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- Berg, Daniel, 1971, et al.
(författare)
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Sinnenas musik : En exkursion i sex satser
- 2023
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Vad händer när musik möter människans olika sinnen? Hur påverkas vi av musiken vi hör, och vad kan vi med sinnenas hjälp lära oss? Hur låter champagne, hur doftar Vivaldi och vad kan klanger ge för aromatiska associationer? ”Sinnenas musik” är en utforskning av musikens betydelse för våra sinnen och hur våra sinnen korsbefruktar varandra. Att musik har betydelse för både kropp och själ har nog de flesta personlig erfarenhet av. Inte minst hjärnans olika funktioner påverkas av tonkonst, som motivation, uppmärksamhet, känslor, minne och språkförmåga. Ny forskning visar också att kultur i olika former kan vara skyddande mot bland annat Alzheimers sjukdom. Så vare sig du lever i allegrissimo eller i ett lugnare andante, i dur eller moll, gillar ensemblespel eller föredrar solouppträdanden, påverkas alla dina sinnen av musik kanske också på ett sätt som du inte är helt medveten om. Boken har tillkommit efter en seminarieserie på Jonsereds herrgård vid Göteborgs universitet. Redaktörer är Anna Falkenland och Lena Ulrika Rudeke. Textförfattaren Eva Lundgren är redaktör och journalist. Förord av Catharina Dyrssen, professor emerita i arkitektur och designmetodik. Länk till musik med Duo Granmo-Berg – Tobias Granmo, violinist och lektor i kammarmusik, och Daniel Berg, slagverkare, kompositör och professor i musikalisk gestaltning. Boken avslutas med en ackompanjerande bildsvit för fortsatt utforskande av sinnenas korsbefruktning.
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| 2. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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Ljud och andra rum : Sound and other spaces
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Sound and other spaces is a book about urban sound environments, sound art, acoustic space, and spatial aspects of sound. The texts in this book comprise personal reflections on sound quality and sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural design and city planning. In texts and images the authors present a number of projects performed within the artistic and interdisciplinary research group Urban Sound Institute (USIT). We hope that readers will find this book handy and easy to use and that it will serve as a bridge between specialists and an interested general public.
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| 3. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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Sound and other spaces
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The book, edited by Catharina Dyrssen, draws on coclusions from two larger artistic research project on urban sound environments, sound art, acoustic space, and spatial aspects of sound. The chapters comprise reflections on sound quality ans sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural and urban design. In text and images the four authors discuss a number of investigative projects performed within the artistic and interdisciplinary research group Urban Sound Institute.
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| 6. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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The Sound Labyrinth Project: Catalyst for Creative Activity
- 2012
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Ingår i: Interference: A Journal of Audioculture. - 2009-3578 .- 2009-3578. ; 2012:2
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Tidskriftsartikel (refereegranskat)abstract
- Two large sound installations, developed by transdisciplinary sound art and research group Urban Sound Institute, created a meeting place for one year of artistic and pedagogic activity in a Swedish regional museum. The project involved a historic sound archive, a string quartet, a local radio station, pedagogic workshops, several schools, children’s groups and musical education programs. The installations created a complexity of interior spaces, and acted as huge musical instruments to be ‘played’ by professional musicians, dancers and visitors. Through advanced computer programming and careful composition, modeling and distribution of sounds as words, narratives, music, space, bodily experiences and memory, the Sound Labyrinth allowed for great variations, durability over time, and different forms of interaction. The article describes the project, and discusses the exhibition as a platform for collective, multiple interaction; as an expanded musical-architectonic composition; and as a contribution to artistic research methodologies relevant for sound spaces within so-called sound-making disciplines.
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| 7. |
- Hellström, Björn, 1959, et al.
(författare)
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Modelling the shopping soundscape
- 2011
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Ingår i: Journal of Sonic Studies. - Leiden : Leiden University Press. - 2212-6252. ; 1
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Tidskriftsartikel (refereegranskat)abstract
- This article’s pivotal theme is: “How to compose a site-specific sound-art installation for a commercial space in order to improve conditions, while taking perceptual, social, aesthetical, temporal and spatial criteria into account” The interdisciplinary, art-based research approach is derived from the concept of acousmatics, i.e. the process of apprehending any sound, the source of which is invisible. Acousmatic perception concerns the everyday identification process; when lacking visual contact with the sound source, we automatically seek references, such as social (what produces the sound and what is my relation to it?), aesthetical, spatial and temporal (e.g. orientation and demarcation). The acousmatic concept identifies phenomena based on individually, culturally and spatially conditioned experiences. Today, a shopping culture dominates urban space. Indoor malls expose us to all types of acousmatically perceived sounds: jingles, signals, music and muzak from public loudspeakers, mobile devices, etc. In this respect, one could claim that the soundscape of the shopping culture embodies an acousmatic environment. In 2009, the research and sound-art group Urban Sound Institute (USIT) created a permanent sound installation in a shopping mall (Gallerian) located in downtown Stockholm. This installation serves as a case study for the present paper. The artistic assignment involved the creation of a meeting place without material devices as well as the enhancement of the overall atmosphere. The research objective was to elucidate different qualities of the sound installation in regard to the acousmatics of the shopping mall, promoting discussions on the articulation of sound-space configurations in relation to time and site-specific context, issues on musical-architectural qualities as well as objective, subjective and inter-subjective interrelationships between the experience of the sound-art installation and the experience of the shopping mall soundscape. Other applied, interrelated concepts are metabolic environment and masking- and cutting effects.
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