and women wore the same types of garments. Primarily, gender was signalled with headgear and other items of clothing that did not emphasize the physical differences between the sexes. The question of how gender was signalled in clothing is in the dissertation tied to theories about how bodies and sex was perceived in the Middle Ages. As a result of this study we get a deeper understanding not only of the manner of dress, but also of how gender and status were perceived in mediaeval Norway and Sweden
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