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- Castro, Andrea, 1964
(författare)
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Buenos Aires - Nueva York: Paul Groussac traductor y traducido
- 2010
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Ingår i: Memorias del XXXVII Congreso Internacional del Instituto Internacional de Literatura Iberoamericana - 24-28 junio 2008 - Benémerita Universidad Autónoma de Puebla. - 9786074871654
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Castro, Andrea, 1964
(författare)
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Buenos Aires - Nueva York: Paul Groussac y los dobleces de una traducción
- 2011
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Ingår i: Espéculo. Revista de estudios literarios. - 1139-3637. ; julio-octubre 2011:48
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- In this article I set out to discuss translation and exile in a short story by Paul Groussac that was first published in English -titled "A Hero"- and later on in Spanish -titled "La Herencia"-. To this end, consideration is taken both to the publishing circumstances and the textual relations that can be established with other texts of the French-Argentinian autor as to how diferent reading audiences are adressed by each of the versions of the story.
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| 6. |
- Castro, Andrea, 1964
(författare)
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Educación, ciencia y blancura en Stella y Mecha Iturbe de César Duayen : Education, Science and Whiteness in Stella and Mecha Iturbe by César Duayen
- 2016
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Ingår i: Kamchatka. Revista de análisis cultural. - 2340-1869. ; 7, s. 341-361
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Tidskriftsartikel (refereegranskat)abstract
- The present article studies the role of education and science in the process of imagining the desired nation in the first two novels by César Duayen, namely, Stella (1905) and Mecha Iturbe (1906). To this end, the analysis focuses on the relations established between Education, Science and Nation as well as on the ways through which the narratives attribute themselves the authority to imagine the nation and realize this imagination in the diegetic world. Within this framework, the tension between the local and the global – or the national and the cosmopolitan – will play a central role, which is also discussed along the essay. Furthermore, it is argued that white as a colour as well as white bodies will be central elements for the conveyance of both the conflicts that the desired nation faces and the ideals that guide it.
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| 7. |
- Castro, Andrea, 1964
(författare)
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El arte como horizonte utópico del sentir en La Anunciación : Art as Utopian Horizon of Feeling in La Anunciación
- 2015
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Ingår i: 452° Farenheit. Revista de Teoría de la Literatura y Literatura Comparada. - 2013-3294. ; :12, s. 167-181
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Tidskriftsartikel (refereegranskat)abstract
- ABSTRACT || In La Anunciación (2007) by María Negroni, a survivor of the Dirty War in Argentina narrates her quest to reconstitute herself as a subject, in exile, thirty years later. Thus, the novel inserts itself in the series of narratives about the memories of the last dictatorship in Argentina. However, at the same time, departing from referentiality, the novel creates obstacles for a mimetic reading. This paper argues that this is achieved through the discussion about art that mainly focuses on the character of Emma, the painter, and on the pictorial tradition of the Annunciation. Nonetheless, this departure from referentiality is by no means complete as the narrative keeps a dialectical relationship with history and memory. Accordingly, this article suggests that the novel puts forward a utopian idea of art that enters in dialogue with the utopian ideals of the revolutionary movements of the 1970s. RESUMEN || En La Anunciación (2007) de María Negroni una sobreviviente de la Guerra Sucia en Argentina narra su intento de volver a constituirse como sujeto en el exilio, treinta años más tarde. A través de esta temática, se inserta en la narrativa argentina de la memoria de la última dictadura. Al mismo tiempo, la novela, desvinculándose de lo referencial, obstaculiza una lectura mimética. El presente trabajo argumenta que esto se logra a través de la discusión sobre el arte, discusión que, principalmente, se nuclea alrededor del personaje de la pintora, Emma, y de la tradición pictórica de la Anunciación. Pero esta desvinculación de ninguna manera es total, sino que se mantiene en una relación dialéctica con la Historia y con la memoria. De ahí, planteamos que, a través esa misma discusión sobre el arte, la narrativa propone una idea utópica de este, que entra en diálogo con las utopías de los movimientos revolucionarios de la década de 1970
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| 8. |
- Castro, Andrea, 1964
(författare)
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El encuentro imposible. La conformación del fantástico ambiguo en la narrativa breve argentina. (1862-1910) : The Impossible Encounter. The Construccion of the Ambiguously Fantastic en Argentine Short Fiction (1862-1919)
- 2002
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This dissertation concentrates on the textual analysis of five short stories from the period 1962-1910, all of which share the same characteristic: they all present the coexistence of a natural and a supernatural domain, being these two domains incompatible according to the premises proposed by the text. Considering the historical time in which these stories appear, a period in which a faith in reason as the means to achieve civilisation and progress predominates, the coexistence of these two orders in a zone of disquieting ambiguity appears as a challenge to the hegemony of reason and, in an extended sense, as a challenge to the modernisation project. Furthermore, considering that the authors of these stories belonged to the dominant classes, be it politically or intellectually, the challenge can thus be said to come from the same social classes that formulated the official discourse. In order to understand how these texts construct the ambiguity between a natural and a supernatural domain, the following questions were posed: At which levels of the texts and how is the ambiguity created and sustained? When studying the use of narrative techniques, it could be seen that the technical preoccupation is very much present in these stories, and that the creation of a natural and a supernatural domain is in great measure a product of the narrative act. When analysing the use of motives, figures and themes, it could be seen that through these, the stories inscribe themselves in the gothic tradition. This contributes to the creation of the supernatural domain. The motif of the threshold and its associated motif, the motif of the gothic castle, were shown to play a fundamental roll in the structuring of the textual space in which the coexistence of the domains will take place. The analysis of the use of the discourses of science and progress showed that science not always contributes to the creation of the natural domain, as well as confirmed the presupposition that the discourse of science and the discourse of spiritualism were not separated by clear limits. A study of the social, cultural and political context in which the stories were published, contributed to a better understanding of the dialogue or dialogues that these stories kept with this context. The stories are Juana Manuela Gorritis Quien escucha su mal oye (1865), Eduardo L. Holmbergs El ruiseñor y el artista (1876), Eduarda Mansillas El ramito de romero (1877), Atilio Chiapporis La corbata azul (1904) and Leopoldo Lugones Un fenómeno inexplicable (1906).
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| 10. |
- Castro, Andrea, 1964
(författare)
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El motivo del umbral y el espacio liminal
- 2007
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Ingår i: Teorías hispanoamericanas de la literatura fantástica. José Miguel Sardiñas (ed.). - La Habana, Cuba : Fondo Editorial Casa de las Américas /Editorial Arte y Literatura. - 9789592602120 - 9789590304217 ; , s. 255-262
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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